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Speed Training for Bodybuilders - Timothy Seavy (1991)

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The iron community heard a certain amount of talk lately about the value of speed/strength training for athletes in explosive-oriented sports such as shot putt, Olympic weightlifting, football and sprinting. Clearly, if an athlete must be able to accelerate rapidly for his event, it makes sense to include movements involving rapid acceleration and other forms of speed work in training. This style of training, however, may also be beneficial to the bodybuilder.

Because many bodybuilders may be unfamiliar with the mechanics of speed/strength exercises in general and variable-velocity training in particular, why not take a moment and explore these two modes of weight training and discover what they might contribute to your routine?

As the term "speed training" implies, the major objective is to consciously teach the muscles to contract as rapidly as possible within a set period of time, thus enhancing reaction time while recruiting more fast-twitch, anaerobic muscle fibers -- those fibers that are most often associated with hypertrophy. General recommendations are that the time frame should be anywhere from 20 to 30 seconds with a poundage that allows you to do 12 to 20 repetitions as quickly as possible. 

Needless to say, this type of training is totally rigorous. Because your muscles are forced to move faster than they are accustomed to, entire bands of fibers left unstimulated by the slow-and-steady tempo get a most dramatic and searing excitation, meaning that the appropriate muscles and central nervous system respond accordingly and adapt to new and greater types of exercise. In effect, you increase the "educational capacity" of the organism by varying the curriculum to include differing -- rather than constant -- velocities.

A weekly session of this sort of training would benefit any bodybuilder, especially those who have difficulty adding size. If you work out at the same tempo month and month, how can you expect to stress all of the various fibers within a muscle? You can't. So you should mix not only sets and repetitions, but also the rhythms you use.

Not all muscles of the body, however, respond equally well to this slash-and-burn training style, primarily because the element of intensity is so high -- you must generate tremendous forces in order to keep that bar humming. In general, speed training is tailor-made for large muscles, such as the quadriceps, latissimus dorsi and pectoralis major, because these exercises call upon the primary leverages of the body. By comparison, areas such as the deltoids, biceps and triceps are far weaker, so their contractile abilities are less.

Use speed training for major lifts such as the squat, bench press and row. But before you even think of doing a few speed sets (three should suffice), be sure to do a thorough warmup consisting of some light calisthenics, relevant stretching and a few easy preliminary sets of the movement itself.

When you are ready, use a weight that's about 60% of what you would use on a regular 10-rep set. For example, if you can squat 300 x 10, figure on using 180 or so for your "flame out" sets. And do have on of your trusted training partners time you, or time yourself for 30 seconds so you can see just how many deep ones you can burn through in this time frame. And burn you will! Many athletes crap out after the second set of such hell, leaving the third set on the platform.

Another similar concept is known as variable-speed rep training. The name says it all here: You intentionally vary the speeds, or rates, at which you lift. Using the squat again as an example, let's assume that you're still a 300 for 10 chap. In this case you will squat with no more 105 or 115 max, but you will shoot for a total of 50 to 60 repetitions, which means a whole lotta shakin' will be goin' on.

Do the first 10 reps in slow, controlled style, head level and back straight. Then do the next 10 as rapidly as your legs will allow -- in other words "sprinting." You do the third 10 in slow controlled style once again, and so on until you have completed the full 60 reps. By changing the pace you during the set you expose the muscles to different kinds of contractions and do what aerobic athletes call intervals.

Rest? Ideally, you should do all 10 of each distinct speed without pausing so that the proper system gets full benefit. Although you should try to do the first 20 without a pause, at the end of each 10 after that go ahead and help yourself to some deep breaths of air. This form of variable training is one of the toughest forms of training you will ever endure.

For the upper body give this method of madness a whirl on your benches, but reduce the reps to 25 to 30 and take them in groups of five slow/five fast. Do your best on the slow ones to maintain control of the resistance at all times -- if you can't maintain control then the weight is too heavy. Sticking to this rule will prevent you from injuring your chest or shoulder region. And do be an intelligent mate and have some form of spotting ready just in case things get hectic.   















The First Assistance Exercises (with Jim Halliday Layout) - W. A. Pullum

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W. A. Pullum



Jim Halliday






THE FIRST ASSISTANCE EXERCISES
- 1955 -

 -- W. A. Pullum tells how he originated weightlifting "assistance" exercises, still used today with great success by National and World champions.

Also including Jim Halliday's explanations and recommendations for their use, from his book "Olympic Weightlifting with Bodybuilding for All."






Bodybuilding to me when I was a young man representing a pursuit where the development of great strength counted for more than the development of muscle not possessing that strength, most of the things I did therefore in the way of training were naturally designed to make myself as powerful as possible.

A goodly degree of muscular development came in the process, of course, but it was not of very quick manufacture. It never is when the cultivation of power is when the main theme of training efforts. But what does come into being that way lasts for a very long time, maintaining itself for years and years long after regular training has ceased. That has not only been my own personal experience; I have noticed this fact with several other people as well.

Like everybody else, I found I was better at some lifts than others, but did not commit the mistake of concentrating on these, strong though at first the urge was to do so. Instead, I gave most attention to the lifts at which I didn't shine, appreciating that this was merely common-sense policy. That is, if I were to become the all-round strong man so much desired.

There were 42 recognized lifts in my day. 

BAWLA RULES for the 42 OFFICIAL LIFTS:
(as of 1933)

#1 and  #2 The Right or the Left Hand Military Press:
The dumb-bell shall be taken to the shoulder and, after a pause of two seconds, pressed to arms’ length overhead. At the commencement of the press the bar shall not be held higher than the top of the sternum where the collar-bones meet. During the press from the shoulder the trunk must not be inclined backwards, forwards, or sideways, the shoulders must be kept quite level, the legs straight, the heels together, the head held erect with the eyes looking directly in front, the slightest deviation from the erect position being counted cause for disqualification. In taking the bell to the shoulder either one or two hands may be used. In the performance of this lift the use of a barbell or ringweight is not permitted.

#3 and #4 The Right or the Left Hand Snatch:
The barbell shall be taken from the ground to arm’s length overhead in one clean movement. In ‘fixing’ the bell the trunk may be bent to the side, and the legs to any extent, but to lock the arm by ‘pushing’ the bell shall be counted cause for disqualification. At the conclusion of the lift the trunk shall be erect, the lifting arm and legs straight, and the heels together.

#5 and #6 The Right or the Left Hand Swing:
The dumb-bell, which at the commencement of the lift must lie at right angles to the lifter’s front, shall, kept in that position throughout, be taken to arm’s length overhead. The lift may be performed in one movement, or a series of movements, but in the latter instance there shall be no pause between any of these movements nor shall any part of the bell be brought into contact with the ground after it has once been lifted therefrom. In ‘fixing’ the bell the trunk and legs may be bent to any extent, and the bell may be brought into contact with the forearm, but to lock the arm by ‘pushing’ shall be counted cause for disqualification. At the conclusion of the lift, the trunk shall be erect, the lifting arm and legs straight and the heels together.

#7 and #8 The Right or the Left Hand Clean and Jerk:
The barbell shall be taken to the shoulder in one clean movement, and thence jerked to arm’s length overhead. In the ‘pull-in’ to the shoulder the trunk may be bent sideways, the elbow may rest upon the thigh prior to standing erect, but should the bar be brought into contact with the body below the nipples it shall be counted cause for disqualification. To rest the elbow on the body prior to jerking the bell overhead is also permitted. At the conclusion of the lift the trunk shall be erect, the lifting arm and legs straight, and the heels together.

#9 and #10 The Right or the Left Hand Clean and Bent Press:
The barbell shall be taken to the shoulder in one clean movement and thence elevated to arm’s length overhead as described in #13 and #14. In the ‘pull-in’ to the shoulder the trunk may be bent sideways, the elbow may rest upon the thigh prior to standing erect, but should the bar be brought into contact with the body below the line of the nipples it shall be counted cause for disqualification. At the conclusion of the lift, the trunk shall be erect, the lifting arm and legs straight, and the heels together.

#11 and #12 The Right or the Left Hand Anyhow and Bent Press:
The barbell shall be taken to the shoulder ‘anyhow’ (providing one hand only be used), from whence it shall be elevated to arm’s length overhead as described in #13 and #14. In taking the bell to the shoulder it shall not be counted cause for disqualification if the lifter’s head, or neck, be brought into contact with the bar, but the use of a belt, or sling, to support the elbow of the lifting arm is not permitted. At the conclusion of the lift the trunk shall be erect, the lifting arm and legs straight, and the heels together.

#13 and #14 The Right or the Left Hand Bent Press- Two Hands to Shoulder
The barbell shall be taken to the shoulder with two hands without restriction as to method and, having been transferred into one hand, shall, grasped in the center, be elevated to arm’s length overhead by means of lateral pressure. During the press from the shoulder it shall be counted cause for disqualification should any part of the bell be brought into contact with the hip. At the conclusion of the lift the truck shall be erect, the lifting arm and legs straight, and the heels together.

#15 and #16 The Right or the Left Hand Deadlift
The barbell, which at the commencement of the lift may lie either parallel, or at right angles to the lifter’s front, shall be lifted from the ground to at least the height of the lifter’s knees. Should the bar be brought into contact with the legs during the lift, it shall not be counted cause for disqualification. At the conclusion of the lift the legs shall be straight and braced at the knees, the feet remaining astride throughout.

#17 Abdominal Raise
Lying on the ground with the back of the neck resting on the center of the bar, the lifter, grasping the bar with both hands, shall raise himself into a sitting position. Throughout the lift the heels shall remain together, the legs straight, and the bar in contact with the body, and upon conclusion the trunk shall be at right angles to the legs. In the performance of this lift the use of a dumb-bell is not permitted, but the feet may be secured under some weighty object.

#18 Crucifix
The dumb-bells (or ring-weights), having been taken clean to arms’ length overhead, shall be lowered sideways (palms uppermost) until the arms are level with the shoulders. If ring-weights are used, they will not be allowed to rest upon the forearms, but must hand suspended from the rings. Whilst the bells are being lowered, the trunk may be inclined backwards to any extent, but the heels must remain together, and the arms and legs be kept straight throughout.

#19 Rectangular Fix
The barbell grasped with both hands (knuckles to the front) shall hang at arms’ length across the lifter’s front, from which position it shall be raised forward steadily until the forearms are at right angles to the upper arms. Throughout the lift the trunk must not be inclined backwards, or forwards, or sideways, the shoulders must be kept quite level, the legs straight, the upper arms remain stationary, and the heels together. The slightest deviation from this position shall be counted cause for disqualification.

#20 Lateral Raise- Standing
The dumb-bells (or ring-weights) shall hang at arms’ length by the lifter’s sides, from which position they shall be raised sideways (knuckles uppermost) until the arms are level with the shoulders. Whilst the bells are being raised, the trunk may be inclined backwards to any extent, but the heels must remain together, and the arms and legs be kept straight throughout.

#21 Lateral Raise- Lying
Lying on the ground with the arms extended level with the shoulders (palms uppermost), the dumb-bells shall be raised until they are immediately over the lifter’s face. Throughout the lift the heels shall remain together, the buttocks on the ground, and the arms and legs straight. In the performance of this lift the use of ring-weights is not permitted.

#22 Hold Out in Front- Raised From Below
The barbell grasped with both hands (knuckles to the front) shall hang at arms’ length across the lifter’s front, from which position it shall be raised forward steadily until the arms are level with the shoulders. Throughout the lift the trunk must not be inclined backwards, forwards, or sideways, the shoulders must be kept quite level, the arms and legs straight, and the heels together. Seen from the side, the head, back, buttocks, and heels should be in one straight line, and the slightest deviation from this shall be counted cause for disqualification.

#23 Hold Out in Front- Lowered From Above
The barbell grasped with both hands, having been taken clean to arms’ length overhead, shall be lowered downwards steadily (knuckles uppermost) until the arms are level with the shoulders. Throughout the lift the trunk must not be inclined backwards, forwards, or sideways, the shoulders must be kept quite level, the arms and legs straight, and the heels together. Seen from the side, the head, back, buttocks, and heels should be in one straight line, and the slightest deviation from this line shall be counted cause for disqualification.

#24 Pull Over at Arms’ Length
Lying on the ground with the arms extended fully behind the head, the barbell shall be raised until it is immediately over the lifter’s face. Throughout the lift the heels shall remain together, the buttocks on the ground, and the arms and legs be kept straight. In the performance of this lift the use of a dumb-bell is not permitted.

#25 Pull Over and Press on Back Without Bridge
Lying on the ground with the center of the bar immediately behind the head, the bell shall be brought over the lifter’s face until the upper arms rest on the ground. From this position the bell shall be pressed to arms’ length overhead. Once the bell clears the line of the sternum where the collar-bones meet, the discs shall not again come into contact with the floor. Throughout the lift the heels shall remain together, the buttocks and shoulders on the ground, and the legs be kept straight.

#26 Pull Over and Push on Back with Bridge
Lying on the ground with the center of the bar immediately behind the head, the bell shall be brought over the lifter’s face until the upper arms rest on the ground. Once the bell clears the line of the sternum where the collar-bones meet, the discs shall not again be brought into contact with the floor. Immediately the bell is in the same position as for the ‘Press,’ then the heels may be brought close to the buttocks, and the forearms inclined forward until the bar rests across the abdomen. From this position the bell may be impelled to arms’ length overhead by a quick ‘bridge’ formation, but at no period of the lift shall the shoulders leave the ground. At the conclusion of the lift, the arms and legs shall be straight, the buttocks on the ground, and the heels be brought together.

#27 Two Hands Swing
The dumb-bells may be taken to arms’ length overhead in one movement, or in a series of movements, but in the latter instance there shall be no pause between any of these movements, nor shall any part of the bells be brought into contact with the ground after they have once been lifted therefrom. At the commencement of the lift the lifter may stand either between or astride the bells, but immediately the bells leave the ground they must be maintained at right angles to the lifter’s front throughout the lift. In ‘fixing’ the bells the legs may be bent to any extent, and the bells may be brought into contact with the forearms, but to lock the arms by ‘pushing’ shall be counted cause for disqualification. At the conclusion of the lift the trunk shall be erect, the arms and legs straight, and the heels together.

#28 Two Hands Clean and Military Press with Dumb-Bells
The dumb-bells shall be taken clean to the shoulders, and after a pause of two seconds pressed to arms’ length overhead. At the commencement of the lift the bells shall not be held higher than the top of the sternum where the collar-bones meet. During the press from the shoulders the trunk must not be inclined backwards, forwards, or sideways, the shoulders must be kept quite level, the legs straight, the heels together, the head held erect with the eyes looking directly in front, the slightest deviation from the erect position being counted cause for disqualification.

#29 Two Hands Clean and Push with Dumb-Bells
The dumb-bells shall be taken clean to the shoulders, after which the commencing position shall be assumed. This position may be taken with the feet astride, or with one foot advanced, and in either the trunk may be inclined forward. If the feet are placed astride, both the legs must, at this period of the lift, be kept quite straight. If one foot is advanced, the leg corresponding to that foot must be kept quite straight. After taking up the commencing position a pause of two seconds shall elapse; the bells shall then be pushed to arms’ length overhead. As soon as the push begins, the legs and the trunk may be bent to any extent, but lowering the body vertically is not permitted. At the conclusion of the lift, the trunk shall be erect, the arms and legs straight, and the heels together.

#30 Two Hands Clean and Jerk with Dumb-Bells
The dumb-bells shall be taken to the shoulders in one clean movement, and thence jerked to arms’ length overhead.. To rest the elbows on the body prior to jerking the bells overhead is permitted. At the conclusion of the lift the trunk shall be erect, the arms and legs straight, and the heels together.

#31 Two Hands Continental Jerk with Dumb-Bells
The dumb-bells, which must be lifted simultaneously, may be taken to the shoulders in a series of movements, and may be rested upon, or against, any part of the legs or trunk in so doing. They shall thence be jerked to arms’ length overhead. At the conclusion of the lift the trunk shall be erect, the arms and legs straight, and the heels together.

#32 Two Hands Anyhow with Dumb-Bells
The dumb-bells shall be lifted to arms’ length overhead ‘anyhow’. For example, one bell may be taken to the shoulder with two hands, thence to be jerked, or bent-pressed, overhead, after which the other bell shall be raised to a full stretch of arm overhead. This is the method usually employed. At the conclusion of the lift the trunk shall be erect, the arms and legs straight, and the heels together.

#33 Two Hands Slow Curl
The barbell grasped with both hands (palms to the front) shall hang at arms’ length across the lifter’s front, from which position it shall be lifted to the shoulders by bending the forearms completely on the upper arms. Throughout the lift the truck must not be inclined backwards, forwards, or sideways, the shoulders must be kept quite level, the legs straight, and the heels together. The slightest deviation from this position shall be counted cause for disqualification.

#34 Two Hands Clean and Military Press with Barbell
The barbell shall be taken clean to the shoulders, and after a pause of two seconds, pressed to arms’ length overhead. At the commencement of the lift the bar shall not be held higher than the top of the sternum where the collar-bones meet. During the press from the shoulders the trunk must not be inclined backwards, forwards, or sideways, the shoulders must be kept quite level, the legs straight, the heels together, the head held erect with the eyes looking directly in front, the slightest deviation from the erect position being counted cause for disqualification.

#35 Two Hands Clean and Push with Barbell
The barbell shall be taken clean to the shoulders, after which the commencing position shall be assumed. This position may be taken with the feet astride, or with one foot advanced, and in either the trunk may be inclined forward. If the feet are placed astride, both legs must, at this point of the lift, be kept quite straight. If one foot is advanced, the leg corresponding to that foot must be kept quite straight. After taking up the commencing position a pause of two seconds shall elapse; the bell shall then be pushed to arms’ length overhead. As soon as the push begins, the legs and trunk may be bent to any extent, but lowering the body vertically is not permitted. At the conclusion of the lift the trunk shall be erect, the arms and legs straight, and the heels together.

#36 Two Hands Snatch
The barbell shall be taken from the ground to parallel arms’ length overhead in one clean movement. In ‘fixing’ the bell the legs may be bent to any extent, but to lock the arms by ‘pushing’ shall be counted cause for disqualification. At the conclusion of the lift the trunk shall be erect, the arms and legs straight, and the heels together.

#37 Two Hands Clean and Press From Behind Neck
The barbell, having been lifted clean to the shoulders, shall be raised overhead, then lowered behind the neck until the bar rests across the shoulders. The heels shall then be brought together. From this position the bell shall be pressed to arms’ length overhead. During the press from the shoulders the trunk and legs may be bent to any extent, but the heels shall not be separated. At the conclusion of the lift, the truck shall be erect, the arms and legs straight, and the heels together.

#38 Two Hands Clean and Jerk From Behind Neck
The barbell, having been lifted clean to the shoulders, raised overhead, then lowered behind the neck to rest across the shoulders, shall, from that position, be jerked to arms’ length overhead. At the conclusion of the lift the trunk shall be erect, the arms and legs straight, and the heels together.

#39 Two Hands Clean and Jerk with Barbell
The barbell shall be taken to the shoulders in one clean movement and thence jerked to arms’ length overhead. In the ‘pull-in’ to the shoulders it shall be counted cause for disqualification should the bar be brought into contact with the body below the line of the nipples. To rest the elbows, or the bar, on the body prior to jerking the bell overhead is permitted. At the conclusion of the lift the trunk shall be erect, the arms and legs straight, and the heels together.

#40 Two Hands Continental Jerk with Barbell
The barbell may be taken to the shoulders in a series of movements, and may be rested upon, or against, any part of the legs or trunk in so doing. A belt may also be worn to support the bell prior to turning it to the shoulders, from whence it shall be jerked to arms’ length overhead. At the conclusion of the lift the trunk shall be erect, the arms and legs straight, and the heels together.

#41 Two Hands Anyhow with Barbell and Ring-Weight
The barbell and ring-weight shall be lifted to arms’ length overhead ‘anyhow’. For example, the barbell may be taken to the shoulder with two hands, thence jerked, or bent-pressed, overhead, after which the ring-weight shall be raised to full stretch of arm overhead. Again, the barbell may be taken overhead with two hands, then transferred into one hand, after which the ring-weight shall be taken overhead to arm’s length. At the conclusion of the lift the trunk shall be erect, both arms straight and parallel with one another, the legs straight, and the heels together.

#42 Two Hands Dead Lift
The barbell shall be lifted from the ground until the lifter stands erect. Throughout the lift the heels must remain together, and upon conclusion the legs must be straight and the shoulders taken back. Should the bar be brought to rest against the legs during the lift it shall not be counted cause for disqualification.

To what extent this policy succeeded may be seen on one respect from this fact: I officially broke records on 40 of these lifts when a member of the BAWLA, many of these performances establishing world records. 40 years ago now when the last of these records was accomplished, a number of them still stand to this day. 

One of the chief reasons for my eventual success as an all-round performer after such an inauspicious beginning was the origination and determined practice of a special type of exercise which I termed "Assistance Exercises." I devised these exercises in the first place solely for my own benefit, their object being to make me stronger on certain lifts where performance had shown power was lacking. Later, I extended the range of these special exercises to cover every lift I practiced.

When I had proved the efficacy of these various movements to my full satisfaction, I then taught them to other people in my capacity a Principal and chief instructor of the Camberwell Club. This was years before I became a professional teacher of weight lifting and physical culture.
Ingenious Plan

The working plan behind the construction of these "assistance exercises" was to make the muscles involved operate under conditions where they had to do their job without any aid being obtained from the introduction of technical skill. This meant mostly performing in positions where execution at once became a matter of some difficulty when weights of appropriate poundage were used. Because of this, unlike other forms of exercising, a series of successive movements were not possible. With the right degree of weight, two or three repetitions before a halt had to be called were the most that anyone (practicing correctly) could expect to do.

All round lifting not being practiced these days as it was in my time, quite a large number of these special exercises of mine are naturally now not so commonly in use. As they specifically apply to Olympic lifting, however, those I devised in this particular field have for many years now enjoyed a worldwide vogue, their value being universally recognized. The same sort of recognition, however, has not always been accorded the man who invented them!


Imitation!

Some years after they first became more or less common property as a result of my training so many champions upon them, an attempt was made by certain writers to represent them as something new linked up with their own doctrines, and in effort to disguise their true origin, they were described as "Enabling Movements." This rather clumsy title was the only thing new about them, the exercises so described all being faithful copies of my originals.

Recently, they have been given still another name -- "Power Exercises" -- the "discovery" also being made that they play a big part in the training of the Russians, much of the phenomenal ability of the latter in the lifting sphere being ascribed to the practice of these special movements. The best tribute to their merit, however, is that they remain the same in every particular of performance as when I first introduced them. That is, as -- according to reports -- the Russians carry them out.

Harking back now to a time when this country first possessed a good chance of capturing an Olympic weightlifting title, it is far from common knowledge that the chief factor responsible for raising the late Ronald Walker to the heights he reached in the Iron Game was the intensive practice of a large number of these special "assistance exercises" of mine -- all the time under my personal direction! These exercises were first taught to him when he came to Camberwell to live with me, so as to train under my supervision on the spot. The management of Health and Strength, it is only fair to state, were responsible for effecting this arrangement, this being only one of the many things done by this journal to help Walker to become an outstanding figure.

Another famous personality who owed his strength to the practice of Pullum "assistance exercises" was the late George Walsh, who studied under me at Camberwell for five years continuously. Walsh was only a youth when he came to me for instruction, having previously suffered from tuberculosis. I still have the medical letter in my files which he brought with him. He was then a little over 16 years of age. This was in the 1920's. 

When George had been fully restored to health by myself and given a respectable development, he then -- at his own earnest wish -- went on to weightlifting. And that's where intensive practice of these "assistance exercises" came in, for he needed their help in every particular.

By the time he was 19, he was doing 250 lb Clean and Jerk and 190 lb in the Bent Press. Continuing to progress at a steady rate, before he was 21 he was able to challenge for the title of "Britain's Strongest Youth" without any fear of the same result attaching again when Allan defeated him in a contest for the same title earlier on.


A Brainy Type

Walsh was essentially the brainy type of lifter. He was strong for his weight (154 lb), his temperament being responsible for his powers principally being made manifest in the form of nervous energy. He excelled most on the fast lifts, the Bent Press being the sole exception in this respect.

Coming now to more modern figures who have been helped to reach to where they wished to go by the practice of Pullum "assistance exercises," the case of Jim Halliday can appropriately be cited. Halliday has always made these exercises the main plank in his training since he first came under me in 1938; and to his credit, has never needed any prompting to cause him to record that fact. 

Circumstances connected with his work and the way these automatically compelled him to order his way of training forced Jim to rely on these exercises almost alone for considerable spells. His record isthe best proof of the value he extracted from them. 

Halliday, however, has not remained content with just recognizing the utility of these movements as manufacturers of great strength. A very knowledgeable man also in the physical culture field, he has sen how these movements -- with a slight variation of training plan -- can be utilized as pure bodybuilding exercises. And in his book, "Olympic Weightlifting with Body Building for All," he has explained how then can most successfully be employed for the latter purpose.



 -- This section from "Olympic Weightlifting with Body Building for All"
- 1950 -

CHAPTER II
ASSISTANCE EXERCISES

Part One

Failure at a lift, where style is not at fault, due simply to lack of the requisite strength to accomplish the performance -- "Assistance Exercises" the most effective builders of that necessary additional strength -- The sticking-point in progress which every lifter encounters sooner or later -- "Assistance Exercises" the one certain means of remedying that condition -- Selected groups of this special type of exercise for effecting improvement on the three Olympic lifts -- The importance of never attempting to make performance of these particular exercises any easier than the instructions lay down.


Most lifters do not realize that when they fail with a certain poundage the reason is not that their style is at fault; it is simply because they are weak in a certain muscle or group of muscles.

It is not generally know (or it is an ignored fact) that the whole body  is used in pressing; it is not merely an arms' or deltoids' movement, as some people seem to presume. The fact that a man has good triceps or deltoids does not necessarily make him a good presser -- belief in which is another common fallacy. My triceps are so developed that there is only half an inch difference in the size of my arm straight and flexed; yet I am only a moderate presser in comparison with my other lifts. I am convinced, however, that if I had not reduced my bodyweight so often in the past, I should now (due to assiduous experimenting with W. A. Pullum's "Assistance Exercises") be pressing in the region of 225 lb -- a distinct improvement on the 190 lb I was doing two years ago. 

Reducing one's bodyweight affect the Press tremendously, and I calculate it takes me four months to rebuild my Press back to normal. Having reduced about 10 times in the last two years, I feel I have not had a fair chance to improve my press outstandingly. Therefore, because I have improved it, despite the handicap mentioned, I have no qualms in recommending the following special exercises to anyone having difficulty in progressing, especially those who appear to have reached a sticking-point in poundage.

Contrary to the general idea, I believe that pressing does take a lot out of a man, and so advise lifters to use these "Assistance Exercises" on alternate nights from ordinary training. Some advice on schedules containing assistance exercises will be found in an ensuing chapter.


"Assistance Exercises" for the Press

Exercise 1 - The Seated Press
This is an exercise to strengthen the chief muscles used in the Press, and is little different from the orthodox movement, except that -- being performed seated -- it does not allow for any back-bend, and consequently assists in strengthening the back to a great degree. A bench is the best thing to sit on, being the correct height; but no matter what you decide to use it is important that the thighs be at the requisite height when seated.

Performance
Take hold of the bar, first ensuring the bench or box is in a position immediately behind, so that no energy is wasted in getting seated with the bar. Pull in to the shoulders in the usual way and sit down naturally. This exercise can be made easier by sitting on the edge of the bench, but when made easier that way it loses some of its benefits.

Keeping the eyes fixed on a spot just over eye-level ahead, press in the usual fashion.

Advised commencing reps and poundage:
4 sets of 4 reps with 40 lbs below actual maximum pressing capacity.

Author's Note:
It will be noticed in all exercises that, where poundages are concerned, only such approximations can be given. It is up to the performer himself to use initiative by experimenting to find the most suitable poundage. The advised reps, must be adhered to, however, and instructions of progression will be given in a later chapter.


Exercise 2 - The Half-Press
This is a fine movement for strengthening the muscles that aid the bar in passing the sticking-point.

Performance:
Take hold of the bar with the usual Press grip and SNATCH (not clean) it to arms' length. Use a split and recover immediately, bringing the feet in line and into the position usually adopted for pressing. Then, keeping the body upright, lower the weight slowly until if feels that if you allowed the bar to come any lower, it would at once sink to the shoulders. This usually occurs at eye-level, which is approximately the sticking-point in an ordinary Press. From here, without pausing, press the weight back to arms' length overhead.

Advised commencing reps and poundage:
4 sets of 4 reps with 30 lbs less than top pressing capacity.


Exercise 3 - Two Hands Alternate Press with Dumbbells
The lifter will probably be familiar with the regulation dumbbells Press, and this exercise is very familiar for the most part except for the important detail of how the bells are held at the beginning.

Performance:
Take hold of the dumbbells to be used with the palms of the hands to the front -- i.e., as a bar is held for "pulling in one hand clean" to the shoulder -- then take both bells from the floor to the shoulders so that they "lie" at he chest as they would do if a "curl" had been performed.

From here, press them alternately in the following manner: Press bell in the right hand and, as it passes the top of the head, turn the wrist so that the weight is in the usual position for the "one-arm military." Lower, and at the same time commence pressing with the left, carrying out similar action. The bells should pass at the halfway stage.

Advised Reps:
3 sets of 12 reps (6 with each hand). As the lifter may not be schooled in dumbbells lifting, no poundage can be advised, but I suggest one-half the performer's present limit barbell press as an experimental poundage to be divided equally between the two bells.


Exercise 4 - Combination Movement
This is one of the few exercises which is not in itself an actual pressing movement, yet is distinctly helpful to the Press. It is a marvelous deltoid improver, and apart from being of service to the Olympic man as an aid to his press, should be in every body-builder's schedule.

Performance:
Lie flat on the back with barbell at arms' length behind the head. (The exercise consists of nine separate movements that count as one repetition.).

From the commencing position of grasping the bar behind the head, proceed as follows:

1) Pull the bar over -- keeping arms straight -- until it is immediately above the face. Pause.

2) Lower -- resisting strongly all the time -- on to the thighs.

3) Sit up.

4) Still keeping arms stiff, raise bell into the "hold out in front" position.

5) Raise to arms' length overhead. Pause.

6) Lower steadily back to the thighs.

7) Lay back into supine position.

8) Raise bar back to position over face.

9) Lower slowly to starting position. Rest.

Advised reps:
4 sets of 5 reps to commence, and trial poundage of 30 to 40 lbs.

All the movements in these four exercises should be performed at about the same speed as the lifter normally displays on a Press. No specially slow movements, but at the same time care must be taken not to employ any jerky movements. Endeavor to do them rhythmically and smoothly throughout.

If the lifter is in the habit of using a thumbless grip, it is possible to do Exercises 1 and 2 with this grip. But although I use a "thumbless" in actual pressing, I believe it is advantageous to use an ordinary grip for all four movements.


"Assistance Exercises for the Snatch"

I have already stated that the best method of improving the Press is the Press in various forms. So it is with the second Olympic lift -- the Snatch. The various "Assistance Exercises" explained here have only one chief end in view; namely, the development of pulling power for the Snatch. The power of the pull and its direction are the main attributes of good snatching, no matter what style is used.

When a lifter has developed a particular style that is favorable to him, he should train on this style only. All experimenting should be done early in his career. It should be obvious that, in performing any movement, a lifter uses certain muscles more than others, and if he wishes to be proficient at any one special thing, he must develop these muscles albeit at the expense of others.

By this I mean that if a man has been snatching a certain way for, say, two years, he has put two years' work into developing his muscles to do that work. If he suddenly decides to alter his style -- even slightly, such as a wider grip, for instance -- a certain time must elapse before the muscles now being used are as good in quality as were those formerly employed. Any slight variation of movement brings different groups of muscles into action; or at least, exercises responsible muscles a different way. So it is obvious good sense to develop one good style and perform it constantly, so as to bring the muscles involved in this movement to their very best performance standard.

Of course, if the lifter suddenly realizes that his style can be improved -- or is advised to this effect by a really qualified instructor -- it is up to him to make the necessary changes. But he must be prepared to see a reduction in his performances until such time as the muscles now brought into action become as proficient as were those formerly employed.

The above is my reason for disliking "hang" snatching as performed by most lifters. It is usual when performing this movement to do one snatch from the floor in customary fashion, then lower the bar, halting it with the discs about four to six inches from the floor, immediately from that point doing another snatch.

Now, when a lifter lowers the weight into this "near-floor-hang" position, he usually allows it to pull him forward; consequently, on the second attempt, two things occur that are detrimental. The first is that, by allowing the weight to be further forward than is usual, the lifter invariably pulls the second time with a rounded back. The inevitable sequel is that the second pull cannot be in the same "groove" as his usual "all-the-way" pull. It is customary to do three or even four lifts from "hang" in this manner, it is obvious that a lifter so performing is putting in more practice out of his usual "groove" than in it. He is therefore not fully developing the muscles used in his "standard groove" style!

A better method of "hang" snatching is the one I have seen that wonderful snatcher, Julian Creus, perform -- also an original W.A. Pullum "Assistance Exercise. Instead of lowering the weight to the extent explained in the previous paragraph, he drops the weight on to his thighs and "re-sets" his back before pulling a second time.

Personally, I do all my repetition snatches in training from the floor, and invariably in single attempts. For the first couple of poundages (usual warming-up lifts), I use the "get-set" style, and do maybe three or four without releasing the bar, but lower it to the ground each time. Then I do all my following reps, singly, using my usual approach to and "dive" for the bar. As I finish each attempt, I walk away, turn, proceeding immediately to my next, until I have completed my group for that weight. Then I rest, as usual, before taking my next poundage.


Exercise 5 -- Snatch without Split
The "Assistance Exercise" I am describing first is one I use in my personal training, and have done for years. In fact, when I am on afternoon shift at work, I am forced to train at home and use this lift in place of the Snatch, as conditions make it impossible for me to employ a split. So competent has this made me in pulling power that I have succeeded with 195 lb on various occasions.

Performance:
Adopting the usual starting position for snatching -- according to what attitude you favor in your stance to the bar -- the first part of the movement that follows is exactly as in the ordinary snatch. But when the bar reaches the point where the performer customarily splits, the pull must be prolonged to carry the weight overhead without moving the feet at all. In fact, to do the exercise correctly, the pull must be so lengthened as to carry the bar to arms' length without a press-out! 

It will be impossible to avoid this press-out at first; but the lifter must endeavor to do this as little as possible, and try very hard to eradicate it altogether in time. This press-out makes the exercise easy and destroys a lot of its designed benefits.

Great attention must be paid to pulling the weight back. Actually, I do not believe anyone does pull a heavy weight back on the Snatch, but trying to do so automatically assists in preventing it going forward.

This particular movement is a wonderful exercise for improving pulling power, and another point is this. The lifter becomes so addicted to pulling weights high, he does this consistently when performing complete snatches with heavier weights. Of course, really heavy weights cannot be pulled head high; otherwise, they would not be heavy. But in snatching, this principle definitely governs: The longer the pull, the easier the lift.

Remember to lower the bar to the floor after each attempt. Use the usual Snatch grip, and make it as near a real Snatch as possible without foot movements.

Some men may find that, in attempting to pull back, they raise slightly on the toes; a natural consequence, due to changing direction from the start in the path of travel. This in no way lessens the benefits derived.

Advised commencing reps and poundage:
4 sets of 4 reps, trial poundage of 50 lb. 


Exercise 6 -- Snatching from Two Chairs
This is another favorite exercise of mine, and is extremely useful in assisting a man to split low. As the title indicates, it is performed first of all be setting the bar so that the discs rest on two chairs. To bring bar to required height in most cases it will be found necessary that the chair supports should be built up so that, when the lifter grasps the bar, his arms, legs and back should be perfectly straight. In other words, he should be standing erect, bar grasped with arms completely locked at the elbows.

If the weight is fixed so that the bar is in a lower position, it makes the movement much easier. This is only permissible at first if the lifter finds difficulty in performing the exercise correctly. But he should work away from this lower position as soon as ever he possibly can to the higher one which is really the absolutely essential position of the exercise.

From the position described, the lifter must make a concentrated effort to "wrench-pull" the bar upward. The high position renders any assistance from the legs impossible, the upper limbs and body being compelled to do all the work. When the pull had reached its fullest extent, the exercise is completed as an orthodox Snatch. That is to say, with splitting.

Due to receiving no initial help from the legs, the pull is obviously much limited; it will therefore be found necessary to split fairly wide to facilitate fixing the bar overhead. But as the weight, when it is actually at arms' length, will feel fairly light, relatively, recovery should not be difficult. In placing of the chairs, it is advised that their backs be turned away from you; so that, when the erect position has been reached at the conclusion of the lift, a pace back can be taken and the bell lowered without risk of damage to the chairs.

Advised commencing reps and poundage:
10 single attempts with approximately half your top snatching poundage.


Exercise 7 - Dead Hang Pull-Up
This is actually a variation of Exercise 5 proceeding to a combination of Exercises 5 and 6. Although less poundage is handled than in Exercise 5, effects are none the less strong, results produced being quite as positive because assistance from the legs is still kept out of the action.

Performance:
Take a barbell into the "hang" position, using the usual grip. This should find you braced well erect, bar held in front of the thighs.

Proceed from here -- without any preliminary dip of the body -- to wrench the bar to arms' length overhead exactly as in Exercise 5. Remember, no foot movements -- and pull back. But don't work the head and body forward as you pull back; otherwise you detrimentally interfere with the design of the exercise.

As it is a natural instinct to dip prior to the pull, great concentration must be exerted in endeavor not to do this. If found impossible at first to perform as instructed, place the bar on two chairs [or boxes] and per the routine of Exercise 6. If this has to be done, it is a good plan to have these built up to a point where standing perfectly erect to "dead-hang wrench" takes the plates about an inch up from the supports. Then, if you are unconsciously inclined to bend a little at the knees when performing, you will receive notice of this by the plates dropping back to the supports. Knowledge of this helps appreciably to correct this error.

This is, again, a good movement for the man forced to do some of his training at home; moreover (like 5), it is a fine exercise to warm up on for the Snatch in usual training.

Advised commencing reps and poundage:
4 sets of 5 reps. Trial poundage of 50 or 60 lbs.


Exercise 8 - Rising Trestle Snatching (Progressive Starting Position Adjustment)
This is an excellent exercise for all, and especially the man with a limited poundage at his disposal. The apparatus required is easily constructed by the handyman, and will very soon repay the lifter by improved performance. It consists of two trestles with solid bases. Overall, these should be the height of the man's hands in the "hang" position, and the sloping pieces should be notched on the one side every two inches, deep enough so that the bar can rest in them loosely. This is a "static poundage" exercise, most helpful for the man who is stuck at a certain weight, because by this method it is possible to progress beyond that weight, albeit slowly.

Commencing with a poundage that can be handled 10 times, snatch it from the floor in the "get-set" position. When a suitable time has elapsed -- say, two weeks, training twice or three times each week, doing 10 single reps only each session -- place the bar in the lowest notch and again do 10 single reps each session. When suitable progress has been made -- which means when the 10 reps have become easier -- raise the bar another notch and similarly proceed. Eventually, if the lifter has been patient enough to make haste slowly, it will be possible for him to do the 10 reps from "dead-hang"; i.e., from the height of the highest position on the racks. When he has reached this stage of progression, the bar is made slightly heavier and returned to the floor as start for a similar rising routine.

This is not an exercise for a month, but should be given at least a six-months' trial in conjunction with the usual training. It is, of course, possible to carry on indefinitely, and I myself in 1938 worked on this movement twice weekly, doing my other training three times weekly, for twelve months. During this time my Snatch improved 20 lbs.

In all Snatch exercises, it is wise policy to carry out the movements as near to your own regular snatching style as possible. Make it a habit to perform this way, and then you find that instead of having to concentrate quite so much on doing that style, you can use most of your mental powers to influence pulling.

A good lifter only fails because the weight is too heavy for him. If you develop your style so that you can repose the fullest confidence in it, that's the only time you will fail.


"Assistance Exercises for the Clean and Jerk"

In a previous chapter I have given my reasons for disliking the Dead Lift as an aid to cleaning, but if you personally like dead lifting, here is a variation that is much more beneficial to the Olympic man than when the lift is performed in the orthodox style.


Exercise 9  - Stiff-Legged Dead Lift from Box
Performance:
Get a block of box, nine to 12 inches high, and do your Dead Lift with straight legs. Do your first pull ordinarily from the floor, then lower the bar as you stand on your raised base so that it almost touches your toes -- and pull from there. By doing this you are actually pulling the bar from what would be floor level; and by keeping the legs straight you give more work to the back.

Advised commencing reps and poundage:
10 reps at any one session are ample. Trial poundage of about 40 lb less than your Clean.


Exercise 10 - Clean and Jerk Without Split
Performance:
Having adopted your usual cleaning position, viciously pull the bar as high as you possibly can, in addition, pulling back. As the pull finishes, turn the wrists and push up the elbows to fasten the weight at the shoulders.

It is possible that you may have to bend the knees at this stage, but as the whole idea of this exercise is to aid pulling power, it is best if you can perform the movement without dipping; in any case, never should you have to use more than a quarter-squat.

For the next part, use the dip as you normally do in jerking to get the weight away from the shoulders. As its poundage is relatively light for jerking, it should be possible to get it almost to arms' length with this initial heave. That, actually is the objective for this part of the lift: to get the bar to arms' length unassisted by foot movements. The lifter should be prepared, therefore, to push out strongly at the conclusion of the lift in case the jerk from the shoulders was insufficient to lock the elbows. On no account should the feet move -- neither should the legs bend again after the first dip.

This is a good exercise to practice the hook grip with, and to learn to change over to the ordinary grip as the weight comes in to the shoulders. This is done by sliding the thumbs out from under the fingers as the wrists turn over. It is quite a simple movement, and soon becomes habitual.

It is possible to do some exceptional poundages in this particular exercise lift, and I actually get to within 20 lb of my commencing match poundage on the Clean. It will be realized the good effect this has on a man's confidence! If he dies, say, 220 lb without split and a minimum dip of the body, 240 lb to commence with in a match comes easily. I am giving two separate advanced schedules for this exercise, as while one person may feel that it is his Clean which needs attention, with another it may be vice versa. 

For the man who needs assistance on the Clean, I suggest the following, the reps being singles without releasing the bar (but allowing it to return to the floor after each attempt):

With 100 lb below limit Clean - 4 Cleans and 1 Jerk
With 90 lb below limit Clean - 3 Cleans and 1 Jerk
With 80 lb below limit Clean - 3 Cleans and 1 Jerk
With 70 lb below limit Clean - 2 Cleans and 1 Jerk

For the man needing help with the Jerk:

With 90 lb below limit Jerk - 2 Cleans and 3 Jerks
With 80 lb below limit Jerk - 2 Cleans and 3 Jerks
With 70 lb below limit Jerk - 1 Clean and 3 Jerks
With 60 lb below limit Jerk - 1 Clean and 2 Jerks


Exercise 11 - Seated Clean
This is a wonderful exercise for improving the Clean, but it is easily ruined as an exercise of special design by being performed wrongly. This is the way it should be done:

Performance:
Sit on a chair, box or bench that allows you to have both feet solidly on the floor. Then bend forward -- or should I say, lower yourself still seated -- to grasp the bar and, without raising the buttocks from the bench, pull the weight in to the shoulders. Assuredly to perform this exercise correctly, the following points must be noted:

You must pull whilst seated.
You must not rise up during the pull or when turning the wrists.
You must sit well back on the bench and not on the edge.

If you have difficulty in balancing, you may hook your feet round the bench legs, but this should not be necessary. You really must pull to bring the weight up high enough to turn the wrists over.

To recover, stand erect, weight at the shoulders. Then lower the bar back to the floor and re-seat yourself, ready for recommencement.

Advised commencing reps and poundage:
4 sets of 3 reps. Trial poundage with just over half maximum "cleaning" poundage.


Exercise 12 - Cleaning from Two Boxes
This exercise is exactly as Exercise 6 on the Snatch, except that it is performed with a Clean grip (i.e., hands not spread so wide apart as for snatching) and, of course, only pulled in to the shoulders.

Performance:
It must be remembered that the arms, legs and trunk are all kept straight. If the weight is fixed at the right height, this commencing attitude of the limbs and body will naturally result.

As in snatching from this position, no assistance whatsoever can be expected from the legs; it is therefore vital to use every possible available muscle left which acts in pulling. Again, too, a deep split [or squat] is essential (if a suitable weight is being used), but once at the shoulders, recovery is not difficult owing to the relatively light poundage involved.

To recover, step back once the weight is "in," lower to the "hang" and replace on the supports.

Advised commencing reps and poundage:
10 single reps. Trial poundage with two-thirds of maximum Clean and Jerk.


In execution of all the exercises in this chapter, it should never be the practice of the performer to try and make them easier by adopting any position that helps to do this; nor, for that matter should he just as mistakenly make them harder by doing them in a strained position. Even though some of them are unorthodox, therefore unusual, it is possible to do them comfortably and correctly. And in doing them this way, the lifter insures getting the best out of them, so getting the best out of himself.

Most probably the advised poundages will apply to very few readers. They are only given as a guide; and, as in lifting, one man will be able to perform some exercises better than others. It is up to the individual to use his own discretion in selecting the right poundages. Or, to make assurance doubly sure in this respect, place himself under the man who devises all these movements, the same as I did. I can guarantee that if he does this he will get genuine personal attention to his particular individual needs.

In order to aid the reader who may wish to use one or more of the schedules in which these exercises appear, I list them here for easy reference.

"Special Assistance Exercises"

1) The Seated Press
2) The Half Press
3) Alternate Press with Dumbbells
4) Combination Movement
5) Snatch without Split
6) Snatching from Two Supports
7) Dead-Hang Pull-Up
8) Trestle-Snatching
9) Stiff-Legged Dead Lift from Block
10) Clean and Jerk without Split
11) Seated Clean
12) Clean from Two Supports


"Explanation and Schedules"    

When, many years ago, W. A. Pullum first originated "Assistance Exercises" and named them so appropriately, he was actuated mainly, if not entirely, by the strength motive. That is to say, he devised these movements with the idea of making himself much stronger than he was on certain lifts and feats, some parts of which resembled these movements or were exactly the same. The way he reasoned was that, where these lifts and feats had disclosed weaknesses in his make-up, the obvious way to remedy these weaknesses was by intensely practicing movements of the character which had revealed them. Best proof of the logic of this reasoning is furnished by his terrific later achievements as a champion weight-lifter and music-hall "strong man."

The practice of "Assistance Exercises," however, need not necessarily be confined to a greater strength-producing effort; they can quite easily be adapted to form a body-building program -- just as can the Olympic lifts themselves. It is only a question of method, and the basic principle of that method is very simple both to explain and understand. Briefly, to become stronger, one lifts heavy weights progressively a few times ("heavy" and "few" being comparative terms according to the established capacity of the person concerned). Principally to become better developed, one exercises with weights of lighter poundage a greater number of times ("lighter" and "greater" again being comparative terms in the same sense as before).

Dependent for full success, of course, on common-sense methods of application, the "Assistance Exercises" taught earlier in this chapter can be advantageously employed for various aims. They can be practiced as per original motive of design, viz., as builders of greater strength for already "style-proficient" Olympic performance; they can be beneficially employed as a "monotony break" if and when routine training threatens to become a grind; they can be made to serve as a base of technical education when the rudiments of style have still to be learned; and they can constitute the nucleus of a purely body-building program. In short, they can (I have found from experience) be beneficially used by everyone, beginner and expert. I am able, therefore, in all sincerity, to recommend them both to the ambitions Olympic aspirant and his body-building colleague.

I now submit four specimen plans, each variously employing these exercises.

SCHEDULE 1 is mapped out primarily for the absolute beginner; to enable him to develop his muscles, suitably tone them up for progressive effort and, at the same time, obtain a grasp of style -- a requisite possession, in my opinion, if progressive effort is to be fully successful.

SCHEDULE 2 is for the body-builder-cum-Olympic man, who is interested equally in improving his physical appearance as well as his lifting totals.

SCHEDULE 3 is essentially for the man proceeding from body-building to a concentration on the Olympics.

SCHEDULE 4 can be of assistance to the man desiring a change from routine Olympic training; in fact, is specifically recommended for that purpose.

While it is not possible, in all honesty, to table poundages for any of these schedules (it is imagined that the reader will realize how ridiculous it would be to attempt to do so without personal knowledge of the performer), the set number of repetitions in each case should enable the weights to be individually fixed correctly.

To insure that full benefit is derived from the practice of these "plans," it is essential that the exercises are performed precisely in the order stated.


SCHEDULE 1

1st Exercise - Assistance Exercise 7 - Dead Hand Pull-Up

Commencing reps, first period: 4-4-4-4.

Progress as follows:
5*-4-4-4
5-5*-4-4
5-5-5*-4
5-5-5-5*
6*-5-5-5
6-6*-5-5
6-6-6*-5 
6-6-6-6*

Then revert to the original 4-4-4-4 and add 2.5 lbs.

2nd Exercise - Assistance Exercise 1 - Seated Press

Commencing reps and progression same as above.

3rd Exercise - Assistance Exercise 10 - Clean and Jerk Without Split

Commencing reps: 8 single complete movements. 
Progress to 10 single complete reps, then 12, after which add 5 lbs and revert to 8 reps.

4th Exercise - Assistance Exercise 9 - Stiff-Legged Dead Lift From Box

Commencing reps and progression as in previous exercise.

5th Exercise - Assistance Exercise 4 - Combination Movement

Commence with 10 reps and add 1/2 or 1 lb discs to the bar periodically.

N.B. The "starred" figures show how and when progression is effected. And similarly onwards.


SCHEDULE 2

1st Exercise - Assistance Exercise 5 - Snatch Without Split

Commencing reps: 4-4-4-4. 
Progress as Assistance Exercise 7, Schedule 1.

2nd Exercise - Assistance Exercise 3 - Alternate Press with Dumbbells

Commencing reps: 8 each hand.
Progress to 10 reps, then 12, after which revert to 8 reps and add 2.5 lbs to each bell.
N.B. The reps can be performed in groups of 4s (or 5s) if desired.

3rd Exercise - Assistance Exercise 10 - Clean and Jerk Without Split

Commencing reps: 4 reps using maximum Press poundage
3 reps with 10 lbs added to bar
2 reps with 10 lbs added to bar
1 reps with final 10 lbs added to bar

Progression: Same poundages - 
4-4*2-1
4-4-3*1
4-4-3-2*
Then revert to 4-3-2-1 and add 2.5 lbs throughout.

4th Exercise - Assistance Exercise 6 - Snatching from Two Supports

Commence with 8 single repetitions.
Progress to 10, then 12
After which, revert to 8 reps, adding 2.5 lbs.

5th Exercise - Assistance Exercise 9 - Stiff-Legged Dead Lift From Box

Commence with 8 single repetitions, as in previous exercise, and progress similarly.

6th Exercise - Assistance Exercise 1 - Seated Press
Commencing reps: 4-4-4-4
Progress as in Assistance Exercise 7 in Schedule 1.


SCHEDULE 3

1st Exercise - Assistance Exercise 3 - Alternate Press with Dumbbells

Perform 3 sets of 6 reps (3 each hand) and progress as follows:
8*6-6
6-8*6
8-8*6
6-6-8*
6-8*8
8*8-8
Then revert to 6-6-6 and add 2.5 lbs to each bell. 

2nd Exercise - Assistance Exercise 5 - Snatch Without Split

Commencing reps: 3-3-3-3
Progress as follows:
4*3-3-3
4-4*3-3
3-3-4*3
3-3-4-4*
3-4*4-4
4*4-4-4
5*4-4-4
5-5*4-4
4-4-5*4
4-4-5-5*
4-5*5-5
5*5-5-5
Then revert to 3-3-3-3 and add 5 lbs to the bar.

3rd Exercise - Assistance Exercise 9 - Stiff-Legged Dead Lift from Box

Commence with 8 single complete movements. 
Progress to 10 reps, then 12
After which, revert to 8 and add 5 lbs.

4th Exercise - Assistance Exercise 10 - Clean and Jerk Without Split

Commencing reps: 
4 sets of 3 Cleans and 1 Jerk.
Use 1-lb discs periodically for progression. 

5th Exercise - Assistance Exercise 1 - Seated Press

Commencing reps:
3-3-3-3
Progress as follows:
4*3-3-3
4-4*3-3
4-4-4*3
4-4-4-4*
Then revert to 3-3-3-3 and add 2.5 lbs to the bar.


SCHEDULE 4

1st Exercise - Assistance Exercise 1 - Seated Press

Commencing reps:
4-4-4-4

2nd Exercise - Assistance Exercise 6 - Snatch Without Split

Perform 10 single movements.

3rd Exercise - Assistance Exercise 10 - Clean and Jerk Without Split

Perform 4-3-2-1 with "assessed" poundages given in Schedule 2 for this exercise.

4th Exercise - Assistance Exercise 9 - Stiff-Legged Deadlift from Block

Perform 10 repetitions using moderately heavy weight.

5th Exercise - Assistance Exercise 3 - Alternate Press with Dumbbells

Perform 2 sets of 8 reps (4 each hand).

N.B. It will be observed that no system of progression is given for the above plan. Reason: As this schedule is intended for the man desiring a break or change from his usual routine, it is most probable that training on it will not be prolonged enough to call for this. Should, however, he consider that his condition warrants remaining on it longer than anticipated, he can do no better than employ the "miniature disc" system of progression throughout. 

 






    

  



         

       

   












      



York Barbell: The Great Fade - Jan Dellinger (2015)

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There was a time when anyone who could rightly claim that he was an office employee of the York Barbell Company was immediately the object of considerable envy by a sizable portion of the grass roots barbell world. This was especially true if the "anyone" was not an up-and-coming Olympic lifter, powerlifter or bodybuilder going in.

To certain generations of iron pumpers, the daily opportunity to work alongside and hear the thoughts and reminiscences of legendary figures like John Grimek, Steve Stanko, John Terpak, Harry Paschall, Gord Venables or Bob Hoffman himself would be viewed as a priceless experience.

Recognize, to, that later generations might have been equally enthused at the chance to rub elbows early and often with Bill Starr, Bob Bednarski or Tom Suggs, as well as some other York "fixtures" who were only slightly less prominent. Guys like Olympic coach Dick Smith and former lifter/gym owner/contestant promoter extraordinaire John Terlazzo also added volumes of insight to any iron game-related conversation.

Oh, yes, and let's not forget the vaunted York Barbell Club Gyms (Broad Street and Ridge Avenue), where magnificent out-of-town and indigenous physical specimens forged their reputations. These hallowed proving grounds of musclemen and strongmen for so long were only a flight of stairs away from lucky office personnel.

Yes, these persons (as well as numerous others) and featured gym facility forged the basis of the renowned YORK MYSTIQUE created so prominently in the pages of Strength & Health magazine by Bob Hoffman.

Note my capitalization of "York". I'm told that contemporary internet etiquette frowns on the capitalization of words, viewing it as the equivalent of shouting. Within the Iron World there was a time when the York Barbell name was commonly spoken of in capital letters and revered above all others in that realm. And as I'll demonstrate shortly, held in this high regard well beyond the might and muscle game.

Granted, that era is long in the past, but as very probably the last person to fit that presumably "exclusive" category mentioned in my opening paragraph, I have extensively pondered . . . when did The Great Fade begin?

This question took on a whole new life of its own for me when, about 2005, I took a support staff position at local Dallastown High School (alma mater of Bill March, class of 1956), when one of the principals who had an extensive background in competitive sports, including powerlifting, asked me, "Were you at York for some of the glory years of just the decline?"

Similarly, over time I had been asked often what it was like working for York Barbell. Inwardly, my mind sometimes conjured up Charles Dickens' famous "It was the best of times, it was the worst of times . . ." line from his "Tale of Two Cities." However, my verbal responses were tempered, focusing on the first part of the quote. Still, one is forced to reflect.

Over the past several years I have occasionally highlighted the serial array of missed/ignored opportunities, prevailing thwarted thinking and a bit of "dirty laundry" which contributed to York's downward spiral on the Iron History Forum website, so I'll refrain from recounting all of that here. Quite the contrary, I'm intending to recount many positive testaments to the staying power of the York name.

Having said that, there is one irony of ironies which must be pointed out: Sad to relate -- a favorite Hoffman expression which cropped up in his writings and is strikingly apropos in this anecdote -- but mainstream culture here and abroad was beginning to embrace strength/fitness in a heretofore unprecedented way at the exact time in history that the York Barbell company (and Bob personally) was retreating.

To a lot of people (and, frankly, some of these people should know better), the onset of the bodybuilding documentary "Pumping Iron" and Arnold Schwarzenegger were the triggers of the aforementioned phenomenon. While this flick and Arnold may rightly be called "catalysts," the real trigger was burgeoning on college campuses across America in the 1950s and '60s as suddenly there was a swell of academic interest in human and exercise physiology, biomechanics, athletic training and physical therapy specialties, as well as the start of a plethora of research spinning off these courses of study. This occurrence spawned a decided expansion in the parameters of the term "physical education."

Summarizing, the Baby Boomer generation brought their "strength/fitness for life" mantra from the classroom to the marketplace, which, over time, responded in a big way . . . and York was receding noticeably.

Yet against this more or less depressing in-house backdrop, I experienced my own irony of ironies when interacting on behalf of the company with the outside business world. Beginning around 1978 and continuing or the ensuing 20 years or so, I was increasingly thrust into the role of company representative which garnered me VIP access and participation in a wide variety of their functions, organizations, pro and major college sports teams and their coaches and their facilities, higher profile lifting and bodybuilding promoters, athletes and events, mammoth commercial fitness shows, football clinics, strength & conditioning clinics . . . during the course of which I met all manner of celebrities.

Almost without exception I was shown more personal respect than I rightly deserved because I was the "York guy," and I began to comprehend the extreme level of regard the company for which I worked commanded among much of the "outside world." For example, when checking into the better hotels in major metropolitan areas, upon learning that I was from York, PA, desk managers would often spontaneously ask if I was with the barbell company or the local air conditioning giant. Much like York Barbell, York Air Conditioners had a national reputation for years.

Even when socializing with salesmen from other far-flung industries while waiting for flights at airports, I had instant acceptance because they well knew the reputation of York Barbells.

It was remarkable: either a lot of the outside world didn't realize just how far York had fallen, or if they did -- and a lot of players in the fitness industry had to -- a striking number retained (perhaps sentimentally) heroic aspirations for the "Strongest Name in Fitness," that it would somehow regroup and get up off the deck. Lord knows I did!

To reiterate, I was amazed at how many inside/name folks in pro sports, bodybuilding, competitive lifting and strongman, major supplement corporations, other equipment manufacturers major and minor, the occasional well-placed exercises physiology researcher, various fitness-oriented entrepreneurs, advertisers, etc., sought me out in the hope of establishing some kind of viable business relationship with York Barbell . . . when it was clearly sinking.

However, to my mind, the greatest single testament to the unbelievable drawing power the York name once possessed, and retained for much longer than it deserved, was demonstrated by the gubernatorial and national level political class. Despite being a staunch Republican, Bob and York Barbell had admirers on both sides of the aisle.

While he was invited to the Nixon White House on a couple of different occasions, Bob was previously a member of President Kennedy's Council on Physical Fitness. Several years thereafter when President Johnson accepted an invitation to attend a southern York County town's centennial celebration, while traveling down interstate 83, he had his motorcade stop and take pictures of the lifter spinning on the roof at the York Barbell facility.

That said, I would like to relate an exchange I had with Pennsylvania Governor Tom Ridge in 1997. During the Ridge administration, our state capital in Harrisburg celebrated "Fitness Week," which culminated with a 5K run through the streets of the city. By the way, at that stage of his life, Governor Ridge trained his upper body with barbells and dumbbells and retained sufficient overall fitness to take part in the 5K run without embarrassment.

To augment the festivities, the organizers invited a number of sales representatives from fitness equipment manufacturers, personal trainers, commercial gyms and the like to display their goods or services on the final day. So, there were reps from about two dozen firms manning booths on the massive circular steps leading up to the rear entrance of the actual Capital building itself, which was the race's finish line.

When the race concluded, things wound down fast, with most folks starting to hunt for lunch. As we were breaking down the booths, suddenly Governor Ridge bounds up the steps, executing what amounts to a "thanks for coming" jog-by with the exhibitors. The dash-and-wave stopped when he came upon the York booth, which was handled by myself and Kevin Price, manager of York's retail store at the time.

In an instant, I found myself shaking hands with Governor Ridge, who made it clear that he intentionally sought us out as he had met Bob Hoffman a few times at various functions, was aware that he has passed away and was wondering how his Barbell Goliath of a company was holding up under the prevailing tide at the time of manufacturing jobs fleeing overseas and having to compete against foreign imports, which at that point was wreaking havoc with the economy of the Keystone State.

This face time with the Governor continued for a good 15 minutes. If you know anything about how how political functions are choreographed, and the at-arms-length distance politicians are kept from the crowds at their own rallies, Ridge taking this much time from his obviously busy schedule to engage in direct conversation out in the open, sans any press secretaries or other functionaries to "protect" him from bad situations, signaled to me that he clearly respected Bob and his company.

By the way, if Tom Ridge's name looks familiar but you just can't place in what context you know it, he was the first Director of Homeland Security.

One final anecdote concerning the drawing power of the York Barbell bran among nationally known politicians . . . a year of so after the Ridge meeting, and in response to trouble the company was having with the U.S. government adhering to the rules of the GSA contract (which are set by Congress), York's owners at the time began mounting their own media campaign to bring the problem to public attention. Testament to the clout of the York Barbell name -- even as the 21st Century drew near -- was demonstrated when longtime Pennsylvania Senator Arlen Spector was invited to appear on behalf of the company at a supporting photo-op event at I-83 headquarters . . . and he took time from his hectic schedule to show up. Literally, I couldn't believe it when he walked through the doors of the retail store.

My overriding message in the above is to underscore just how much cache Bob Hoffman and his corporate creation accrued and amazingly enjoyed in the business/political worlds long after iron gamers were lamenting his and the company's vastly diminished capacity. Of course, this begs the question as to whether York Barbell would enjoy exponential prominence today if different, more progressive managers were at the helm fifty years ago. My sense of it is, perhaps, but it would certainly look vastly different than the founder knew it. My best guess is that Bob Hoffman's York Barbell was the kind of creation which had its time and its individual hourglass of history just ran out of sand.    



















 

Chins - Charles Fraser (1989)

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CHINS: 
Pull Yourself Up to a Great Back
by
Charles Fraser (1989)


The saying goes that the mark of a good bodybuilder, no matter how well-developed the rest of his body, is his arms. While it's true that big, muscular arms hanging out of a T-shirt represent the manly badge of physical superiority, second only to the arms in terms of eye-catching bodyparts are the bodybuilder's lattisimus dorsi. In fact, the sight of a pair of lats and their allied back muscles formed into a wide, massive V-shape will wow the casual observer nearly as much as a great set of guns. For the more sophisticated physique freak, giant torso muscles are even more impressive than big biceps, and as for the connoisseur, the importance of large, well-defined lats "o'erweighs a whole theater of others."

It's wide, thick lats that give the body its look of massiveness. After all, we gauge the size of a tree by the size of its trunk, not its branches. A bodybuilder with a broad, well-developed torso and thin arms would look ridiculous, but this phenomenon is rare to nonexistent. All to frequently, however, we run into uninformed bodybuilders with medium to large arms and little complementary "trunk" development. To the arm-conscious novice who pursues this kind of development, the smallness of his lats causes his arms to appear bigger than they really are, which makes him happy in his blissful ignorance of what bodybuilding really is. The rest of us know better. 

There are plenty of arm movements that build big biceps and triceps without working the lats -- presses, extensions, curls, etc. Exercises like rows and pullups, or chinups, work the arms while also developing the torso.

Back in the '60s -- which was the end of bodybuilding's Middle Ages and the beginning of its Renaissance -- I was a member of the McBurney YMCA in Manhattan. There I became acquainted with the possessor of the most massive latissimus dorsi I have ever seen, a fellow by the name of Bill.

Bill had fair legs, a good chest, good shoulders, and on his back, fair development of the spinal erectors and trapezius. But as for his lats, they were so thick, they almost defied description.

Because he had only an average shoulder width, his extremely wide lats seemed to flare out beyond the confines of his bone structure. Just below the armpit, even when he stood relaxed, his lats spread out about three inches wider than his delts.

The incredible width of Bill's lats were not their most impressive feature, however. They were heavy to the point of being ponderous! The literally hung from his armpits, and at the back of the waist where the lats turn into the body, the long, pendulous masses actually created oval-shaped folds. The only anatomical analogy that comes close is the massive thighs that some Olympic lifters and a few bodybuilders develop -- that big buildup of the quadriceps from deep squatting and creates a fold where it turns into the knee.

It was almost freakish, the way Bill had build his lower lats. I use the word "almost" because I believe there are four muscle groups that cannot be overdeveloped: deltoids, calves, forearms and latissimus dorsi.

And how did Bill create those humongous hangers? He did it by fully exploiting all the possibilities of one exercise -- THE CHIN! Bill's lat workout consisted of 45 minutes to an hour of hard work on every form of chinning imaginable -- and a few that are almost unimaginable. He did wide-grip chins, narrow-grip chins, medium-grip, forehand and backhand chins. He did them behind the neck, in slow motion, levered, one-armed and one-fingered, just to name a few.

If you're ready to go beyond the big biceps and specialize in a bodypart that'll knock their socks off, you can't go wrong by exploring the possibilities of this great upper body exercise. In addition to enlarging your lat spread, working hard at chins will build your biceps, brachialis, forearms, hands and to some extent your pecs and deltoids. 

Here's a rundown of some of the more conventional variations on this versatile movement. to clarify some basics, chins can be performed with your hands either toward or away from your body. Palms facing the body are in the supinated position, palms turned away from the body are in the prone, or pronated position. Medium grip refers to a hand-spacing that's close to shoulder width. Adjusting to a narrow or wide grip means merely narrower or wider than your shoulder width.

Regular Chinups:
Hands supinated, grip narrower than medium. Hang fully extended, pull up to a point below the chin, squeeze-pause, then lower at the same speed. This is the simplest type of chin. It's the way school children and soldiers in basic training do the exercise. Regular chins involve the fullest range of motion for both arms and lats. The supinated hands put your arms into the strongest pulling position and also enable your lats to pull harder.

Narrow-Grip Chinups:
Same as above, but with your hands spaced up to four inches apart.

Pronated Medium-Grip Chinups:
Pull up to a point where the bar is level with your collarbone, squeeze-pause, then lower at the same of a slower speed all the way to the full stretch position at the bottom. Pronating the hands gives up some of your biceps strength, but the brachialis may be able to work harder, making up for most of the loss. This is a more comfortable position for the brachialis and wrists.

Pronated Wide-Grip Chinups:
Hands at least six inches beyond shoulder-width apart; pull up to the chin and lower at a steady pace. This very difficult movement is easier if the bar is slanted 45 degrees downward at the point where you grip it. Most gyms have cambered, or bent, chinning bars or attachments for doing this exercise.

This may well be the most commonly performed chin in bodybuilding gyms across the country [1989], and it has earned its favored status because of some misinformation. Even intelligent bodybuilders believe that the wide grip gives their lats a greater stretch, however, a few moments of practical analysis reveal this as incorrect. In fact, it's the medium and narrow grips that give your lats the most stretch.

A pronated wide-grip chin is one of the hardest to do because it places your arms in their weakest pulling position -- pulling diagonally against the bar. It also cuts the range of pulling motion of your arms as well as your lats, which weakens both bodyparts. Therefore, this exercise becomes more of an arm, forearm, grip and rear-delt developer than a latissimus builder.

It does work the teres major and the infraspinatus, however, because these muscles must resist and contract against the nearly horizontal pull of the wide grip on your shoulders and scapulae, or shoulder blades. So this clumsy and uncomfortable movement might more properly be called a shoulder and ribcage stretcher. Perhaps it's a good idea for intermediate and advanced bodybuilders to do this exercise simply because it will develop greater strength in the assisting muscles, which in turn brings the trainers even greater results when they do the full range of motion chins.

Parallel Chinups:
Fifteen years ago Arthur Jones advocated the medium-wide grip with hands parallel, or halfway between pronation and supination, as the strongest and most effective method of performing chins. He designed his multi-exercise chinning rack with parallel bars about 22 to 24 inches apart. You will never do a stronger, more satisfying chin.

Grip the bars with your palms facing each other; chin as usual. On this exercise you can hold for a long time, if you want to, at both the top and the bottom of the movement. It is very comfortable for your grip, wrists, elbows and shoulders. If you cannot add weight in any of the other chins, you'll be able to do so no this one. Needless to say, it is the author's favorite.

Corner Chinups:
These are performed at the corners of a three-sided chinning bar that's available in some gyms. If you can't find parallel bars to hang from, this is the next best method. Do this exercise either while facing the corner with your palms mostly supinated or facing away with your palms mostly pronated; medium or slightly wider grip; chin as usual.

Narrow-Grip Parallel Chinups:
For this excellent form of chinning, most gyms are equipped with V-handles that can be saddled over the chinning bar. The handles have parallel gripping bars about six to eight inches apart. You must lean your head back and arch your spine to keep your head from hitting the bar while doing these chins. This will force you to pull your chest up to your hands in order to perform a full movement, making the exercise somewhat "levered." It should be reserved for the intermediate or advanced bodybuilder.

Levered, or Arched, Chinups:
Hands pronated or supinated; grip narrow to medium (the stronger you the wider the grip you can use). Pull your body up with your head leaning well back. Raise, or lever, your hips and legs as you arch your spine. Your hips and legs will form a 45-degree angle to the floor. Pull past the collarbone until the bar touches your lower pecs at the nipples or lower -- this is the point of the exercise. At the finish the head-neck-shoulder line will be horizontal to the floor.

Vince Gironda advocates this form of chin because he considers it a complete movement. It is done in a rotary fashion and works a lot more than the lats. The levered chin has the effect of a regular chin at the beginning of the movement, a bent-arm pullover in the middle, and a competed rowing motion at the end. In addition to the great effort to pull up, your body must also maintain a strong isometric contraction of the erector muscles and buttocks in order to keep up the extreme arch of the back and levering of the hips.

This is definitely an advanced chin. Even the experienced have great difficulty in doing this correctly for a few reps. Gironda insists that you don't know what chinning is until you can do this one.

Behind-the-Neck Chinups:
Pronated hands; wide grip. Like the pronated wide-grip in front of the neck chins described above, this is a favorite of bodybuilders around the world. It is hard to do and must be performed with a pronated grip only. It is more difficult than the front of the neck variety because both arms are in a weaker pulling position, particularly at the completion of the movement. Behind the neck chins put stress on the pectoral insertions at the shoulder and on the deltoids, making them somewhat uncomfortable for bodybuilders who lack flexibility. They force you to pull your arms and shoulders back in a very contracted position. Thus, this movement makes the teres major and infraspinatus work hard, but not the lats.

All of these chins can be done with added weight once you can perform more than 10 to 12 repetitions. Beginners won't need to use added weight. For beginners, start with regular supinated chins for 1 to 3 sets of as many reps as you can do up to 15. Later you can add a weight hung from your waist and drop back to 8 or even 6 reps.

An alternative to adding weight is to do the chins in slow motion. Bill, that bodybuilder with the majestic lats, never used added weights in his training! But he did most of his chins in slow motion. Once when he was exhausted after a hard one-hour chinning workout, he was challenged to chin with a heavy dumbbell. He hung a 100-pounder from his waist and performed five repetitions in slow, strict form.

Advanced bodybuilders can choose from four or more types of chins, doing 2 or 3 sets of each. An advanced chinning routine might look like this:

Regular Chins, with weight - 3 x 8
Wide-Grip Chins - 2 x 8
Narrow-Grip Parallel Chins, with weight - 2 x 8
Levered Chins - 3 x 4-6
Parallel-Grip Chins, slow motion - 2 x 6-8

  











I Booed the Hell Out of Him Many Times - Jan Dellinger (2015)

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Maurice "The French Angel" Tillet



 I BOOED THE HELL OUT OF HIM MANY TIMES
by
Jan Dellinger (2015)



Repeated experiences often bring one to certain conclusions. For example, after taking all manner of people around the York Barbell Museum/Hall of Fame over the years, I firmly believe that there is at least one exhibit therein which anyone, even if not interested in the Iron Game remotely, can relate to one some level.

One event  which helped bring me to this unshakeable contention was the day that a busload of Senior Citizens from Massachusetts arrived unexpectedly and were suddenly inside and all over the museum. Actually, I came to a couple of conclusions that day: the first was that there really wasn't that much difference between a group of 10-year-olds in a museum and a group of 75-year-olds in terms of noise and hubbub. The only constant was that the younger group could move around a bit faster, but the attention span was about equal.

On the upside, the Elderly Invasion gave me the opportunity to converse firsthand with two very colorful female live wires who actually saw Maurice "The French Angel" Tillet wrestle. When I approached them they were eyeballing the death mask of The Angel, reminiscing on all cylinders about being ringside numerous times at the Boston Gardens when Tillet headlined.

So, they saw him up close and still possessed vivid recollections of his bizarre countenance and general "other worldly appearance." Or as John Grimek, who associated with Tillet and his manager Karl Pojello a time or two, summed it up, "If you were three sheets in the wind and staggering down a dark street or alley, and the Angel came up on you, you would have sobered up immediately!"

Back in the day (1940s) when our "Boston Broads" thought a hot night out was burgers and taking in the matches at the Boston Garden, Tillet was the arch villain and top box office attraction of the mat world. Hence, as one of them relayed to me, "I booed the hell out of him many times at the Garden. He was beyond ugly and his foul tactics whipped the crowd into a real frenzy!"

Right off the bat, let's recognize that while I initially attempted to offer what little I knew about the French Angel (which I received primarily from Grimek), I, instead, got the education . . . and got it with gusto! Secondly, of all the various exhibits in the York Museum, Tillet's death mask consistently elicits spellbinding curiosity among those passing thru. And why wouldn't it? It is a rare sight to see up close a "melon" that (over)size and contemplate it being atop a human body. Why, the actual size of Tillet's ear is at least as big as the average man's fist. And the size of his nose isn't far behind.

 "Wild Bill Zim" (Wactau Zmitrovitz) with  Maurice Tillet   


And then when you tell onlookers that his head was on top of a 5-7, 270-pound body, you get more reactions. Once I had a person declare this plaster cast had to be a con. Then I showed him wrestling mag covers featuring Tillet from the 1940s. That shut him up!

Okay, pro wrestling has had its share of freaks and odd characters over the decades, but according to noted wrestling historian Mark Hewitt (in "Catch Wrestling, Round Two") . . . "the most bizarre character of all times had to be the French Angel." He was described as a "human gargoyle,""a throwback to prehistoric man,""the ugliest man in the world" and "all the seven dwarfs rolled into one."

Bookfinder:

Tillet suffered from acromegaly, an abnormality of the pituitary glands, which typically causes one to grow to enormous height and physical size (think Andre the Giant), along with vastly enlarged bone formations and features of the feet, head and hands. Tillet, who was also referred to as the Giant Dwarf by wrestling PR people (talk about oxymoronic contrasting), never got the extreme height, topping at 5-7 or 5-8. Moreover, the bulk of that 270-275 pounds he sported resided in his upper body, which was mounted on comparatively short and bowed legs.

Regarding Maurice's background and how he ended up in professional wrestling, he was born in 1903 in the Ural Mountains of Russia to French parents. His railroad engineering father was killed while he was rather young, and the outbreak of the Bolshevik Revolution in 1917 prompted his mother to take him and flee to Reims, France.

Prior to the age of 17, he exhibited no signs of acromegaly, and was receiving the necessary education to pursue a law degree. Then, the outlandish physical growth and distorted features began to appear. Believing that any hope of a law career was gone thanks to his appearance, he enlisted in the French Navy, perhaps in hope of finding a medical remedy. 




   Okay, bear in mind there can be an element of "carnyism" connected to pro wrestling and any stories handed down about its stars. It is at this point in his life that a couple of different narratives can be found. One (favored by historian Hewitt), contends that after serving a hitch in the French Navy his condition worsened to the point where he was discharged. From there, Tillet sought medical treatment from civilian doctors -- who were able to diagnose acromegaly but couldn't reverse or lessen it -- and after that proved a dead end, he wandered the streets of Paris destitute.

Hewitt further contends that one Paris evening in 193, while strolling along the sidewalk cafes, a touring master catch wrestler and combat artist, Karl Pojello, saw the huddled mass of despondent humanity (Tillet), barely able to amble along. "Pojello, well known as a Good Samaritan, immediately wanted to help the poor creature. The veteran wrestler began addressing him in various languages until he responded to Russian."

In contrast, Wikipedia states that Tillet and Pojello met in Singapore in 1937, with no explanation of how the former got there. Here again, we may have the create-an-illusion penchant of pro wrestling to thank for the contrasting stories as the early PR build-up of Tillet on the mt circuit specified that Pojello "found" hisprotégé while tiger hunting in Singapore.

Subscribe to whichever story you like, but Pojello recognized box office gold when he saw it, and he and the French Angel, as he quickly became known, began teaming up in 1937. The Angel embarked on his celebrated mat career in France and England the following year (1938), experiencing much success over the next two years. 

Maurice Tillet and Karl Pojello


 As an aside, the sole British wrestler who apparently wouldn't "go over" for Tillet, and whose name is familiar somewhat with iron folks of a certain age, was Bert Assirati. Aside from his well-documented strength, endurance and overall athleticism, Bert was a product of the ultra-tough Wigan Snake Pit in England where the stiffest forms of submission style Catch wrestling were taught. Very probably, Assirati did not feel particularly inclined to cooperate with other wrestlers who he didn't think were in his class on the mat. And especially, if they were receiving promotional opportunities that he thought he should be receiving but wasn't. 

Having said that, Tillet, over the course of his roughly 15-year mat career, met many, many of the great names of the mat world on both sides of the Atlantic.



After having a spectacular mat run as an undefeatable monster in Europe, and with WWII about to besiege Europe, Pojello and the Angel left for the United States, specifically, Paul Bowser's well established Boston promotion, debuting in January of 1940. Whether this is the notorious wrestling style of PR previously mentioned or just the facts, it was reported that women were said to have fainted at his first sighting. We do know of at least one who admits to booing him vociferously at every opportunity.

Right from the jump, the Angel was making serious moolah for Bowser's promotion, and every other wrestling promoter in the country wanted Tillet in his territory. Of course, such clamoring made Bowser still more money. Unquestionably, the record shows that The French Angel was the number one box office draw of the 1940s. Keep in mind that for the first half of that decade, huge numbers of Americans were overseas fighting a war. 

Also significant is the fact that being the "face" of pro wrestling literally during the '40s, his dominance at the box office renders him sort of a historical bridge, and hence has terrific relevance to the evolution of pro wrestling, getting the activity "over the hump" of transitioning from newspaper/magazine coverage solely to the era of television.

By the way, who was the dominant box office wrestling attraction in the early TV era: The Anti-Angel . . . Gorgeous George!

Promo of Gorgeous George with Maurice Tillet


Another historical wrestling point which centers on Maurice Tillet's ring character: It possessed such name recognition and drawing power that promoters kept trying to catch lightning in a bottle by unveiling a number of other Angels -- Swedish, Super Swedish, Irish, Russian, Polish and Lady. None, however, matched Tillet's original for generating magic at the gate.

So how did the Tillet saga end? As is often the case with acromegaly sufferers, not as pretty as one might hope. Insiders contend that the first signs of the disease interfering with his ring capabilities began sometime in 1945, although they were not sufficient to force him into retirement for another eight years.

His final match came, ironically, in Singapore, and against, you guessed it, Bert Assirati. Retirement or not, old Bert didn't let up on him on this occasion either. 

Tillet passed away from the ravages of heart disease on September 4th, 1954 and is buried in the Lithuanian National Cemetery located in Justice (Cook County), Illinois.

Maurice Tillet/Karl Pojello gravestone

As to the various death masks of busts of Tillet residing in various venues, in 1950 Chicago sculptor Louis Linck made a series of plaster busts commemorating the life and career of The Angel, with one of his products displayed in the Chicago International Museum of Surgical Science.

Reportedly, Tillet allowed three separate death masks to be done just prior to his passing. Again, reportedly the process was performed by fellow grappler Bobby Managoff, who was reputed to have generous artistic skills and connections in that world. The "copy" residing in the York Barbell Museum was first given to Milo Steinborn, who in turn donated it to York.

Another copy of the Tillet death mask was donated to the Warren Anatomical Museum at Harvard by industrialist Patrick "Leonard" Kelly, who was a close personal friend of Tillet's. Few fans ever comprehend that Tillet was educated, quite intelligent, religious, and well-traveled with many outside interests.

Kelly also donated another death mask copy to the National Wrestling Hall of Fame -- Dan Gable Museum in Waterloo, IA.

According to certain internet sources, there was also a bronze death mask copy, which had been in the possession of mat promoter Paul Boesch. Seeming verification of its existence came via published pictures in a 1980s Japanese wrestling magazine depicting the inside of Boesch's Houston offices. Shown is a bronze Angel death mask/head . . . along with bronzed fists reportedly belonging to Primo Carnera on each side.

To my knowledge, to date the current whereabouts of the head once on Boesch's possession has not been ascertained. And as if to annoy us even more, there are implications by French Angel historians on the internet that a fifth mask might exist out there somewhere.    








Powerlift Training - Ken Leistner (1980)

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A photo of the author completing a squat with 505 pounds.

Ken Leistner, Joe Weider, Fred Hatfield



Most Powerlifting USA readers are familiar with my approach to squatting and deadlifting. If one were to construct a routine to use over a lifetime, in order to accrue the benefits that weight training is supposed to offer, my suggested approach is the way to go, I feel. However, with only slight modification to the so-called and aforementioned pre-meet period, one could maintain and in fact, increase his muscular strength and cardiorespiratory capabilities for the rest of his training days. (Note, I said training days, not competitive days, although they could be one and the same.). If the proper foundation is built, the pre-meet changes are all that would be necessary to hone in for top contest performance. Let me elaborate.

I really enjoy Olympic lifting. It's a lot more interesting to watch than powerlifting and more aesthetically pleasing. The factors that make this so also cause me to view Olympic lifting in a jaundiced light. The procurement of the intricate skills needed to Snatch, Clean, and Jerk properly are not really applicable to much past the two Olympic lifts. True, many coaches will tell you that the lifts have a direct carryover to the football field, for example, but that same quality for football can be built without taking the time and effort needed to learn the lifts (and remember, to do the lifts properly, i.e., safely, one must put a lot of time into technique work). This always disturbed me. I felt that training for the lifts was somehow extant from the reality of life and in a great sense, the reality of other branches of athletics. Little cardiovascular benefits were to be had if one adhered to the usually suggested regimens proposed by the many "experts" in the field. Man, I'd do some power snatches and really wonder just what the hell I was doing them for. "Well, in order to Snatch better." That, of course, is fine and dandy for the Olympic lifter, but for one involved in track, football, street fights, and lots of running, as I said, I often felt lost in space.

Powerlifters, if they train as most recommend, are a bit closer to athletic reality, but also ten to be severely limited in application. The skill and technique necessary to perfect the powerlifts is considerable, but not to the extent of the biathlon. The raw power built can be immediately applied to other athletic pursuits. This is not to say that the strength built with squat cleans can't be applied as well, but if time is a factor, there will be a lot less time to make that application by the time you get done learning your cleans properly. Of course, if you adhere to a schedule of triples and singles, your heart and lungs will receive limited stimulation and again, my whole trip in training is to maintain the body, the entire body. Hey, once a body freak, always a body freak. How many guys watch a woman walk down the street and say, "Yeah, she's got a nice ass, but she also has good proportion between femur length and tibia length. Ankle shows good symmetry to the knee. I ought to hit her up for a date." This is my trip and any with a similar passion will understand. You know that one system (simply speaking), in this case the muscular strength system, holds no superiority to the cardio-respiratory system. They all count and my training covers all of those bases. I honestly feel that proper training can allow you to have your cake and eat it -- you can be strong enough to be a top powerlifter and still have all of the other attributes of a top athlete -- speed, coordination, muscular and vascular endurance, a paucity of excess body fat, good, coordinated, graceful movement.

My plan for Memphis on March 2nd was to follow my usual two days a week of training (two days of lifting, anyway. Every day is a "training" day), and then use an altered pre-contest preparation phase. Unfortunately, the efficacy of this approach will not be demonstrated too quickly as I didn't train for over eight weeks. To be totally accurate, I took two workouts and gave two lifting demonstrations (as part of an overall clinic on proper training and rehabilitation of injuries). As mentioned in last month's PLUSA, problems with my legs (sever enough to send me to the hospital for evaluation - the last place you could ever get me short of any police station in this country), an inability to walk for days at a time, did not allow me to train at all since the last week in November. The anguish the entire family went through in relation to my son's problems, two moves of the entire household in a six week period, and the usual round of exams, lectures, etc., added little to my plight.

Training days are Monday and Friday. Traditionally, Monday and Thursday have always been my days, mainly because Friday evening would find my cousin Tommy, my wife, and me meandering down to Chinatown or Little Italy after work to load up on all the food we could stuff down and generally run amok on the Lower East Side. As native New Yorkers know, a walking trip from 6th Avenue and Houston Street down to Chinatown via Forsythe or the Bowery is always good for any number of exciting incidents. Anyway, Monday and Friday is the same as Monday and Thursday (really, just write it out on paper), so it doesn't really matter.

Today is January 21st and it is at this point that the pre-contest phase begins. I intend to carry through on it, if I am able. Without the laying of the groundwork, the effects of this phase will be obviously limited, although the potential for injury will be increased. For the sake of reader interest, however, I'l lay it out day-by-day so that others will have a better idea of how I go about things. 


January 21

Squat - x 2
Bench - 225 x 1
SLD - x 6
Press Lockout - x 3
Upright Row - x 12, x 6
Abs

Squats are done with a warmup of 12 reps and then doubles, but only 3 or 4 of them to a top weight. Benches are done to see if I can in fact bench. My torn pec is not improving, despite pulling out all the rehabilitative stops, so I decided to ease into the bench to monitor my progress, but building benching strength off of overhead work."SLD" stands for Stiff Legged Deadlift on a high block, doing a set of 12 and then an all out set of 6. Two sets, that's it and is more than enough (believe me) as long as you go all out on it. Press lockouts involve standing in a power rack and locking out the bar the last 3 inches of the overhead press. Only 3 sets here. "Abs" means heavy sidebends, one set of 30 reps, and one set of weighted situps, reps to vary from 15 to 50.


January 25 

Squat - x 8
Press - 3 sets, 5 reps
DL in Rack - x 4
Triceps Pressdown - x 12, x 6
Curl - x 12, x 6
Abs

Pretty self-explanatory. Only 3 sets of squat. For example, 205 x8, 315 x 8, 405 x 8. Deadlift in Rack is from bottom of patella and only 3 or 4 sets total. Only 2 sets on curls and the like. If each set is all out (or to "failure" as they say), it will be enough.


January 28

Squat - x 1
Press - x 2
Light DL from Floor - x 4
Low Press - x 3
Upright Row - x 12, x 6
Abs

Single in squat with wraps. Press is only 3 sets. Low Press is in rack, done from start to eye level.


February 1

Squat - x 7
Bench - 235-240 x 1
SLD - x 6
Triceps Extension - x 12, x 6
Curls - x 8, x 4
Abs


February 4

Squat - 430 x 2
Press - 3 x 5 reps
DL - x 3
Dips - x 12, x 6
Upright Row - x 8, x 4
Abs


February 8

Squat - x 9
Bench - 250 x 1
Shrug - x 8
Press Lockout - x 4
Curls - x 8, x 4
Abs


February 11

Squat - 440 x 1
Press - x 4
DL in Rack - x 4
Dips - x 12, x 6
Upright Row - x 8, x 4
Abs


February 15

Squat - x 6
Bench - 260 x 1
SLD - x 6
Low Press - x 2
Curl - x 8, x 4
Abs 


February 18 

Squat - 440 x 2
Press - 3 x 5 reps
DL - x 1
Press Lockout - x 4
Upright Row - x 12, x 6
Abs


February 22

Squat - 460 x 1
Bench - 270 x 1
Shrug - x 10
Low Press - x 3
Curl - x 12, x 6
Abs


February 25

Squat - 430 x 4
Press - x 2
SLD - x 6
Dips - x 8, x 4
Upright Row - x 8, x 4
Abs

March 3 - Meet


I think the key points is that bench pressing strength is being built without benching. The singles are done only to give me a feel as to where my torn pec is on the continuum of efficiency. I made the statement that I would probably open my bench with 250 and if I didn't tear, go to 300. If I didn't tear on that, I'd finish with 330 to 350. Sounds absurd but if I don't tear, it'll go. If I do tear, it could go out at 250 as soon as it will 350 so why not shoot the wad?

Curls and uprights are done only for injury prevention, primarily that long bicep tendon. Ab work is done because I believe that the abs play a major role in stabilizing the torso in the two big lifts and it's necessary to keep some semblance of balance between flexion and extension strength in all muscle groups. In comparison to other squatting routines, note that there are no 15 or 30 rep days. Again, this is one of the pre-meet adjustments. It is expected that one should already have a firm base because he will have done the higher rep work in the preceding months. Obviously, I'm not suggesting that anyone do what I plan to -- lay off for two months after training for only four weeks, try to train for five weeks and then go all out. It is fairly insane and that's being done under the assumption that this training, as limited as it is -- in time, not in scope, you don't need MORE than this -- will be possible. As much as it will upset my wife and cousin, I've been known to compete without ANY preparation!

I hope this gives you a clearer look as to how Leistner gears up for the madness of a meet. I think that John Kuc made the statement that too many meets a year are counterproductive because they disrupt the training cycle. Amen to that.  









 

The 3 - 7 - 12 Layout - Paul Niemi (1979)

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Many beginners who read the physical culture magazines are continually changing their routines almost weekly as they discover the various schedules the physique stars follow. Gains slow down and even stop with this constant shifting. And if you don't follow a particular routine with a positive mental attitude, progress can also cease. I know this is true because I've personally made better progress in three months of hard work on a basic routine than I did in a year of half-hearted routine changing.

A beginner (or any lifter at the appropriate time) should pick a basic all-around routine, stick to it for at least two months, and train hard. Don't spend your time searching for the "perfect" schedule.

Times will come, however, especially if you train alone, when you'll feel like skipping a workout, or after getting halfway through you'll feel as if you just don't want to change the weights again to do the next exercise. On other days you'll be full of energy and feel like working through a double routne.

One good solution is to use the 3-7-12 system, which will help you vary your training from workout to workout depending on how you feel on that particular day. Plan on training three days a week, and don't miss a workout. Use 7 exercises at most sessions. Pick one exercise from each numbered item in the following list:

Situp or Leg Raises (warmup) - 1 x 25-50.
1) Squats: front, back, or hack.
2) Heel Raises: donkey, seated, or standing.
3) Chest Work: barbell or dumbbell bench presses.
4) Back Work: chins, rows, or deadlifts.
5) Shoulder Work: regular or behind the neck presses, or lateral raises.
6) Arm Work: barbell or dumbbell curls.
7) Waist Work: crunches or leg raises.

Start with 2 to 3 sets of 5-10 reps for each exercise except waist work (25-50), and calf work (15-25).

On those days when you don't feel much like training, use just three exercises. Pick one exercise from each group of the following and do 5-7 sets of 3-5 reps each:

1) Legs: front, back, or hack squats.
2) Chest: bench presses, or dips.
3) Back: rows, chins, deadlifts, or power cleans.

If you have very little interest on a particular day, you can even use the same weight in all three exercises. For example, take 150 lbs and do front or hack squats, stiff-legged or regular deadlifts, and bench presses.

If you feel really ambitious on a particular day, use 12 exercises:

1) Situps: 1 x 50
2) Squats: 3 x 8-10, alternated with
3) Stiff-arm Pullovers: 3 x 10-15
4) Calf Raises: 3 x 15-25
5) Good Mornings, or Stiff Legged Deadlifts: 3 x 8-10
6) Presses, or Behind the Neck Presses: 3 x 8-10
7) Lateral Raises: 3 x 8-10
8) Bench Presses: 3 x 8-10
9) Rows, or Chins: 3 x 8-10
10) Curls: 3 x 8-10
11) Lying Triceps Extensions: 3 x 8-10
12) Leg Raises: 3 x 25-50

I'm not going to tell you that you should be squatting with 500 lbs or overhead pressing 300. This will only discourage you. Even many of the top men don't use the goal weights recommended by some authors. It's not so important what you are using now even if it's only 75 lbs. What is important is how you're progressing.You must try to increase your weights regularly even if you only add 2.5 lbs to the bar at a time.

It would be foolish for you as a beginner to set a 500- or even a 400-lb squat as a goal. What you should do is set a goal of adding 2.5 to 5 lbs to your squat every workout, or every week, but make haste sensibly, slowly, and steadily.

A good rule to follow in doing your exercises is to raise the bar rapidly (dynamically) and lower it slowly (with concentration). 

Try this routine and give it at least a two or three month trial.
I'm sure you'll be pleased with the results, and it will allow you to better learn how to deal with stronger and weaker days in your training.









  

Powerbuilding - Don Saladino (2015)

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Bill Pearl



When you've been in the iron game a while, you begin to ask yourself some tough questions: 

How do I maximize size without sacrificing strength? 
How do I get stronger without getting injured?
In short, how can a lifter have it all -- muscle, power, and pain-free joints to enjoy the benefits?

The answer is a combination of powerlifting and bodybuilding programming, colloquially known as "powerbuilding," blended in the formula we offer here. 


The Dynamic Duo

Our program is a mix of the Westside Barbell powerlifting template, and old-school, high-volume bodybuilding. The "Westside Conjugate Method," as it's known, is a system that incorporated heavy workouts and lighter ones. The heavy days are called Max Effort sessions, because you work up to a max, the heaviest weight you can use for reps in the one to five range. The lighter days can be done in two different ways.

Many lifters who powerbuild do the lighter workouts exclusively with higher reps and go for the pump, and that works fine to build muscle. Our routine includes plenty of pump work, but we're also making use of the "dynamic effort method" (DE) -- a technique whereby you lift lighter weights explosively. Even though the weight may not feel challenging, moving it as quickly as you can trains your nervous system to recruit the biggest, strongest muscle fibers an it helps you to overcome sticking points. If your bench press usually stalls midway through a rep with a heavy weight, DE can help you develop the speed off your chest to blast through.




Lifting for Life

Of course, building muscle and setting PRs isn't much fun if it wrecks your body in the process. Heavy training is hard on the joints, but by rotating your main lifts and generally changing up the workouts on a weekly basis, you can avoid the overuse and overtraining injuries that plague many lifters. The main lift in each max-effort workout should be switched every week. In fact, you can switch out practically every exercise in the program week to week if you like -- just follow the basic template we set up here. It includes two weeks of sample workouts.

On the first max-effort day, for instance, when you'll train your chest and biceps, stick to three to four chest exercises and three biceps movements per session, but the exact exercises you pick are up to you. The main lift can be a bench press one week, then an incline press the next, and a floor press after that if you'd like. Feel free to experiment and find exercises that work best for you and keep the workouts fun. 

List of sample max-effort bench exercises:

List of sample max-effort squat/deadlift exercises:


Directions: The Schedule

You'll perform two max-effort and two dynamic-effort workouts per week, rotating through a bodypart split of chest/biceps; back; legs; shoulders/triceps. Note that it will take two weeks to work each bodypart group with both the max- and dynamic-effort methods -- follow the template for how they fit together. Day 3 in each training week is for cardio and recovery. It will help improve your performance in the workouts as well as protect against injury. 


Strength: Max-Effort Training

Max-effort workouts focus on improving one main lift. To do that, you need to train heavy. Warm up thoroughly and then chose a variant of whatever the main exercise is (some type of squat, bench press, deadlift, or overhead press), and begin working up in weight slowly. Add weight in small increments and keep your reps to five or fewer until you reach a load that allows you only 3 to 5 reps. When you've maxed out those reps, move on to the next exercise. 


Speed: Dynamic-Effort Training

The goal of dynamic-effort work is to move a weight as fast as possible. (Note that when doing DE pullups on back day, you'll be lifting your bodyweight). Aim for 60-70% of your max on these exercises and keep the reps to three. If that feels too heavy or your latter sets get sluggish, reduce the weight. The point is to be as explosive as possible -- while maintaining perfect form -- so don't get too anxious to add weight.


Cardio

Use the exercise of your choice to raise your heart rate to a moderate level (120 - 140 beats per minute) and keep it there for 30 - 60 minutes. Afterwards, foam roll and stretch.



WEEK ONE

Day One (Max Effort)

Chest/Biceps:

Bench Press (any variation) - 
as many sets as you need to work up to a 3-5 rep maximum.

Dumbbell Bench Press:
4 sets of 8 reps.

Flyes, or machine flyes:
5 x 12-15.

Seated Dumbbell Curl:
4 x 8.

Hammer Curl:
2 x 10.

Barbell Curl:
4 x 10-12.


Day Two (Dynamic Effort)

Back:

Pullup:
8 sets of 3 reps.
Simply perform reps as explosively as possible on both the positive and negative phases. 

Chest-Supported Row:
4 x 10-15.

Reverse-Grip Pulldown:
4 x 10.

One-Arm Dumbbell Row:
3-4 x 10.

Bent-Arm Pullover:
3 x 15-20.


Day Three (Cardio)


Day Four (Max Effort)

 Legs:

Squat (any variation):
as many sets as you need to work up to a 1-5 rep maximum.

Unilateral Leg Press (or one-legged squat variation):
3-4 x 10-12.


Goblet Squat:
2 x 10-12.

Leg Extension:
3 x 8.

Glute Ham Raise, back extension, or RDL:
4 sets of as many as you can.

Leg Curl:
3 x 15.


Day Five (Dynamic Effort)

Shoulders/Triceps:

Overhead Press (any variation, seated or standing):
8 sets of 3.
Rest 60 seconds between all dynamic effort sets.

Seated Dumbbell Lateral Raises:
4 x 10-12.

Rear Delt Raises:
4 x 10-12.

Close-Grip Bench Press:
4 x 6-8.

Dip:
4 x 10-12.


WEEK TWO

Day One (Dynamic Effort)

 Chest/Biceps:

Bench Press (any variation):
8 sets of 3 reps.

Incline Dumbbell Press:
4 x 10.

Pushup on Handles:
3 x as many as you can.

Dumbbell Flye:
3 x 8.

EZ Bar Curls:
4 x 8.

Hammer Curl:
2 x 10-12.

Incline Dumbbell Curl:
4 x 10-12.


Day Two (Max Effort)

Back:

Deadlift (any variation):
as many reps as you need to work up to a 1-5 rep maximum.

Lat Pulldown:
4 x 12.

T-Bar One Arm Row:
4 x 10.

One-Arm Pulldown:
4 x 12-15.

Straight-Arm Pulldown:
2 x 15.


Day Three (Cardio)


Day Four (Dynamic Effort)

Legs:
Leg Press (or squat variation):
10 sets of 3 reps.

Hack Squat:
4 x 12.

Bulgarian Split Squat:
3 x 15.

Seated Leg Curl:
3 x 15.

Lying Leg Curl:
2-3 x 12-15.

Farmer's Walk:
4 x 45-90 meters.


Day Five (Max Effort)

Overhead Press (any variation):
as many sets as you need to work up to a 1-5 rep maximum.

Cable Lateral Raise:
4 x 10-12.

Face Pull:
4 x 12-15.

Lying Triceps Extension:
4 x 10-12.

Triceps Pushdown:
4 x 12-15.



 
























Strengthening and Mobility for Overhead Movements - Robert LeFavi

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Strengthening and Mobility for Overhead Movements
by
Robert LeFavi
 







Assessing Overhead and Shoulder Mobility

The first step is to assess your shoulder mobility. Try this common test of functional movement:

Stand with your feet flat on the floor and hold a PVC pipe directly overhead. Now, descend into an overhead squat. Optimal mobility, for which the highest score would be given on this movement, occurs when you can keep the bar over your feet, maintain heel contact with the floor and have your hips descend below horizontal level of the hip joint. In those with compromised mobility, the heels may rise or the PVC pipe may move either too far forward or stay too far behind the body; both positions are problematic and indicative of a shoulder-mobility limitation.





If your shoulder mobility is compromised, you should embark on a sustained program to increase shoulder range of motion. Don't labor under the impression that your shoulders can't increase in mobility -- the tissues limiting mobility can be stretched. It simply takes a sustained, intentional and smart program, along with effort on your part.


Proper Mechanics for Overhead Movements

Even though I am a proponent of training overhead, it's vital to understand the proper mechanics of the movements so as to minimize stress on the rotator cuff. Overhead exercises should be performed in such a way that the head of the humerus an maintain its proper position in the glenoid fossa.  




This is best accomplished when you start the exercise from the "rack" position (across the front of your shoulders). It's also best to use your legs and perform overhead movements (to the extent you can) from a standing position with the exercise initiated by the legs, as in a push press or jerk.

To maintain proper biomechanics for rotator cuff protection, ensure that the bar follows a pathway that moves in a slight arc in front of your body, around your face as the chin is tucked back slightly (don't throw your head back), and ending with your arms fully extended overhead and in line with your ears. Avoid leaving your arms in front at the end of the movement, as such a finishing position places undue stress on the rotator cuff. 

Finally, be very careful of rotator cuff fatigue. Remember, these muscles are small and tire out with repeated activity. Be vigilant about how much volume is included in workouts that feature multiple overhead sets. When rotator cuff muscles fatigue, the humeral head begins to migrate away from the glenoid because of the strong pull of the deltoids, and the likelihood of injury increases sharply.


Strengthening Your Overhead Movements

   The final step is to train specific exercises that will help you develop overhead strength and stability in overhead movements. Here are three great exercises that will do just that.


Kettlebell Turkish Get-Up

The Turkish Get-Up is a fantastic exercise to improve overhead movements for two reasons. First, it helps increase strength through a large range of motion and across multiple planes of movement. Second it's superb for developing mid-line and core stability, which further transmits rigidity to movements overhead.




The Perfect Turkish Get-Up with Gray Cook:

"I would have thought the perfect turkish getup would at least include a fez"
The comments aren't always simply hater on Youtube.


To perform, lie on the floor and, holding a kettlebell in your right hand, safely move the kettlebell into a locked-out position over your upper chest. Your right knee should be flexed with your foot flat on the ground and your heel near your buttocks, and your left leg should be straight and slightly abducted (away from your body). Perform a slight crunch to maneuver up by rolling onto your left hip and elbow. Think of punching your elbow down to the floor. Immediately following the crunch and punch, drive down hard with your right heel and push up onto your left hand, all while threading your left leg underneath you into a kneeling position. At this point, your left knee and right foot should be on the floor and the kettlebell should be locked out overhead. From this position, tighten your core and lunge forward to a standing position. Reverse these steps to return to the start position. Repeat on the other side. 

During both the ascent and descent in the Turkish Get-Up, work hard to keep your right arm locked out overhead. You'll expend more energy and fatigue more quickly flexing your elbow even slightly and re-locking it. Also, keep your eyes focused on the kettlebell; this will keep your active shoulder properly aligned for overhead stability and strength.

Note: The verbal explanation of this exercise makes it out to be much harder and more complicated than it actually is. The best approach is to get down on the ground and start practicing it. 


Behind-the-Neck Overhead Press with Snatch Grip

Step up to a rack and, with your hands at snatch width on the bar, position yourself underneath it with the bar on the back of your shoulders, as you would for a squat. With your feet at shoulder width, and without assistance from your lower body, perform a strict press upward and lock out at the top. Remember to squeeze your buttocks and abdominals so your hips stay underneath you and your core maintains rigidity. Return the bar slowly to the back of your shoulders. 




Because this isn't a push press or a jerk, the motion should be SLOW AND CONTROLLED. As a strength-building exercise (providing the basis for more power and endurance), this movement should be performed between the repetition maximum ranges of three to six. This means that you should rarely perform high-rep presses if your goal is to build strength overhead. An occasional one-rep maximum is a good idea as well, to improve your progress with this grip and position overhead.

The use of forced reps should be consistent here if possible, with a spotter standing behind you and assisting at your elbows only at your sticking point. The spotter can also help lower the bar to your shoulders when the weight is in the 1RM to 3RM range.


Overhead Shrug

In a power rack, place a weight (slightly heavier than one with which you can successfully perform a push jerk) at a height about two inches above your head. Make sure the rack is stable, with a god metal catcher holding the weight. Facing the bar, grasp it with your hands at a clean width and bend at your knees to position your body directly under the bar with your arms locked out and shoulders tight. Make sure to maintain a solid core. Slowly and carefully straighten your legs; stand up under the weight, keeping our elbows locked out. As you do, the bar may slide up the rack. That's fine as long as your arms stay straight and you move the bar away from the rack to an overhead position once you're completely rigid under the bar.

Next, while holding the bar overhead and locked out, elevate and depress your shoulder girdle slowly and completely three times. You're essentially performing a shoulder shrug with this heavy overhead bar. Don't bend your elbows or even move at the wrists; just shrug your shoulders.

This exercise increases shoulder-girdle stability and will keep the bar from moving forward through "soft shoulders" in movements like the overhead squat and jerk. In other words, it enables more force production in "active shoulders" to keep them active. As a high-intensity exercise, lockouts should be performed judiciously and not programmed too frequently. And they should always be done with weight that exceeds your push-jerk 1RM.
  







Pause for Strength - Jay Ashman (2015)

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PAUSE FOR STRENGTH
by
Jay Ashman (2015)


What if I told you about a program that has had these results:

Increased a lifter's deadlift from 560 to 630 in 12 weeks.
Allowed a first-time powerlifter to win his class and set a national record for bench press.
Helped a man set a lifetime PR for his deadlift that he had been chasing for over a year.

You would probably be intrigued, as most of us would be who pursue strength in the weight room. The good news is that you are going to get a sneak peek into this program.

This peaking program makes liberal use of pause lifting work, the Rate of Perceived Exertion method, and targeted accessory exercises designed to build the supporting muscles to support bigger lifts. It demands effort, it asks you to be honest about your own lifting, and it requires the discipline to stay within the parameters of the daily workload. It has also been tested on dozens of real people who have sen impressive results from it.


Pause Lifting

Pause lifting is very simple to do, in theory. At a specified point in the lift, you will stop and hold the weight before you continue on the concentric path of the movement. With the squat, you will pause in the hole for the specified time, wither a one, two, or three count. The bench press will be paused on the chest, and the deadlift will be paused about two to three inches after breaking from the floor. It is absolutely critical that you maintain your tightness during these interludes. You cannot relax in the hole or rest the pause on your chest. When you relax, you defeat the purpose of the pause by not training the muscles to fire out of the lift.

Pause lifting is beneficial because it helps improve your strength by virtue of holding the weight in a static position for a short time. It can help improve explosiveness by erasing the stretch reflex and teaching your muscles how to 'pull the trigger' without the benefit of a rebound. It also builds core strength and body confidence because you're holding the heavy weight with sheer muscle strength. 

All of these are good reasons to utilize pause lifting in your strength program, but like any good concept, the timing is imperative.


RPE Method

RPE stands for Rate of Perceived Exertion. This is a concept that has been around for a while and is becoming  more popular as of late, as opposed to percentage-based training where every lift is predicated on your one-rep max. What RPE means is that you will lift according to you daily state in the gym, instead of trying to force a certain percentage that may be too heavy for that day. 

Here's a simple example:

You're tired from a long day of work, but your program calls for 90% of your one-rep maximum. You have it in your head that you have to hit these numbers or your workout is a wash. When it comes time to reach 90%, you need help getting the bar to move and it is a failed lift. Discouragement sets in.

Consider the same situation, but instead of using percentages, you have the RPE method programmed to determine your daily intensity. This day calls for a RPE of nine, which is leaving one rep in the tank. RPE 9 is similar to 90%, but it allows deviations as to how you feel for that particular day. Since the RPE is not based off a predetermined number, it allows some flexibility on days when you're not feeling up to par as well as on days when you feel like you can push more weight. 

The RPE scale is simple to follow:

An RPE of 10 will be a max-effort lift, the absolute most weight you can move that day.
RPE 9 is leaving one rep in the tank.
RPE 8 will have you stop two reps before failure.
RPE 7 is submaximal and often used for rep work or speed work when lifting.

The RPE method demands that you be honest with yourself. It requires an element of self-awareness because you'll be asked to judge how many more reps you can or cannot do. It's important to keep this in mind and constantly be self-assessing as you train.

If you do this correctly, the results you experience will be very comparable to the results you read about in that first paragraph. This is a proven program in which my clients run a personalized version according to their needs and where the testing groups for the upcoming book have all made tremendous progress across the three main lifts as well as with their overall muscularity.


The Program

To give you a sample of what to expect, the first week of the program is laid out for you here. Day one will center around the squat, day two will be a bench day, day three is for deadlifts, and the fourth day is a bodybuilding-style program day for hypertrophy. Each week has four days of training and three days of rest. You don't need more than that, and you won't want more than that in your quest for strength. Each phase of this program is broken down into three-week intervals followed by a deload week, for a total of three phases, each one with a slightly different focus.

The main lifts will utilize the pause technique and the RPE scale. (Note the parentheses next to the main exercises, which list the RPE number and the sets and reps). Perform accessory exercises like standard bodybuilding sets. 


Day One 

1) Pause Squat - RPE 8, 3 sets of 4 reps.
The goal today is to find your RPE for four repsand then repeat that for 3 sets of 4. You will use the same weight for all three sets. Perform a one-count pause in the hole for each squat rep.

2) Front Squat - RPE 7, 3 x 6.
The front squat is meant to be much lighter than the pause squat and designed to be a quad accessory lift.

3) Dumbbell Lunge - 3 x 10 per leg.
Unilateral work is often overlooked by lifters because it is so difficult. Learn to embrace lunges because they use muscles you don't often utilize much with squatting. These stretch your hips, work your stabilizers, and add more work to your quads, hamstrings, and glutes.

4) Leg Curl - 3 x 15.
As with all accessory work, do not train to failure. Performing clean, hard reps across the set will bring up weaker areas and allow you to gain muscle.

5) Romanian Deadlift - 3 x 10.
This is a complex lift, but it is still an accessory movement. Remember, all accessory work is to complement the big lifts, not take away from them.

6) Plank - Max effort for time.
Your abs can never be too strong. If you want to lift heavy weight, you need strong abs. This is not debatable. Suck it up and get it done.


Day Two

1) Pause Bench Press - RPE 8, 3 sets of 4.
Instead of the one-count pause, you will pause the bar on your chest for a count of three. You must stay tight on your pauses. Just because it's a longer pause does not mean you rest the bar. Keep your body tight and ready to push the bar off your chest.

2) Close-Grip Bench Press - RPE 7, 3 x 6.
The triceps are often a lifter's weak link when it comes to the bench press. You won't see too many lifts missed off the chest, but many lifters can't lock out their arms on a heavy press.

3) Dumbbell Incline Bench Press - 3 x 20.
The idea here is to include extra chest and shoulder work. Keep the weight light and get the reps in.

4) Cable Crossover - 3 x 20.
After performing three pressing movements for the upper body, I like to add in a stretching exercise at the end. No need to go heavy on these. Keep the weight light, and focus on the stretch and the movement of it. If you have to strain for the last few reps, you're doing them wrong.

5) Straight Bar Pressdown - 3 x 20.
This exercise develops size and strength in the triceps and mimics the position your hands are in when you bench press.

6) Hanging Leg Raise - 3 x 15.
You can use straps for the leg raises or even a Roman chair. Be sure to bring the feet above waist level on every rep.


Day Three

1) Pause Deadlift - RPE 8, 3 x 4.
This is a difficult exercise, so choose that RPE carefully. Once you break the bar from the floor, pull for a couple of inches, then pause for a one count before finishing the lift.

2) Deficit Deadlift - RPE 8, 3 x 4.
Standing on only a 45-lb plate makes this lift harder and helps you learn how to use leg drive without making the deficit too large and creating a movement pattern that is unlike the actual deadlift.

3) Barbell Row - 3 x 10.
Keep your back mostly parallel to the ground and don't cheat these reps by moving the weight with body English.

4) Leg Press - 3 x 15.
Perform these with your feet close together and in piston style, moving the weight quickly through the range of motion and without coming down so far that your lower back rounds. Piston-style leg presses help build quad strength to allow for a better leg drive on the deadlift.

5) Dumbbell Row - 3 x 12.
Perform these rows one arm at a time with your other arm and that same-side leg leg braced on a bench.

6) Plank - Max effort for time.
For a more challenging version of this exercise, brace your forearms into an exercise ball. This will demand that you stabilize your body to keep the ball from rolling.


Day Four

1) Dumbbell Front Raise - 3 x 20.
Day four is the bodybuilding day, dedicated to the reps and chasing that pump. Dumbbell front raises help build up the front delt so you can support a bigger bench.

2) Rear Delt Machine Flye - 3 x 25.
These not only protect your shoulders during bench pressing but doing them on a machine allows you to isolate the delt, control the reps, and focus on where you want to build the muscle.

3) Shoulder-Width Pulldown - 3 x 15.
The next two exercises represent 90 reps of back work. A strong back is a major key to your lifting. If your back cannot support a weight, you will not lift it.

4) Close-Grip Pulldown - 3 x 15.
Change the bar handle to the neutral-grip V-shaped handle for this exercise. Don't slack on training the back or your lifts will not progress.

5) Dumbbell Hammer Curl - 4 x 15.
We end the week with old-fashioned biceps curls. Yes, even when you're training for strength, you still need to hit your biceps. 



Controlled Overtraining - Alexander Cortes (2015)

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Articles by Alexander Juan Antonio Cortes




Controlled Overtraining Can Lead to 
Dramatic Short-Term Results

Overtraining can beat you up and leave you injured. But done strategically, it can also get you into peak shape in record time, while making some of the best short-term gains of your life.

Building muscle is a long-term process. Tissue can only be added so fast, and muscular density is developed from thousands upon thousands of repetitions. For those who want an aesthetic physique, patience is part of the game. That said, there are times when planned overtraining can deliver phenomenal short-term improvements. While you cannot "train insane" every day, there are periods where absolutely blasting it in the gym can kick you out of a rut and spur improvements in both muscle mass and strength.

Within exercise science, the term for this planned overtraining is "overreaching" and refers to distinct periods of time in which training volume, intensity, and frequency are increased for the purpose of shocking your physiology into improvement.


Time to Triple Up

This program works on a compressed time frame. That means training is going to be put into overdrive. Specifically, we are going to utilize three different training methods all at once to push the intensity of the workouts. Over six weeks, you'll dramatically transform your physique through a carefully periodized plan that has you training all out every session, but which ceases before the point of burnout or injury.

These strategies we'll be using are compensatory acceleration training (CAT), relative strength method, and giant sets.


Compensatory Acceleration Training  

Formulated by sports scientist Dr. Fred Hatfield, this method focuses on moving weights with maximal acceleration on every single rep. Similar to the concept of the Dynamic Effort method created by Louie Simmons of Westside Barbell, CAT focuses on power an strength development with your working weights. CAT sets are all about speed and explosiveness. If you're doing a bench press on a CAT day, the bar will come down slowly but should explode off your chest and reach the end of its range of motion as quickly as possible. On these sets, you will always stop short of grinding out reps or using a weight that is so heavy it makes you slow.


Relative Strength

This simply refers to using your bodyweight as resistance. While bodyweight movements are sometimes dismissed as being ineffective for building muscle, they can have a hypertrophic effect. Since they're less taxing on the joints than free weights, you can also perform them at a higher volume and more frequently. Because they can also be done for very high reps, they can be used for HIIT (high intensity interval training) and have a metabolic effect when incorporated into training. To become stronger relative to your weight, your body must also shed extraneous tissue. Developing relative strength will also have positive carryover with all your traditional lifting exercises.


Giant Sets

Giant sets are performed in circuit fashion but are bodypart specific, designed to use complementary exercises for the same muscle group in sequence. Giant sets enable you to lift "giant" amounts of volume within a compact time frame. This elevates the metabolic factors of the workout, creating a powerful stimulus that can develop hypertrophy and help shed excess body fat.


Six-Week Assault

Over the next six weeks, you will be training six days a week, working a three-day bodypart split. Over the course of the week, every muscle group will be trained twice. You will alternate between CAT days for power and strength, and giant set days for massive metabolic disruption. Sprinkled throughout will be relative strength bodyweight work, along with regular repetition work.

The main concept here is to blast through every workout. Don't worry about increasing the weights. Rather, aim for moving the same weights for more reps and more quickly, with control and authority. The idea here is to maximize speed and volume. Add reps and sets before adding weight to any one exercise. Take as little rest as possible. Rest only as long as you need to perform the next set and then start again at full bore.


The Science of the Triple Threat

This training program is designed to create a powerful short-term anabolic effect, not a long-term change. With that in mind, this is not a year-round training program the repeat over and over. In exercise science terminology, we're creating an acute response. This will require intense exposure and application of stimulus. That means you're in for some punishing workouts.

Why does blasting hard work so well for building muscle? The initial response of a body to an increase in volume and frequency is to overcompensate its adaptive mechanism. For a short period of time, your metabolism will be highly elevated and your recovery will increase to accommodate the training stimulus. This is a natural response to stress. Instead of making you slow down, your physiology will focus upon surviving and overcoming the stress you're placing on it. 

This effect quickly subsides, however, usually when the stress continues past four to six weeks. And beyond the six or seven week mark, metabolism will start to gradually dip as your body tells you to slow down and stop expending so much energy.

This creates a window to build some muscle and opportunity to shed some body fat at the same time. That is why this program is six weeks in length.

By creating an acute effect through the right type of training, your physiology will be "shocked" into rapidly adapting. And you'll emerge looking the sharpest you've ever looked within such a short period of time.


Training Split

Monday: Quads/Hamstrings (CAT)
Tuesday: Chest/Back (CAT) 
Wednesday: Shoulders/Arms (Relative Strength + Giant Set)
Thursday: Quads/Hamstrings (Relative Strength + Giant Set)
Friday: Chest/Back (Relative Strength + Giant Set)
Saturday: Shoulders/Arms (CAT)
Sunday: Rest


Monday: Quads/Hamstrings (CAT)

Back Squat, 5 x 5 superset with
Double Kettlebell Swing, 5 x 10.

Barbell Jump Squat, 6 sets of 3 reps.
Stand in a conventional squatting position with a barbell on your back, your feet at shoulder width, and your hands gripping the bar tightly. Push your hips back and descend into a parallel squat with your head and chest up. Explode from this bottom position into a jump, then land softly and descend into another squat in a smooth, controlled manner.

Stiff-Legged Dumbbell Deadlift, 3 x 15.

 Leg Press Drop-Set, 5 x 40-20-10.

Explosive Standing Calf Raise, 4 x 5.


Tuesday: Chest/Back (CAT)

Incline Barbell Press, 5 x 5.

Bentover Barbell Row, 5 x 5.

Dumbbell Squeeze Press, 4 x 15 superset with
Hammer Strength Row, 4 x 15.

Dumbbell Bench Press, 3 x 12.

Bentover Dumbbell Row, 3 x 10.

Close-Grip Lat Pulldown, 2 x 12.

Incline Dumbbell Flye, 3 x 15.


Wednesday: Shoulders/Arms (Relative Strength + Giant Set)

Supinated Close-Grip Chinup, 4 x as many as possible, superset with
Close-Grip Triceps Pushup, 4 x as many as possible.

Giant Set: 3 rounds with movements performed in sequence - 
Seated  Machine Shoulder Press, 10 reps
Triceps Pushdown, 15
Seated Dumbbell Curl, 10
Dumbbell Lateral Raise, 20.


Thursday: Quads/Hamstrings (Relative Strength + Giant Set)

 Sumo Deadlift, 3 x 10.

Bodyweight Split Squat, 3 x 10-20.

45-Degree Hyperextension, 3 x 20.

Giant Set: 3 rounds with movements performed in sequence - 
Bodyweight Squat, 20 reps
Lateral Lunge, 12 (each leg)
Bodyweight Reverse Lunge, 10 (each leg)
Bodyweight Jump Squat, 15.


Friday: Chest/Back (Relative Strength + Giant Set)

Supinated Close-Grip Chinup, 5 x 6-12, superset with
V-Bar Dip, 5 x 8-15.

Giant Set: 4 rounds with movements performed in sequence - 
Pushup (moderate grip), as many as possible
Inverted Row, as many as possible
Wide-Grip Pullup, as many as possible
Deficit Pushup, 15.


 Saturday: Shoulders/Arms (CAT)

Single-Arm Dumbbell Snatch, 6 sets of 3 reps.

Strict Barbell Curl, 5 x 5.

Push Press, 5 x 4.

Close-Grip Plyo Pushup, 5 x 5 superset with
Bench Press, 5 x 6.

Barbell Hang High Pull, 3 x 12.

Seated Dumbbell Hammer Curl, 3 x 10.

Triceps Pushdown, 3 x 20.






 























The Art of Being Human - Judd Biasiotto

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These six lectures were delivered worldwide from 1985 to 1995. They have been modified for print and most redundant stories have been deleted. However, all pertinent information and stories have been included at least once within this collection.





"Michael Jordan and countless other NBA stars credit George Mumford with transforming their game. A widely respected public speaker and coach, Mumford shares his story and strategies in The Mindful Athlete. His proven techniques transform the performance of anyone with a goal, be they an Olympian, weekend warrior, executive, hacker, or artist.

A basketball player at the University of Massachusetts (where he roomed with Dr. J, Julius Erving), injuries forced Mumford out of the game he loved. The meds that relieved the pain of his injuries also numbed him to the emptiness he felt without the game and eventually led him to heroin. After years as a functioning addict, Mumford made meditation the center of his life. He kicked drugs, earned a master’s degree, and began teaching meditation to inmates and others.

Mumford went on to partner with coach Phil Jackson, a long-time mindfulness practitioner, working with him and each of the teams he coached to become NBA champions. His roster of champion clients now includes executives and Olympians. With a charismatic style that combines mindfulness with lessons from icons like Yoda and Bruce Lee, Mumford delivers an engrossing story and an invaluable resource."




Chapter Six:
The Art of Being Human
by Judd Biasiotto


Over the years I've had the opportunity to speak to some extremely impressive groups and teams, but never in my life have I been in a room with so many great athletes as there are here tonight. I was informed earlier this evening that the athletes in this room are responsible for more than 350 National records, 700 American records, and 250 World records. Just as impressive is the fact that there are 67 National Champions and 43 World Champions in attendance here tonight. Needless to say, I'm impressed and extremely honored to have the opportunity to talk to you. This is such a gifted group and I feel an enormous sense of responsibility to give you all that I am. So let's begin.

I love being an athlete. In fact, sports is a major aspect of my life. In all condor, there is nothing in my life that I enjoy more than competition. The euphoria and celebration that received from participating in sports transcends anything that I have ever experienced. For me, sports is truly a gift from God. And I am sure that for many of you sitting here the feeling is mutual. As important as sports is to us, we have to realize that they are just a game, nothing more, nothing less. This brings up something that bothers me a great deal, and that is blind obsession -- where sports becomes a means to an end. I'm really concerned about this problem. And it is a problem, you know, a major problem. First of all, the obsession with sports in America is incredible. With war raging all around us, you would think that the major interest in the United States would be detente, right? No, it's sports! There is more interest in the world series than there is in the Middle East crisis. There is more television and newspaper coverage devoted to sports than there is to our economic system. Even though the latter relates to our well-being and livelihood. More time and more money are spent by colleges to recruit good athletes than good college professors. College coaches are paid more money to coach than the Nobel Prize winners are paid to teach. Superstars are far better known than super scientists. And Shaquille O'Neal who plays for the Los Angeles Lakers makes approximately 25 times more than the President of the United States. Now, if that doesn't freak you out, I don't know what will. 

Intertwined with these obsessions by the American public are the plain realities of high-voltage competition. The American athlete responds to competition like no other athlete in the world. It's been estimated that the average athlete in America trains an average of twelve hours a week. Now that's an average athlete. Most elite athletes train at least three times as much. Not only that, but they will train if they are in pain, if they are sick and even if they are injured. They will do anything to improve their performance -- drugs, cheating, lying -- it doesn't seem to matter as long as they improve. Believe me, there are numerous elite athletes who practically surrender their entire lives to that single purpose. For many elite athletes, their devotion to sport actually goes beyond the border of obsession. In fact, there is considerable research in sports psychology that demonstrates that elite athletes often develop obsessive-compulsive behavior in an attempt to achieve their goals. For example, a number of studies I conducted with weightlifters in the late eighties indicated that there was a consistent positive linear relationship between weightlifting success and the "obsessive" factor as defined by Nideffers Test of Attentional and Interpersonal Style. Generally, the better the lifter the more obsessive their behavior.

In a similar series of studies, Dr. Paul Highlen and his associates found that qualifiers for the 1988 Canadian National wrestling and diving teams reported relatively high frequencies of compulsive behaviors. The athletes were withdrawn, talked to themselves frequently and generally lived a highly structured lifestyle compared to less-skilled athletes.

Interestingly, most psychologists believe that for most people to reach an elite level in any field of endeavor some degree of obsession is required. In fact, in sports, one of the most competitive fields of endeavor, obsession -- total obsession -- may be the most important aspect of achieving world class status.

Dr. Gordon Edlin, a sports psychologist, says an interesting thing about this very issue. Let me tell you what he said:

"I've never met a great athlete who wasn't somewhat obsessive. The really great athletes, the one-percenters, are generally obsessed with what they are doing. They place a higher priority on their sport than they do on work, family, interpersonal relationships, and even on their own health. Athletes seem quite willing to sacrifice the very essence of life just to achieve athletic greatness. Nothing matters -- just the game."

I know that may sound crazy to you, but I'm afraid Dr. Edlin's statement is pretty accurate. Let's be honest, athletes are at best different, especially the great ones. I mean, think about it. How many people do you know that would push their bodies to the brink of exhaustion every day, abstain from social and physical pleasures -- such as sex, alcohol, and social communication. People who would sacrifice job opportunities, financial security, home, marriage, even children, perhaps ingest large quantities of illegal and dangerous drugs, ignore and endure pain from serious injuries, work long hours perfecting a simple skill that is ridiculously repetitious, and re-gain and re-lose a couple of hundred pounds each year? For that matter, how many people do you know that would spend forty to sixty hours a week working on their hobby, and eating two to three cans of tuna fish each day for a lifetime? Yet, all this is done for a chance to participate in an event that might, if the athlete is good enough, bring him a few moments of glory.

For many athletes, sports is not just an event that is played at specific intervals; it is his social life, psychological life, and physical life. For this type of individual, it is not just participation in sport that is missed, but the entire life that is built around the sport. It's insane.

I remember a couple of years ago I had the opportunity to meet Scott Edmiston, a former world champion and world record holder in the sport of powerlifting. During the years that I have been involved in the sport of powerlifting, I have met some really "different" lifters. You know, "different" like in playing without a full deck; like rowing with one oar; like several sandwiches shy of a picnic; like the lights are on but nobody's home; like . . . well, you get the idea. Without question though, none of the "different" lifters I've met can compare to Scott Edmiston -- 5'11", 242 pound superman, superflake from Allentown, Pennsylvania. In fact, when it comes to obsessive behavior, he's in a class with a very select few.

For instance, in order to get himself really psyched up for the Collegiate National Powerlifting Championships, Edmiston shaved all the hair off his head -- all of it. Next, he got a steak bone, put a chain through it, and wore it around his neck. Then, every night, he walked across the Kutztown State College Campus growling at people. Doug Haines, Scott's training partner, told me that the entire campus was scared to death of Edmiston, from the groundskeeper right on up to the president. In fact, Doug said that some of the students would actually run away every time they saw Edmiston coming.

If you think that's "different," listen to this. In order to prepare for the 1986 USPF National Championships, Scott moved right into the local gym so he could get his "mind set" for pending championships. He brought his mattress from home, along with a small night stand and table lamp, and set up a bedroom right there in the corner of the gym. Then every morning, Monday through Saturday without fail, Edmiston would drag himself out of bed at five o'clock to prepare for his first two-hour workout of the day. At five in the afternoon, after an eight-hour shift at Bethlehem Steel, Edmiston would be back in the gym for his second two-hour session.

Let me read you what Scott said in an interview he did with me for Powerlifting USA after he retired at the early age of 22:

"My goal was to be the best lifter in the world. Whatever it took to get there -- sacrifice, hard work, drugs -- that's what I did. Nothing mattered to me, not my family, my girl, my job, just lifting . . . That was my whole world -- nothing mattered. Thank God I survived it all."

Do you think that's scary? Let me tell you about my good friend, Stephen Korte. He's a magnificent athlete. One of the greatest powerlifters ever to come out of Germany. By the time he was twenty-two, he had already won three German National Championships, a European Championship, and a silver medal at the World Championships. He had also broken most of the teenage German National Powerlifting records in the heavyweight division. It was no secret that Stephan was Germany's hope for the future; a superweight who would dominate powerlifting for a decade to come. He was just that great of an athlete.

Let me also mention here that Stephan is a marvelous human being. He is so positive, and so wondrous and do full of exciting things to share. He is a joy to be around. I wish I could share him with you. But he is also a man who lived on the edge. A man who was so obsessed with his dreams that he literally jeopardized his life to realize them. His story is a strange mix, inspiring, yet extremely frightening. One that will afford you some insight into the myopic view of life that many world class athletes have. Let me tell you what happened.

Four weeks prior to the 1993 Junior European Championships, Stephan noticed that his right testicle was beginning to enlarge. Within two weeks, his testicle had swollen to twice its normal size. Suspecting that he might have testicular cancer, Stephan went to a friend who was in medical school, to get examined. His friend's diagnosis was not good. He told Stephan that he definitely had cancer and that he needed to see a doctor immediately so that he could get treatment. I don't know about you, but I would have been in the doctor's office that night. But not Stephan. Instead of seeking medical care, he refused to see a doctor. He was afraid that if he was diagnosed with having cancer he would not be allowed to compete in the European Championships and consequently would not be able to compete at the Worlds. Winning a gold medal at the Worlds was a dream that he had had since he was a little boy. A dream that he could not abandon. So he continued to train, pushing his body to its breaking point in every workout. Each day though, his body became a little smaller and a little weaker. It was obvious that his cancer was spreading through his body, but Stephan persisted. In fear and in pain he drove himself relentlessly. He never complained, nor did he tell anyone about his cancer. By the time the championships rolled around, Stephan had lost close to thirty pounds. He was weak and frightened, but he was determined. Amazingly, Stephan made the seemingly impossible possible by winning the gold medal and qualifying for the Worlds. An incredible feat; one that I can barely comprehend.

Unfortunately, Stephan's story does not have a happy ending. The day after his competition he was admitted to the hospital and was immediately operated on. His right testicle and a major portion of his abdominal lymph system was removed. Needless to say, his powerlifting career was over. Isn't that a tragic event? One that could have been avoided. I love Stephan Korte. As I mentioned before, he is a wonderful man, but I don't believe that winning outweighs every aspect of human interest. No championship or medal is worth a life, or for that matter human suffering. Sports are challenging and exciting, but they're just games. Nothing more and nothing less. To think otherwise is in a sense . . . sick.

Unfortunately, the history of sport is filled with athletes whose sole objective in life is to ascend to athletic greatness. For these athletes sports is not a game -- it is their life. Nothing else matters to them. They are driven men and women. The only real world for them is and always will be the world of sports. Everything else savors of anticlimax. For the obsessed athlete nothing in life could even approach the significance of the game. The game is their whole world. There is nothing else. This type of thinking is a  myopic view of life.   

It seems even more insane when you consider the statistical possibility of being really successful in sports. Just consider the odds of making it to the pros in professional basketball. Each year there are approximately 200,000 high school seniors who participate in inter-scholastic basketball. Of these seniors, approximately 12,000 will receive college scholarships. Out of that 12,000, somewhere around 200 players will be drafted by the N.B.A., but only about 50 will actually be offered a contract. Of these 50, about five will eventually earn a starting position. Of those five, only two will stay in the N.B.A. for more than five seasons. In other words, your chances of making it big in the N.B.A. are about 1 in 100,000, and believe me, your odds of making it big are not much better in any other sport. Conversely, your chances of success in business is approximately 80%. Now don't get me wrong. I'm not against sports. If anything, I'm a jock at heart. If you have a chance to make it big, go for it, but don't forget that there's more to life than shooting a basketball or hitting a baseball. Strive to be a total human being, not someone who is just physically well developed, but one who is physically, mentally, socially, an spiritually developed.

When you really think about it, what is the significance of hoisting up a heavy weight, hitting a home run or slam dunking a basketball? It's nice to be able to do these things, but they really have limited value to mankind. I think my mother put sports in perspective for me early in my lifting career. I remember I had just broken the world record in the squat and I was so excited about telling her what I had accomplished. So before I even showered, I ran to the nearest phone and called her. I said, "Mom, I broke the world record tonight." And she said with that marvelous Italian accent of hers, "Thatsa nice! How's the car running?" I believe that says it all. Athletics are great but there are more important things in life; like keeping your car running. You know, we really don't need anymore great athletes in America. We already have a surplus of gifted baseball, basketball, football, and tennis players. What we need now is more gifted doctors, lawyers, and teachers, etc. Now don't get me wrong. Like I said, I'm not against sports. If anything, I'm a jock at heart. I love being an athlete. But the truth of the matter is, it is more important to be a good person than it is to be a great athlete. And I'll tell you this, too, it's a lot harder to be a good person.

So, tonight with your permission, I would like to talk to you about some of my ideas of what it takes to be a well rounded human being. Take the ideas you like home with you and leave the others behind. We might call this talk, "The Art of Being Human."

I think it is in every man's best interest to be a total human being. An individual who is not just physically developed but one who is intellectually, socially, and spiritually developed as well. I know that as athletes we tend to focus more on the physical aspects than the latter. I tend to believe that this is only natural because most of what we do requires extreme physical prowess. However, to ignore the other aspects is a mistake of significant magnitude, because without these other aspects of life we can never truly become all that we can be. It is true that the body is essential; but it is only essential because it carries around the greatest gift given to us: our brain.

The human mind is a miracle. It is limitless. No one has even guessed its potential. Believe me, the powers of the brain are literally beyond human comprehension. Brain researchers estimate that even prodigies don't use more than a fraction of their brain's potential. "If man used the full potential of his brain," says Dr. Stephan Berhard, a leading neurophysiologist, "he would likely cross the parameters of mortality, he would become godlike." Think about that. What a gift this mind of ours is. Yet we don't even use it.

You know, we are the greatest country in the world, but we are by far one of the most uneducated countries in the world. Which is really crazy because we have the greatest educational opportunities on earth. Our data banks are cram packed with the most advanced scientific information available to man and we have the technology to access that information in a moment's notice. We have everything in America, the best schools, the best libraries, the best learning carrels, the best scientific equipment . . . the best of everything. In short, our educational opportunities are futuristic compared to other countries. And do you know what? Most Americans don't give a damn. They are worried more about who is going to win the Super Bowl than they are about educating themselves and their own children. That's sad because intelligence is on of the most important aspects of being human. It gives us the capacity to participate in the ideas and feelings of others. It's a very special human quality that allows us to step out of ourselves and observe and understand the wonder and magic of others from within. It gives us the capacity for understanding, passion, drive, compassion, forgiveness, empathy, tenderness, and love. When you are intelligent your entire life is enriched, as well as the lives of others who you touch.

Unfortunately, we have very little regard for education in America. In fact, most American's look at getting an education more as a hassle than an opportunity to grow and nurture as a human being. I've been teaching for close to a decade-and-a-half and I can honestly say that most students don't take their education seriously. I've seen guys spend three hours in the gym or six hours in front of the television, but they won't spend fifteen minutes reading a book. When it comes to education the accent is definitely on the wrong symbol. Hell, if we would spend a fraction of the time we dedicate to sports on education we would be a country of prodigies. As it is we are a country of dimwits.

A couple of months ago, I asked my publisher why he thought my books were doing better in Europe than they were here in the States. Do you know what he said? "American athletes either don't read or can't read." I hate to admit it but he is probably right. In fact, most Americans don't read, which is odd because most of us spend half of our youth learning how to read, and once we learn how, we don't read anyway. Here is something that will probably shock you. The average college student after graduation reads less than one book a year. Now that's the average college graduate. Most Americans don't read a book from one decade to the next. And here is something that will really blow your mind. Twenty percent of the American population is functionally illiterate. Worse yet we are adding one million illiterate teenagers each year to our already shocking number of illiterates. Now I know what you're thinking. "America has more college graduates than any country in the world." Well don't let that fool you, because degrees and titles mean absolutely nothing in America. Some of the dumbest people I have ever met have Ph.D's and some of the smartest people I ever met don't even know what a Ph.D is. Believe me, anyone can get a Ph.D. Hell, I got one.

Recently a friend of mine told me he was going to become a certified fitness expert. He never had a single college course in physiology, bio-mechanics, kinesiology, zoology, anatomy, nutrition . . . hell, he's never taken a college course. And he is not that scholarly when it comes to the elementary aspects of weight training. But one day he forked over two-hundred dollars, sat through a four hour fitness seminar and now he is a bona-fide fitness expert with a certificate to prove it. The guy was selling "fun meals" at McDonalds the week before and now he's a fitness guru. Do you believe that? Well don't! Like I said, don't be fooled by people with degrees. Look at a person's knowledge, not some piece of paper he's holding in his hand. Even Aristotle made the distinction between education and intelligence when he wrote, "Dignity does not consist in possessing honors but in deserving them." A degree is just a piece of paper. What's really important is your wisdom, not your title. In life you have to prove yourself. Do you really think I.B.M. gave a "rat's ass" if Bill Gates had a degree? Hell no! They were interested in his production. All they wanted was for him to "crank out" that software. The bottom line was, are you competent -- can you produce? And that's the way it should be -- competence based on performance. Believe me that's the way it is in sports. Just because Carl Lewis shows up for a track meet you don't think all the other athletes are going to say, "Oh, Carl's here. Give him the gold medal." Or course not! They're going to make him prove he's the best every time he walks on the track. They could care less that he's a world champion. But then, Carl Lewis can prove his worth when he walks out on that track; he's worked his whole life in order to develop his skills. He didn't stop training once he won the gold either. He forged on, because he knew that he would have to prove himself over and over again. Unfortunately that's not the case with most Americans. It seems that as soon as they get out of school the quest for knowledge is over. This is a mistake of significant magnitude. We live in such a fast paced dynamic society that by just doing nothing we fall way behind. As mentioned, in life you have to prove yourself each and every day. You can't rest on your laurels. Once you think you have it made, you will reach a cumulative point, inertia will breed and before you know it you will be on the backslide. It's in man's best interest to never be totally dissatisfied but to always be unsatisfied. Leo Buscaglia says, "Education is a never ending pursuit and the truest measure of intelligence is a dedication to continue the process throughout life." Let me read to you more of his thoughts:

"To place proper value on learning, we need to recognize a basic law of nature. That which does not grow, dies. A life that is lived within fixed limits and travels only the well worn paths of habit and routine is diminished greatly by failing to recognize that we live in a constant state of change. That which does not grow, dies."

He's right, you know! We should always be reaching out, experimenting, learning, and growing. The pursuit of wisdom is a lifelong activity. Each day we should learn something new about the world, and in so doing we well never again be the same. You have to work long and hard if you want to really grow intellectually. It's not easy, but nothing worth having in life is easy to obtain.

For the life of me, I don't understand why people don't want to learn. Every time you learn something new, you become something new, something greater, something grander. We are all we have. Buddha told us that trips outside of the body are worthless. Jesus said if you want to find life you have to look inside yourself. Therefore it is incumbent that we become all that we can be, the most wonderful intelligent, loving human being possible. And then we will always survive. Malcolm X said something extremely poignant. He said, "They can chain my hands and feet but they can't shackle my mind." Intelligence can set you free. Believe me, you can be enslaved by ignorance, but with intelligence you are truly limitless. You can direct history, shape your environment, mold your life . . . hell, you can make the impossible possible in some cases. Just sixty years ago the Wright Brothers were told that if God had intended man to fly, he would have given them wings. Today we have men walking on the moon. Intelligence is power!

One thing that a lot of athletes don't understand is that the body serves the mind. It's not the other way around. If you have a strong mind, your body will follow. In fact, there is considerable research in the field of psychomotor development which has revealed a linear relationship between the knowledge an athlete has about his sport and how well he performs. In short, the more information extended to an athlete about the demands of his sport, the more likely it is he will excel. Because of this fact, coaches in the Eastern Bloc countries require that their athletes engage in intellectual training. Coaches in these countries will frequently assign readings to their athletes; at other times discussions are held and lectures are given by authorities who discuss the psychological or physiological ramifications of the activities in which these athletes are engaged. Also, athletes are frequently exposed to training films in which their own movements are analyzed and compared to those of more proficient performers round the world. These programs have consistently shown that athletes who are intellectually prepared for the demands of competition perform significantly better than athletes who didn't receive such intellectual training. In other words, it's brains not brawn that many times will make the difference. I know this was true of my career. There were a lot of athletes who had greater physical prowess than me -- athletes who should have beaten me easily, but never could. Let's be honest. At best I had the body of an eleven year old stamp collector. There is no way I should have been able to beat some of the guys that I did. It was my intelligence that saw me through. When I was competing, I went to great pains to procure as much information as possible about my sport. I read practically everything I could get my hands on -- books about training routines, ergogenic aids, nutrition, etc. I also called and visited prominent coaches and athletes. I looked for every little edge. I looked at everything that I thought could enhance my performance. I studied biomechanics, hypnosis, biofeedback, sports medicine, etc. I even looked into how music, lighting, and colors affected performance. In short, I played the game above my shoulders and for me it paid off. And here's a news flash! I'm just an ordinary guy. Anything that I can do, you can do too, and some of you can probably do it better. As I said before, if you're willing to work hard, and use your intelligence, you can be or do almost anything in life. The mind is limitless.

Personally, I never want to stop learning, because the more I learn the more I become and the more I have to share with others. And the more I have to share, the closer I can get to people and then, just maybe, something wonderful and magical can happen between us. For me that is the essence of life.

Another thing I'm really concerned about is what's happening to us socially. Think about these statistics for a second. Every year in America 25,000 people kill themselves. Is that sad or what? There are approximately 30,000 murders each year, 60,000 rapes (reported), 60,000 incidents of spousal abuse, 900,000 kids who run away from home, and 60,000 men and women who seek psychiatric help. And would you believe this, the average relationship in America lasts only three months, and one out of every two marriages ends in divorce. And of the marriages that remain viable, 84% of these individuals are not happy. In fact when most of these individuals were surveyed, they said that if the had it to do all over again, they would never have gotten married. George Leonard says, "We can orbit the earth, we can touch the moon, but this society has not yet devised a way for two people to live together in harmony for seven straight days without wanting to strangle each other." It gets worse, too. A recent mental health survey revealed that only 20% of the people in America who were interviewed said they were happy and enjoyed life.

Things just don't seem to be getting any better. In fact times have really changed. When I was a young boy, I grew up in Philadelphia. Isn't that a beautiful name for a city. It literally means the city of brotherly love. I remember when I was a little boy, we would leave our back door open in case our neighbors needed anything, and they would do the same for us. If we needed something we would just go over to their house and borrow it, and then later that day we would bring it back, and the neighbors would do the same. For instance, some mornings while we were sleeping they would come in and borrow eggs or sugar, what ever they needed. Then later on, they would come back and say, "Here are the eggs we borrowed this morning. Thanks!" It was so nice sharing with friends. Everybody watched out for each other. It was a wonderful thing. Today if you leave your door open in Philadelphia the neighbors will come in and take your eggs, your microwave, your stereo and anything else that is not nailed down. And believe me, they're not bringing that shit back.

Obviously, we are missing something when it comes to the basic concept of being human. We don't reach out and care anymore. And we don't love anymore either. We have forgotten that we are our brother's keeper. we are in this I-Me generation. Everyone is worried about themselves, and what they can get out of a situation. I hear it all the time -- "What's in it for me? What can you do for me?" We have become so selfish and self-centered. No wonder we have lost the aptitude for happiness.

People are in need of community but what we have is stressed individuality. This is not right. We need each other. We need other people to engage us, comfort us, and accept us. No man is a rock. We all need love and compassion. Norman Vincent Peale says that there is no substitute for the human touch. We know this to be a fact, yet we continue to push people away from us.It's as if we are afraid to reach out to each other, afraid to admit our vulnerability, afraid to say, "This is who I really am, I'm not perfect, I have my faults, but I am also unique and I have wonderful things to share."

Another thing: we are so suspicious of everyone these days that we lose a lot of opportunities for friendship and love. I'll see a girl on campus and her hair will look absolutely stunning and I'll say, "Your hair looks really pretty today." And I'll walk on. Then I'll see another girl and she might be wearing a beautiful dress and I'll say, "I love that dress. You look beautiful today." And I'll move on. And then I might see a guy who has really been taking care of himself and is in great shape and I'll say, "Man, you look great!" And then you know what happens? These three people meet up on the other end of campus and the first girl will say, "I just saw Judd and do you know what? He tried to hit on me." And the other girl will say, "Yeah, I just saw him too, and he tried to hit on me too." And then the guy will say, "Yeah, he tried to hit on me too." Is this crazy or what? But that is the way it is in America. We are so suspicious of anyone who tries to reach out to us that we are ready to immediately slap them away.

You know, a couple of years ago I was telling my students about Saint Francis of Assisi and how his philosophy of life was to give everything that you had. And you know he did that. He gave away all his wealth, time, love, and energy to others. He was one of the most giving human beings you could ever imagine and the most loved. But you know what my students said? "This guy must be tripping, he must be nuts!" They didn't understand that when you give everything you have, you get so much more in return. You get love -- the most essential element for health and happiness. The great Chinese philosopher, Lao Tzu, wrote that, "Kindness in words creates confidence, kindness in thinking creates profoundness, and kindness in giving creates love."

I had a wonderful experience the last time I was in China. I was visiting with the Chinese Olympic Weightlifting Team and they were giving me a tour of Beijing. Actually they had me on the temple circuit. Believe me, China had more temples than K-Mart has "blue light specials." After about four hours of temple touring, every temple started looking the same. Consequently, I decided to venture out on my own to see what else China had to offer. I must have wandered off a good three miles when all of a sudden I realized I was lost. Well, I wasn't totally lost, just partially. You see, there was a fork in the road and I couldn't remember which one I had gone down. My major problem was that if I selected the wrong road, I'd never be able to get back in time to meet with the other lifters. What I needed was some transportation -- and fast. Of course, in China no one owns a car [and how that's changed!] -- they can't afford them. But just about everyone has a bicycle. Consequently, I decided to see if I could rent someone's bicycle. As luck would have it, a young peasant woman came by with a beat-up old bike. I know this may sound trite, but in the three days I was in China, this was by far and away the most beautiful woman I had seen. She had jet black eyes, beautiful olive skin, and the body of a 12th Street hooker.

After I flagged her down, I attempted to explain my dilemma in my best Chinese. I figured if I gave her a real good sob story, I could get her to rent me the bike cheap. Amazingly, as soon as I got the message across that I was lost, she got off her bike and gave it to me. Even more incredible was the fact that she refused to take any money for letting me use it. I really felt guilty about taking her bike without paying, but I didn't have time to stand there an convince her to take my money. I figured I'd do that when I brought the bike back. I jumped on her bike and headed out to find the other lifters. Fortunately, I selected the right road back and located them just as they were coming out of the temple of whatever. After I explained to them what had happened, we made arrangements to meet at a nearby restaurant after I returned the bike.

On my way back to return the bike, I started thinking about what the peasant woman had done for me. There was no doubt in my mind that the bike was one of her greatest assets, perhaps only second to her home, if in fact she had a home. And here I was a foreigner who she had never laid eyes on before, and she gives me one of her most important possessions. She had absolutely no guarantee that I would return it, nor did she have any recourse if I didn't return it. She was totally at my mercy. The more I thought about it, the more I realized that giving me the bike was a tremendous act of trust and kindness. I mean, can you imagine someone in America lending their bike, let alone their car, to a foreigner. Let's be real, most Americans won't give a foreigner the time of day. Hell, most Americans won't give another American the time of day. Well, I figured if she could show me such kindness, I could do the same for her. So I decided that I would give her 200 yen for letting me use her bike. That's about sixty dollars in American money, which translates to about three months wages for a peasant in China. When I got back, I found the woman sitting on the side of the road waiting for me. After I thanked her, I reached into my wallet and pulled out 200 yen and handed it to her. She immediately returned the money to me, shook her head no, and then gave me a smile that absolutely melted me. I tried to give her the money again, but once again she refused it. I know this may sound crazy, but as I stood there looking at her, I could actually feel love and warmth radiating from her. I also realized my money had no value at this time. A gift is something that is given from the heart, given without the expectation of praise or reward. Her act of kindness was her gift to me -- one I'll always treasure.

This is the way life should be. We need to treat each other the way we want to be treated. We need to reach out, show compassion and love for each other. Like I said, we need each other. Unfortunately that's not the way it is in America. We don't seem to look for the good in anyone. I see it all of the time. People will get into a relationship, and instead of trying to build each other up, they tear each other down in order to gain vantage point. That's not love. It's selfishness, and insecurity speaking. And if someone becomes successful. God help him! We are quick to try and destroy that person's reputation. We can't stand other people's success. Leo Rostan says, "It is the weak who are cruel; gentleness is to be expected only from the strong." Rosten is right -- weak, insecure people, they are always the ones to cast the first stones.

And this racism thing really drives me crazy. I know this is not a popular stand, but I definitely believe in the amalgamation of the races and miscegenation. More importantly though, I believe that a man should be judged on his character -- not his color. I detest any form of racism, black or white. We are all brothers and sisters. We need to reach out, love, risk, and trust in people. If we don't we will never realize our greatness or enjoy all the gifts that have been bestowed upon us.

I want to tell you a magnificent story about human courage and love. The story is about my Father. Now, I know what you are thinking. "Oh, no! Not another one of those 'my father is great' stories." Well . . . in a way it is a story like that. Don't get me wrong, though, I'm not ashamed about bragging on my Father. Every son should think that his father is the greatest. Unfortunately, that's not always the case, but for me there is nothing more true. I believe that I am a very objective person. I've been all over this country, and I have had the opportunity to visit a few others. I'm sure I have met thousands of men, but I can honestly say that I have never met a man as great as my Father, and I have met some truly great men. He is a beautiful, wonderful human being. Always positive, smiling and always moving forward. He is a doer, not a dreamer, a listener, not a thinker, a leader, certainly not a follower. Honest, hardworking, intelligent, and powerful. He is simply an awesome force. He is everything I ever want to be.

The story I am about to tell you has nothing to do with the love and devotion I have for my father. Rather, it reflects the love and devotion my Father had for another man -- a black man. It was almost thirty-five years ago that these events took place. If my memory serves me right I was five years old. At the time my father was one of the best fast-pitch softball pitchers in America. That's not a proud son bragging but rather the record book speaking. The years the he pitched his winning percentage was well over 95%. It was nothing for him to strike out 16 or 17 batters in a seven inning game. And when it came to no-hitters, I doubt if anyone in the nation with the exception of the great Eddie Fegner had more. In one season alone he threw 21 no-hit games. Not surprisingly, at the beginning of each season my father was deluged by teams who wanted him to play for them, and it was routine for other teams to "pick him up" to play in weekend tournaments. He was just that great.

Believe me, things won't make you happy, people will. When I was working in professional baseball, I was around some of the wealthiest people in the world and they were some of the most miserable people I have ever met. And when I worked in the steel mills during my college vacations, I met some of the poorest people. And you know what? Many of them were extremely happy. For this reason I have a rule, and if you are smart you will follow too. It's simply -- people first, things second. Reach out, risk, love, share and give yourself totally. Try being human again.

I would like to leave you with a few thoughts about having God in your life. Usually I don't talk about metaphysics in my lectures, but maybe I should. Certainly we all need God in our lives, for without God we are nothing. And with God we are truly limitless. God can give us the strength to endure whatever we encounter. There is a power in knowing that God is with us. Two things that I always keep in mind during tough times -- one, that God is always with me and, two, that I can do all things through Christ. These convictions have given me power and strength throughout my career.

A few years ago I was invited by the Chinese government to train at the Olympic training center in Beijing, China. Although I was excited about the opportunity, I would be lying to you if I didn't tell you that I was scared half to death. As you are probably aware, China is a communist country which is directly controlled by the military. I remember when I got off the plane, there were soldiers standing all over the place armed with sub-machine guns. That freaked me out right there. Then, when I got to the Olympic training center, I was informed that no foreigner had ever trained there before. Consequently, when I entered the training center all of the athletes were surprised to see me. Some of the younger athletes had never even seen an American lifter before, some had not even seen an American man before. It was really strange.

After my first workout at the center, I went in to shower and all of the female athletes came in and showered with me. I asked the interpreter what they were doing and he said they wanted to see what an American man looked like.Talk about pressure. I hope I didn't disappoint them. And that was just the beginning. The first day that I actually trained with the Chinese weightlifting team, I took my tape player into the gym and popped in my Michael Jackson "I'm Bad" tape. Immediately, the Chinese coach pitched a fit. It was like I had committed a mortal sin or something. It didn't take me long to realize that training in China was more like a religion than an activity. In fact, there was no music, no talking, nothing but training when training was taking place. Such activities were considered a weakness. And going to the bathroom during a training session was considered the ultimate weakness. Unfortunately I had to find that out first hand. In case you haven't been to China let me tell you about their bathrooms. They are basically nonexistent. All they have for a toilet is a hole in the floor. Kind of like an outhouse but without a seat. They call it a squat toilet. Anyway, halfway through my workout, I had to go to the bathroom so I went up to the coach and asked him where the wei'-shen-jian, which is Chinese for bathroom, was located. Of course he got mad as hell, because like I said you are not allowed to go to the bathroom when you are training. After he blessed me out, he pointed to a room at the end of the gym. When I went into the room the only thing that was there was a little hole in the floor. I said to myself, "No! This just can't be." So I went back out and sheepishly told the coach and again asked him where the wei'-shen-jian was. Of course he freaked. After he calmed down he again pointed to the same room in the gym. I went back into the room and for the longest time just looked at that little hole. I just couldn't believe that this was a bathroom. And then I thought, what the hell, this is China. So I started relieving myself. I hardly got started when one of the athletes came into the room. As soon as he saw what I was doing he immediately ran out. The next thing I knew, the coach, followed by the entire weightlifting team, came running into the room.

Here I was urinating in their sauna room -- you can only imagine how I felt. I didn't have any command of the Chinese language, their rules or customs. I had no coach, no friends, and an interpreter who understood about as much English as I did Chinese. In short, I was all alone in a communist country that traditionally hated Americans. What got me through was knowing that I had God with me. When you have God, you are never alone, and there is nothing you can't do.

It's been said that God's gift to us is life, and our gift to God is how we live it. You know, life can be really tough. There is a lot of pain and suffering in the world and there always has been. Of course, you don't need me to tell you that. All you have to do is look at the history of mankind. Innocent, beautiful people have suffered for no apparent reason since the beginning of time. In fact [I'm starting to wonder what this has to do with training . . . hopefully you'll find a connection!], pain is as much a part of the human condition as life and death. And there has been some real horrifying suffering to. Heartache and misery that human beings have created. Atrocities that are the mortal sins of our soul. No on knows why there is so much anguish in the world. Why God would allow good people to suffer so much. We can only assume that it is a provocation from God to see if we can measure up. At least that's the way I choose to look at it.

There is this beautiful anecdote about a man who looks at the world and sees suffering everywhere. People killing each other, babies in pain, unjust imprisonment, slavery, genocide and inequity. And he looks to the heavens and says to God, "There is so much suffering and pain in your world, dear Lord, why don't you send help!" And God looks down and says,

"I did send help. I sent you."                         






























Bench Press Power Lockouts - Gene Mozee (1992)

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Bob Cheli, Dave Dupree, Gene Mozee, Leon Brown, Jeff Smith (1990)

http://www.ironguru.com/gene-mozee



The bench press is probably the most popular weight training exercise of all. Generally conceded to be the greatest all-around upper body developer, it can mass up the chest, delts and triceps and pack them with immense power. Arnold referred to the bench press as the king of the exercises in one of the articles he wrote when he was the reigning king of the bodybuilders.

I have read well over 100 articles on the bench press over the years since I began training, and almost every one of them was primarily aimed at the powerlifter. I would like to take the opposite approach here and speak to the bodybuilder who is seeking greater muscular development as well as increased power. After all, bodybuilders used the bench press as a muscle-building exercise decades before powerlifting was officially recognized as a sport by the AAU.


Powerlifting: How It All Started, by Peary Rader:


Some of the world's greatest bench pressers were bodybuilders. Marvin Eder benched 510 in 1953 while weighing around 200 pounds. He won numerous bodybuilding contests and possessed one of the most amazing physiques in the world at that time. Other bodybuilding champions who have benched large include Reg Park, Bill Pearl, Chuck Sipes, Bertil Fox, Kal Skzalak and Charlie Fautz.

As you might surmise, you don't have to look like the Goodyear blimp to be a great bench presser. In fact, the purpose of these comments is to illustrate that increasing your bench press power can help you build a more massively muscular upper body -- just as it did for the above-mentioned lifters.

Now, before powerlifters all over the world put out a contract on me, I'd like to say that the greatest amount of weight I ever personally witnessed being elevated in the bench press was the 660 pounds Bill Kazmaier pressed in 1978 at an AAU contest in Sacramento, California.

Bill Kazmaier, 634 lb raw bench, 1980:

Kazmaier was a giant of a man who had tremendous shoulders, arms and chest and a V-tapered back that flowed symmetrically into a trim waist. He looked like a modern day Paul Bunyon.

Years earlier Pat Casey, a former training partner of mine, had been the first man in the world to officially bench press 600. Casey had started out as a bodybuilder and once entered the Teenage Mr. America contest. He did 639 in competition but was denied a new record because the scale had not been officially certified and sealed as per AAU rules. His record of 619 stood for many years. 

 -- One interesting note here. Pat claims that Gene Mozee talked him out of playing football his senior year. He got Pat to focus on his training. Gene told him better to be a big fish in a small pond than a small fish in a big pond. Gene saw at an early juncture in Casey’s career that he had awesome potential and that with good training and guidance he could be a world beater. Actually during 1961 Mozee tried to introduce Pat to Bob Hoffman, the “father” of Olympic lifting, Powerlifting etc., etc. This was in Santa Monica 1961 at the Senior Nationals. Hoffman had been talking about America needing to get big strong men into Olympic lifting, but according to Mozee, Hoffman said “at a later time.” One never knows what Pat could have done with serious specialization, but one only has to look at how well Shane Hammond has done (Powerlifter turned Olympic lifter – 407 ¾ Snatch and 485 Clean and Jerk). 
 - from the Pat Casey book by Bruce Wilhelm.

There's no denying that the stronger you get, the more mass you can build.

A great number of muscles are involved in the bench press movement -- all of the muscles of the chest, deltoids, triceps, intercostals, lats and lower back. Overload is lord over muscle building. Simply stated, a muscle or muscle group grows larger and stronger only when it is required to perform tasks that place loads on it that are over and above previous requirements.

Power assistance exercises are one key to rapidly increasing your bench power. You must strengthen your ligaments and tendons, and you can only accomplish this with heavy weight. There are several ways to approach this. Jim Williams, the first man to reach 700 on the bench, used the forced-rep method at times -- two training partners help with the weight so you can handle 50 to 60 pounds over your strict limit for reps. The bridging technique -- hips off the bench and the body highly arched -- was advocated by powerlifting authority Dan DeWelt.

The best method I have ever found to increase ligament and tendon strength for rapid gains in the bench press is floor-press lockouts. It enabled me to bench press 455 strictly while weighing 220 lbs, back in 1957, and no, I didn't take steroids. My best at 181 was 391.5, which at that time was a world record with a two-second pause at the chest. Don't worry, however, I'm not going to break my arm patting myself on the back. I'm just trying to illustrate the fact that floor-press lockouts really work.

To further prove my point, when I owned the Pasadena Gym from 1957 to '63, we had 62 guys who benched 350 or more, 12 who exceeded 400 and three who surpassed 500, which was unheard of in those days, and no, they didn't take steroids.

The simplest way to do these lockouts is to obtain two old fashioned milk crates -- the heavy metal and wood type. That might take some looking because the crates only seem to come in heavy plastic these days. You could build your own boxes quite easily with minimal tools. An alternative is to do the lockouts in a power rack. Here is the method I used with the milk crates:

I got a dozen 1x12 inch planks, each three feet long. I placed the crates just inside the plates on either side of the bar and positioned six planks under each crate. While lying and positioned on the floor under the bar and between the crates, I only had to push the bar 2 to 3 inches to achieve a full lockout, and I was able to lock out about 100 pounds more than my best full bench.

After four or five workouts I removed one plank from each side to slightly increase the range of motion. Because my tendons and ligaments were complying with the overload principle, I could still use the same weight.

I kept progressing in this manner -- removing a plank from under each crate every four or five workouts -- until all the planks were gone. After this lockout training my bench press usually skyrocketed about 50 pounds.

Remember, however, that floor-press lockouts are a very severe form of training. You must take care not to overdo it, and to avoid injuries. Don't get greedy! When handling poundages that are well over what you are normally accustomed to it is very important to warm up sufficiently. Here is a sample workout schedule based on a bench press limit of 300 pounds lifted in good form:

Warmups -
Bench Press:
135x15
185x10

Floor Press Power Lockouts:
255x8
305x6
355x3
385x2
405x1
405x1
355x3
305x6

Make sure you position yourself with the bar located exactly where it would be at that point in your full bench press.

This is a tough workout that can take 45 minutes by itself, because you require much more recuperation time in between sets when handling these larger poundages. You can do this program three times a week if you recuperate quickly between workouts. If you find yourself too sore -- with the ligaments and tendons aching -- rest a full three days between sessions. You may continue to train the rest of your body while on this program, but don't do any other types of chest pressing. Three sets of flyes and pullovers plus the lockout program is all you need for the chest on this power program.

As I said earlier, you can do this same type of program in the power rack, providing your rack has fine enough pin spacings. Here are a few tips to consider when using a power-lockout routine:

 - Try for a new maximum single record on each lockout day. In the listed sample program, for example, the lifter would attempt 410x1 on his next workout. If you try for a personal best and can't make it, have your training partner near by so he can place one finger under the center of the bar to give you just enough assistance to complete the lockout. It is important to build up a positive mental attitude by always succeeding with your limit poundage -- even if it requires a little bit of assistance. 

 - It's best not to try for a personal record during the first workout at a lower bar setting. Let your tendons and ligaments adapt to the increased range of motion before upping your limit poundage.

 - Concentration is extremely important. There will be times when you'll be pushing hard against a bar that is 100 to 150 pounds more than you can bench press, and it won't want to budge off the boxes. You'll have to work up your adrenaline for an all-out explosive push. I once missed a limit lockout with 600, but I came right back after a few minutes rest with my mind straight and full attention focused on the weight and blasted out two reps.

 - Don't stay on a power lockout program for more than six weeks. It can be both physically and mentally exhausting if you continue or too long, particularly if you are a bodybuilder and not a powerlifter.

 - When you go back to the full range bench press take it easy for the first three workouts or so. Don't try for a new personal record -- even though the weight you used to handle will feel lighter because of your increased ligament and tendon strength. Your pectorals and front delts won't be accustomed to a complete range of motion with maximum poundages, and you can easily injure yourself by trying too much too soon. It happened to me because I was so anxious to see how much I had improved. The increase was too great, and my injury was miserable.

The last time I used this power lockout system my bench press improved from 410 to 455 in 27 days. My training partner, Richard Kee, zoomed from 470 to 525 in the same period. These lifts were done in strict style -- no cheating by bounding the weight off the chest or raising the hips.

 - During the next several years Pat Casey's training took on a somewhat inspired note during his lifting at Gene Mozee’s Pasadena Gym. There were plenty of strong lifters as well as Mozee himself. There wasn’t a day that some strongman did not show up to train. It was a great environment, somewhat reminiscent of Bill “Peanuts” West and his Westside Barbell in Culver City in the late 60’s and 70’s. Everyday personalities were 205’ discus thrower Bell Neville, bodybuilder/strength athlete Dennis Melke (495 bench press at 220), as well as the reclusive Richard Kee who is a story in and of himself. Pat remembers Kee doing a 300 behind neck press circa 1958 and no drugs. Mozee actually gave some other details on Kee, such as a 525 bench with feet straight out. 
From the Bruce Wilhelm book on Pat Casey.

Power lockouts are the best way I know of to add 50 to 75 pounds to your bench press in a short amount of time. Give them a shot. They work. 

 


















Feats of Strength: Arm, Shoulders and Chest, Part Two - David Willoughby (1978)

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"In simple terms, this book is going to cover seven foundational principles of programming/periodization design for strength training, with particular focus and application to powerlifting training. It’s also going to rank order these principles based on their importance, so that you can make sure your programming is always maximally effective for its level of design, no matter if it’s calibrated perfectly or a very rough guide to training.

This book will delve deeply into what the principles of training are, the scientific underpinnings of why they are, and the practical ways in which they can be properly applied, as well as the ways in which to
avoid common mistakes in their application. This book was not written for everyone. It was written for intelligent lifters who want to think deeply about training as a process, for those who want to understand
the “why’s” and not just the “how’s,” and for those that don’t want to take a coach or guru’s advice on training just at its word. Science is the best path to the truth, and it’s a long path… in this case, several hundred pages of pure scientific training fun."


Table of Contents:

PREFACE 8
IMPORTANT TERMS 12
THE TRAINING PRINCIPLES &
WHAT THEY MEAN 21
SPECIFICITY 26
OVERLOAD 72
FATIGUE MANAGEMENT 104
STIMULUS RECOVERY ADAPTATION 186
VARIATION 243
PHASE POTENTIATION 278
INDIVIDUAL DIFFERENCE 308
PERIODIZATION FOR POWERLIFTING 337
MYTHS, FALLACIES & FADS
IN POWERLIFTING 344





Massive reference compiling the record of athletic performance for all major sports and from sporting events around the world -- 665 pages, First edition, 1970.





FEAT S OF STRENGTH:
ARM, SHOULDERS AND CHEST - Part Two
by
David Willoughby (1978)


Repetition Pressing (Standing)

Although "repetition" pressing is not as popular today as it was in this country prior to, say, the year 1900, still from time to time some weightlifter wil pick up a barbell or dumbbell weighing well under his limit for a single lift, and then see how many times he can press it overhead from the shoulders. Here are several notable feats of repetition pressing that have been performed in the United States during recent years.

 Malcolm Brenner


1) Malcolm Brenner (73 inches, 228 lbs) pushed*

*A "push" is where the arms are straightened partially by bending backward and sinking under the weight; whereas in a "press" the arms are steadily straightened and the weight raised to a higher level. Thus, one can "press" while bent backward at the waist, but only if no further bending takes place as the arms are extended. Most repetition presses, even if commenced correctly, develop into pushes because of the natural tendency to bend back farther and farther as fatigue forces a departure from the original upright position.


a barbell of 250 lbs 10 times, and a barbell of 185 lbs 27 times, Los Angeles, California, 1951. The 250-lb lift was equivalent to a push of 332 lbs once, and the 185-lb lift to 334 lbs once. From these lifts, it may be inferred that Brenner in 1951, weighing 228 lbs (and probably carrying very little excess fat) was equal in pressing strength to former World Champion Josef Steinbach (70 inches, 247-256 lbs), of Vienna, who would probably have weighed about 232 lbs "muscular" and who for some years held the record in the "Continental Press" (actually push), with 329.4 lbs (1905). 

    Josef Steinbach


2) Frank Leight (71.2 inches, 209 lbs) pushed 150 lbs 35 times, New York City, 1942. These repetitions with 150 lbs were equivalent to a single push with 307 lbs. 

Frank Leight


3) John Lopez (205 lbs) pushed 150 lbs 37 times, Los Angeles, California, September 30, 1942. Possibly Lopez knew about Leight's record and wanted to improve upon it. Lopez's 37 repetitions with 150 lbs were equivalent to a single push with 316 lbs. Actually, Lopez pushed 300 lbs once; so his repetition lift was somewhat better than his single maximum effort.





4) In a book entitled "Endurance," by the late Earle Liederman, he tells of one of his proteges (Andrew Passanant, I believe) who assertedly "pressed" (pushed) a 100-lb barbell over 75 times consecutively. However, since this would have been equivalent to about 380 lbs once, and since Passanant was only a middleweight, it is evident that either the barbell weighed less than 100 lbs or that it was jerked rather than pushed. And when a jerk rather than a push is used, a great many more repetitions may be performed. A record in this kind of lifting was established in Russia in 1948, when a competitor named Shalva Mdinaradze jerked a 72-lb barbell no fewer than 173 times (!) during a period of 20 minutes. This averages out to between eight and nine jerks per minute for 20 minutes or approximately one jerk every seven seconds. Since 1948, probably even greater "endurance" lifts have been made in the same country.

It should be remarked, however, that feats of prolonged "endurance" are of dubious value as criteria of physical fitness. Many years ago, in a booklet published in Germany, a scale of equivalent repetitions was listed in connection with the pressing of barbells of differing poundages. And when the weight of the bar was only 5 lbs, the expected number of two-arm standing presses was 500, irrespective of whether the performer was a strongman or a weakling. Of course, as the weight was increased, the expected number f repetitions was reduced. One day when I was running my public gym, I decided to test the validity of this system. And the results were both informative and amusing. First, I had a young woman physical culturist try the test, informing her that she would be expected to perform 500 consecutive presses. This she did. Then, just to perform a respectable number, I did 600 presses. Later that day, a lightweight hand-balancer ("top mounter") came into the gym, and I asked him to see how many presses he could do. He said that he would do 500, just to show me. However, just as he was nearing the 500th rep, who should come in but the young lady who had already performed 500 presses that morning. Put upon his mettle, the hand-balancer proceeded to do 600 presses, the same as I had done. Only, he did them in less time than I had taken. Although I was about to leave the gym for home, I took off my jacket, picked up the 5-lb barbell, and with it performed 1,000 consecutive presses. That was 1,600 presses that day; and for several days thereafter my shoulders were stiff. And what had I proven? Not a thing. I am sure that someone possessing some real muscular endurance (which was not my forte) could easily work up to 10,000 or more presses with a 5-lb barbell.

So far as useful or practical strength is concerned, I believe that 20 repetitions of an arm movement -- or at the very most 30 repetitions -- should provide an ample test. As previously noted, a single repetition may not always constitute a true gauge of strength, while 10 repetitions with a lighter weight generally provides a fairer test. On the other hand, when the resistance employed in working the muscles is so slight that thousands of repetitions may be performed (often consuming hours of intermittent effort) it works out that in some tests children may surpass adults. Accordingly, such prolonged performances are of little or no value so far as providing a worthwhile goal is concerned. Too, there is the element of time to take into consideration. Why a busy person, whether man or woman, should go to the trouble of spending an hour or more "jogging" when 15 minutes or less or more intensive exercise (performed in one's home, garage, or backyard) would provide an equivalent amount of the much-advocated "cardiovascular" conditioning, it is difficult to fathom, unless some social or imaginary special virtue is attached to the jogging ritual. [Clearly this author has never enjoyed a long meditative jog outdoors through one of nature's many beautiful locations. Almost reminds me of the putdowns non-lifters sometimes use when considering our time spent lifting weights. Funny how perception works, isn't it.]

To get back to "endurance" pressing in the standing position -- but of moderate rather than extreme numbers of repetitions -- here are some of the best performances on record to date.



1) Karl Swoboda (70.5 inches, 360 lbs) of Vienna, pressed 242.5 lbs, 12 times in strict military style, with heels together, in Vienna, August 27, 1912. Equivalent to 336 lbs once.


       
2) Josef Grafl (75.5 inches, 286 lbs) of Vienna pressed 220.5 lbs, 18 times, in Vienna, 1912. Not military, but with heels together. Equivalent to 344 lbs once.

3) Away back in 1892, in London, an Italian professional strongman stage-named "Romulus" [a.k.a. "The Sicilian Hercules"] -- Cosimo Molino -- who weighed 167 lbs at a height of only 63 inches, pushed 168 lbs 20 times (which equals 271 lbs once), and 179 lbs, 18 times (which equals 279 lbs once).

"London, The Cradle of Modern Weightlifting, by Gherardo Bonini:
http://library.la84.org/SportsLibrary/SportsHistorian/2001/sh211e.pdf

Two other books by Bonini worth seeking out:
"Lifting Back to Athens 1906"
"When the Marquis Lifted Off"

4) Sometime in 1896, in Strasbourg, Germany, Emile Boudgoust pushed 222.66 lbs, 12 times. This was equivalent to a single push of 309 pounds. As Boudgoust weighed only about 185 lbs, this was a splendid feat. He also pushed 198.4 lbs, 18 times in one minute. 

For more on Broudgoust, see this article in Ironmind's Milo Magazine: 
The Strongest Man of Alsatia: Emile Boudgoust by Gherardo Bonini [Milo, 21.2]

In view of the foregoing "oldtime" performances, it is evident that little improvement in sheer pressing power has been made in the standing press during the last 80 years [the 80 years preceding 1978]. Much more progress has been made in the supine press, especially since the introduction, about 1930, of the Bench Press, which style of lifting we may now consider.  


Bench Pressing

Prior to the advent of the Bench Press -- which came into general use in the early 1930's -- a supine (not "prone") press was performed lying flat on the floor (or mat), the barbell first being lifted or rolled from behind head across the face to the position for pressing. If the plates on the barbell were of sufficiently large diameter, the bell could be rolled into position over the chest with little or no actual raising of the weight being necessary. It would appear that approximately the same amount or weight can be lifted in the lying flat on the floor style as in the Bench Press, provided that in both lifts the same hand spacing is employed. If the "collar-to-collar" hand grips are used in the Bench Press, as was the style often used several years ago, at least 10% more weight may be lifted. So far as the effect of the Bench Press on muscular development is concerned, the farther apart the hands are placed, the more the stress will come on the pectoral muscles, and the closer the hands the more on the arm extensors (triceps). Too, in these variant styles, the deltoid muscles are involved in their anterior or lateral portions in accordance with how the hands are spaced on the bar. But it would appear that in any variation of the supine press -- whether on a bench or flat on the floor -- the arm extensors and the front chest muscles are more subject to development than are the deltoids.


 George Hackenschmidt


It was in the flat-on-the-floor style that the famous oldtime strongman-wrestler, George Hackenschmidt of Estonia (Russia), pulled over and pressed a barbell weighing 361.55 lbs. His bodyweight at the time was 195 lbs, and the lift was made in Vienna in August, 1898, possibly on August 2, which was "Hack's" 21st birthday. This lift (which evidently was not practiced by the Viennese lifters) remained the "record" until November 6, 1916, when in New York City, Joe Nordquest, weighing 190 lbs, pulled over and pressed 363.5 lbs.

   Joe Nordquest

  
In both cases the barbell discs, being 18 or 19 inches in diameter, enabled the weight to be rolled across the face without any lifting of it being necessary. An interesting comparison of these two lifters and their respective performances in the same style of lifting may be made.

When Hackenschmidt established his record, it presumably was a lift upon which he had devoted no more practice than on the regular competition lifts (i.e., the standing presses and jerks, one and two arm snatches, etc.) then in vogue. "Hack" stood 68.75 inches in height, and at 195 lbs had arms that averaged 16 and 5/8 inches flexed, along with a normal chest girth of 46.25 inches. In comparison, Joe Nordquest stood 67.5 inches and had arms of 17.5 inches and a chest of 47.75 inches. However, if Nordquest had not lost his left leg below the knee, he would have weighed at least 205 lbs instead of 190. Yet the latter actual (but incomplete) bodyweight is what was recorded in connection with most of his lifts. If Nordquest had raised a poundage in the floor press that was in ratio to the size of his arms and chest (the chief muscles used in this test) as compared with the size of these parts in Hackenschmidt, he should have made a press of over 1.100 x 361.55 lbs, or 363.5. Hence, Hackenschmidt must have had relatively stronger arm and chest muscles than Nordquest, even though the poundage he lifted was less.

The point of this side-comment is that to be really fair and meaningful, weightlifting records should be based on the size (cross sectional area) of the parts of the body involved in each style of lifting, instead of on gross bodyweight. While such a procedure would, of course, be utterly impracticable in official weightlifting competitions, it could still be used, as an "academic" basis, for determining in different performers the actual comparative strength of the muscles involved, rather than what poundages those performers can lift in relation to their bodyweights. Yet it seems that no investigator to date has made any such comparison between outstanding weightlifters and strongmen, even though all the bodily measurements necessary for making such comparisons have for most of the athletes either been published or are otherwise available.

It may be added that the supine (floor) presses made many years ago by George Hackenschmidt and Joe Nordquest respectively do not rank with present-day records in the Bench Press. One reason for this is that the old-time strongmen, with few exceptions, did not extend their practice over the long periods of time now necessary in order to attain a championship class level of ability. Hackenschmidt was only 20 years of age when he made his Floor Press of 361.5 lbs; and shortly thereafter, he became a professional wrestler and devoted little or no time to weight training other than to keep fit and to increase his strength for wrestling. If "Hack" had not done this, there can be little doubt that he could have attained, through steady practice, a Floor Press of 450 lbs or more, which the date being considered, would have given him a high ranking among bench pressers, assuming that the poundage possibilities in the Floor Press and the Bench Press are approximately equal. Nordquest in turn practiced the Floor Press just long enough to enable him to raise a couple of pounds more than Hackenschmidt had done eighteen years earlier. He, like "Hack," had a potential capability of at least 450 lbs.

Today's record holders in the Bench Press, along with the contenders for titles in bodybuilding, spend countless hours working on their arm and chest muscles. The result has been spectacular, so far as size, development and definition of these muscles (specifically in the Bench Press the triceps and pectorals) are concerned. However, the choice of the type of weight trained physique most indicative of symmetry and all-around capability is still up to the individual. And many men would rather have a chest with moderate musculation rather than one in which the pectorals sag of their own weight, like overdeveloped mammae. Too, when the latter stage of development has been reached, the pectorals even when at rest tend to draw the shoulders forward and produce a warped and faulty posture. It is interesting to note that some of the strongest old-time strongmen had an unobtrusive pectoral development.



Louis Uni (Apollon)



 "Apollon" (Louis Uni) for example, was noticeably lacking in this respect, yet he made an unapproached record in squeezing on the Regnier spring dynamometer     


Apollon with the Regnier dynamometer 


which performance indicated not only a terrifically strong grip, but also required a powerful pressing together of the hands (and arms) in front of the chest. 

And of the most famous of all modern strongmen, Eugen Sandow, Dr. Sargent, in his physical examination of him remarked: "The muscles of the pectoral are not so large relatively as the deltoid, biceps and triceps. This is probably due to the character of the feats he performs every night." 

Pec Dimensions Through the Ages

Yet since Sandow has appeared earlier in the U.S. as a performer on the Roman rings it is evident that he must have had very strong pectorals as well as those of the upper back that also depress the arms. But clearly, the photo above indicates that Sandow did not specialize on the development of his pectoral muscles (indeed, in his day the Bench Press had not come into use). 

As to the evaluation of performances in the Bench Press, it should be realized that from the points I have touched upon previously that in order to properly and fairly rate ANY athletic record -- in weightlifting or otherwise -- the time (date) on which the record was made MUST be taken into account. This for the reason that athletic records constitute a variable, rather than static, statistic, and so must be evaluated on a basis that takes this variability into consideration. Commonly, writers on weightlifting blithely ignore this principle.


Floor Dips or Pushups

A test of pressing strength comparable to that required in the bench press is to do the familiar "floor dip" or "pushup" while supporting additional weight on the upper back. While the extra weight is generally supplied in the form of barbell plates, the lift, if used as an exhibition feat, may be performed with much greater impressiveness if human assistants rather than inert iron plates are employed.

A remarkable pushup in the latter style was performed some years ago by the then professional wrestling champion, Bruno Sammartino (70 inches, 260 lbs), and consisted of the lifting of four persons, totaling "over 500 pounds" in addition to his own bodyweight.


In the starting position of a pushup from the floor -- that is, with the arms fully bent and the body horizontal -- the amount of weight supported by the hands is approximately 70% of the performer's bodyweight. This is assuming that the bodily proportions of the performer are those of a typical weightlifter or bodybuilder. In a woman athlete, the corresponding figures are about 63% and 37%. I say "about" because exact rations or percentages are difficult to establish in an unstable body movement of this kind. I obtained a ratio for men in which the pressure on the hands in the finishing position of the pushup averaged 68.5% of the bodyweight. This figure was derived by having each performer support himself in the finishing position of the pushup, only with his hands pressing on scales rather than on the floor. The pressure in pounds so recorded was then compared with the performer's bodyweight, and the ration between the two poundages thereby determined. It is evident that the weight or pressure on the performer's hands, plus whatever additional weight they are carrying on their backs, must closely correspond with the poundages they can press with a barbell while lying flat (supine) on the floor, since one of these movements is essentially an inverted form of the other. Now, let us see how this "theory" works out in the case of the pushup with extra weight made by Bruno Sammartino.

If it be assumed that the "over 500" (say, 520 lbs?) of live weight (barbelles?) was evenly distributed over his body, and that his arms bore, at the start, 70% of this 520 lbs, plus Sammartino's own weight of 260 lbs, his pushup would accordingly amount to .70 x (520 + 260) or 546 lbs. This poundage, unlike in a barbell floor press, would diminish slightly as the arms were straightened and the body was raised from a horizontal to an inclined position, in which the weight would be progressively lessened on the hands and transferred to the feet. It is interesting to note that Sammartino's best Floor Press was 545 lbs, which corresponds almost exactly with the foregoing estimation. This would appear to confirm the assumption that 520 lbs of "riders" must have been distributed essentially equally over Sammartino's back from his shoulders to his feet. Certainly the 520 lbs could never have even been started had it been concentrated directly over Sammartino's hands. However, on another occasion, he is said to have performed a pushup while supporting the professional wrestler, Gorilla Monsoon, who weighed about 360 lbs. While Monsoon sat well up on Sammartino's shoulders, he faced the latter's feet, so that a goodly portion of his weight came over the middle of Sammartino's back rather than over his hands. This was just the reverse of the standard rider's position.

Needless to say, in a feat of this kind, one should start out by practicing with either some barbell plates or a small child of equivalent weight, rather than an adult. And at first, the extra poundage should be located over the lower back or hips, with the child facing the performer's feet. From there, with time and by degrees, the additional weight carried, as well as the position in which it is located on the back, can be increased.

A further degree of difficulty can be adopted by the performer resting his feet on a chair, bench, or other elevated support. Since the "average" (untrained) young man can perform a single pushup with not more than 25 or 30 lbs on his upper back, to similarly lift a young lady weighing perhaps 100 lbs more than this is in itself a feat sufficient to identify the performer as being an up-and-coming "strongman."

Space here permits the mention of only one additional feat of strength in this extensive department, but it is a mind-boggler!

Back in the early 1920's, the professional equilibrist (an acrobat who performs balancing feats, especially a tightrope walker), Gilbert Neville (66 inches, 126 lbs) could perform some phenomenal feats, such as holding a one-hand stand on a swinging slack-wire; pressing up to a one-hand stand (stiff-armed) on a pedestal, four times in succession; doing a one-arm chin or pullup while carrying 56 lbs on his other hand, etc. But his most astonishing feat was his claim to be capable of doing a handstand (not floor-dip) press-up while carrying an additional weight of 112 pounds! And since in his stage act (which I never witnessed, since it came later than his exhibitions at the Lost Angeles Athletic Club) Neville would have gained little credit, or even credence, had he performed the feat while wearing one of his ingenious shot-loaded leather belts, it is more likely -- if the feat were performed -- that he used his stage partner, Paula Armstrong, who, in her stage costume, weighed just that amount (112 lbs). He must have arisen from his starting position prone on the floor with Paula sitting on his upper back. And, rather than having pressed straight upwards as in a regular handstand press (which Sigmund Klein, weighing 150 lbs, was able to do with a 75-lb dumbbell strapped to his back), it is more likely that Neville had to maintain his body in a more horizontal, floor-dip like position. Perhaps some advanced balancers who read this can attempt the feat and thereby either confirm or disavow its possibility!





























Training Methods of American Lifters - Yakov Kutsenko (1956)

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TRAINING METHODS OF AMERICAN LIFTERS
by 
Yakov Kutsenko, Russian National Coach (1956)



The Press

Here are the outstanding points that I have noted about the way that the Americans perform the Press. A medium width grip on the bar and a relaxed holding of the bar on the chest, without any tension, are most characteristic. The grip is around one side of the bar and in most cases straight. They consider initial speed as being of great importance in the drive from the chest and they perform an abrupt movement with their arms -- the "Tear Up."

When practicing the Press they permit great inclinations of the body. It would appear that such big back-bends in practice may lead to bad habits when doing the Press in competition, but such an assumption is not borne out by what happens during the competition, for most of the Americans perform in a most technical manner. (Note by Oscar State: I cannot agree with Kutsenko here. Time and time again I have seen the Americans disqualified on their top Presses for excessive back-bend. In Munich, Vinci lost two Presses, Pete George lost one, Jim George lost two and Clyde Emrich lost two.).

Having finished the Press, Kono practiced the "Push" (a Press aided by a leg movement) with a weight of 341.5 lbs while Davis used 373.75 lbs. The Americans are very fond of doing this movement during their training. Several times before the Stockholm championships Davis pushed 373.75 lbs, Sheppard 319.5 and Kono 330.5. This exercise is most useful for the Jerk an the Press, especially in the second phase of the Press.

The Americans do a lot of bench pressing either on a horizontal bench or on an inclined one. Towards the end of his workout Kono did a Bench Press with 319.5 lbs, Sheppard with 341.5 an Davis with 374.75. They do it as follows: one lifter lies on the bench and two others place the bar on his chest (bottom start); they stand by during the movement and then remove the bar from his chest. The former holder of the world record in the Press, the Canadian Hepburn, told us in Stockholm (where he press 380.25) that the Bench Press is one of his favorite exercises. He improved on his record there and increased the Bench Press weight up to 495 lbs. There can be no doubt as to the usefulness of the Incline Bench Press, since it develops arm strength to a very great extent and allows the bar to be pressed without any slowing down in the most difficult position -- at the level of the forehead, or above the head. 


The Snatch

Having finished the Press and rested for 10 minutes, the Americans did a few short "warming up" exercises and passed on to their Snatch training. During the course of 40 to 50 minutes they did 8 to 12 sets. Here again most of them attempted systematically to approach their limits and did two repetitions in each set -- the second one being taken from the "hang" position without lowering to the floor. 

Davis considers that the force of the "second pull" (what we call "tearing up") determines the success of a Snatch. For this purpose the lifter must have great strength in the arms, back, shoulders and legs. This is the reason why, in order to increase the power of the "second pull," the lifters like to repeat the lift from the "hang," wherein they lower the bar to slightly below knee level.

Davis and Schemansky, having started the Snatch with 209.25 lbs, gradually increased it to 303. Davis attempted to Snatch this weight twice. The pulling up phase of the lift just prior to the Split was very difficult. However, his movements were quick and the Splits so low that I often noticed that he touched the floor with the knee of the rear leg. Also, during the Split the forward knee was bent quite considerably while the back leg was almost straight. The lifter did not often lose his balance.

George and Sheppard have perfected their technique in the Squat style of snatching. The same cannot be said for Kono -- he makes many mistakes in the Snatch. George and Sheppard complete the Squat quickly and during it do not lose their control over the bar (the speed of their arms makes the movement almost invisible to the eye), and they fix the bar firmly in a deep Squat, after which they get up easily. On the whole, lifters who use the Squat technique also recover easily. This is due to the fact that during their training the Americans often did deep Squats while holding the bar above their head (Overhead Squat). George performs this exercise with weights up to 297.5, Kono 308.5 and Sheppard 341.5.
At the end of the training period, Stanczyk used to Squat in the Split position while holding a 319.5 lb barbell on his chest. It has been reported that Davis did a lot of leg strengthening exercises before he made his records of 330.5 Snatch and 402.75 Jerk. For this purpose he did repetition Splits with a weight of 352.5 and Squats with 550 lbs.

During their training the American lifters are also concerned with the accuracy of their Snatches. During one training period Kono could not Snatch 275.5. With obvious annoyance he started training again with a light weight and having achieved accuracy and control he again attempted the original weight. Other of the American lifters also tuned up on small weights.


The Jerk

I received the impression that the Jerk is the favorite exercise of the Americans. We must admit that they hold the majority of the world records in the Jerk. In spite of their great exertion during the Press and Snatch, Kono, George, Stanczyk, Schemansky and Davis always finished their training with Jerks, steadily increasing the weights up to their limits. Thus, for example, lightweight George jerked up to 325, Kono up to 352.5, Schemansky (as a mid-heavy) up to 380.25. Many of them did repetition Cleans from "the hang." In this style Stanczyk cleaned 341.5, Kono 330.5 and George 286.5.

During the Olympic Games an interesting episode took place. Kono, competing as a lightweight, tried to Clean 341.5. This was much too ambitious. He could not recover with such a weight and lost his balance. Wanting to show his control over the weight, he did not lower it back to the floor but tried to Clean it a second time, from the "hang." It must be said that this was not beyond the bounds of possibility for him. In Leningrad he did this successfully with 374.75.

Success in the Snatch and Jerk is greatly assisted by a very important movement -- cleaning a bar without foot movement and using only a slight dip. By preforming this exercise systematically the Americans develop a strong pull. George cleans in this way with 297.5, Kono 319.5, Sheppard 341.5 and Schemansky 369.25 lbs.

The Americans seem to understand that a lifter who cannot Jerk a weight which he can clean pays dearly for this weakness. For this reason they do their training is such a way as to guarantee to Jerk every weight cleaned. George, Kono, Schemansky and Sheppard are all able to Jerk 20 to 30 lbs more than they can Clean. George jerks from the shoulders with 396, Kono 407 and Schemansky 450.


The Continental Jerk

During the 1954 championships in Vienna, Schemansky demonstrated the "Continental Jerk" before spectators and competitors. There he jerked 440 lbs. Anderson uses this method every week in order to Clean 450 which he then hoists over his head by means of a Jerk-Press.

Paul Anderson's Continental Belt Variation:


In the Continental Jerk, in contrast to the Olympic Jerk, the bar is brought to the chest in two movements.The lifter first raises the bar to his waist and rests it on a strong leather belt; then with a strong effort with his legs he pulls the bar to his chest, while going down into a Clean position. All the other positions -- the start, initial pull, the Split Clean or Squat Clean, the Jerk from the shoulders -- are all similar to those employed in the Olympic Jerk. To call the "Continental Jerk" a circus trick would be to underestimate its importance. Schemansky told me that such a lift is one of the main reasons for success in the three Olympic lifts. By lifting such an enormous weight (much greater than can be used in the Olympic Jerk) to the waist, splitting low when taking it onto the chest, getting up with it, holding it on the chest, jerking it and fixing it -- enormous muscular strength is developed in the legs, back and arms. The mental and willpower factor is also of great importance -- courage and the habit of lifting great weights as well as getting accustomed to great tension are all developed.

Continental Cleans for Overhead Confidence:




Tommy Kono's Training Methods

Kono was 1952 lightweight Olympic champion, 1953 middleweight world champion, 1954 light-heavyweight world champion. In October last year (1955) as a light-heavyweight he totaled in Vienna 958.75 lbs while weighing only 172. This goes to show that with a further increase in bodyweight Kono might be able to lift even greater weights. 


 His physique is far from typical for a weightlifter. He is slightly built and looks more like a gymnast or swimmer. As a result of systematic, cleverly planned training Kono has reached heights in weightlifting which no one else of his bodyweight has so far been able to attain.

The belief still persists that in weightlifting only a man who is suitably built can meet with success. People who still believe this forget about the art of increasing strength correctly and about the constant corollary [something that naturally follows or results from another thing] of success -- technique and last, but not least, about the importance of a strong will and determination. Just like the Merited Master of Sport N. Shatov, the Egyptian S. Couda, the English heavyweight R. Walker, Kono has shown the great importance of willpower qualities, which he has learned to master to perfection during the decisive moments of a contest. As we well know, masses of muscle are not always indicative of the measure of strength or skill of the lifter.

Kono competed for the first time in 1946 in California. He was then not quite 17 years old. Before that he played basketball, did acrobatics and track and field athletics, in particular devoting his attention to the high jump. Before the Olympic Games Kono had already gained the reputation of a good weightlifter. His performances in Helsinki attracted great attention. He had bad luck at that start of the competition. He had difficulty in pressing 231.25. However, his result in the Snatch exceeded the world record which the Egyptian Shams held for 13 years -- Kono snatched 259. Also, during the Jerk he lifted 308.5 without any noticeable difficulty. Kono won the title of Olympic champion.

After that the young sportsman continued to develop quickly -- his muscles grew stronger, his strength increased and his bodyweight increased far above the lightweight category. To stay in that weight class would have meant reducing his weight artificially, hindering the further increase of strength and harming his health for a certainty. Kono chose the other option and the better way around the problem. He went up into the next class. 

This year weightlifting followers in Moscow and Leningrad greeted their guests the American weightlifters, among them Tommy Kono who lifted as a middleweight. Rainy, cold weather prevented him and the other weightlifters from demonstrating their best results. Behind the scenes he constantly wrapped himself in blankets, covered his head with towels and massaged his body with embrocation. 

Johnny Terpak, who can speak Ukrainian well, said to me then, "Tommy likes warmth. Even our warmup massage does not help him. He likes to warm up well and attaches to this great importance, believing that warmth produces better condition for the working muscles which are extended to the limit." 

In Leningrad Kono performed with great success. He established a world record in the press (292) in the middleweight class and totaled 931, which exceeded the world record by 33 lbs. wing to the rules this could not be an official record, because for acceptance of a record, lifters from three different countries must be present.

From a few conversations and shared training sessions with Kono I am able to answer some training queries. During the train journey on our return from Leningrad I had a friendly discussion with Kono. The Americans, as well as our own lifters, had not yet cooled down from the excitement of the recent heated and tense contest and conversed animatedly far into the night. Kono told me:

"Many people will find it hard to believe that there are no secrets nor nothing sensational about my training. Like any other champions, my success is simply the result of very hard work and the great desire to accomplish great feats in sport. If you want to be a world champion or if you want to get as near as possible to his height, you must not just sit around and hope that success will come to you. You have to spend a lot of time in training with this purpose in mind."

In recent times Kono trained most often on his own and less frequently with his friends. He told me that he spends less time now on training at other sports for he does not have enough time for it all. He pays greatest attention to barbell exercises which are compulsory for anyone who wants to get high results. 

During the week he has 3 to 4 basic training sessions devoted to the Olympic lifts, during which he does a large number of sets (30-40) and uses heavy weights (often 95% of his top limits). During his free days he either rests completely or goes swimming, performs jumps or plays games. He has most days off when he gets tired after heavy and strenuous strength exercises. Occasionally during his rest days, Kono does some pressing. After a championship he reduces the weights he uses and devotes his entire attention to the accuracy of his technique on the three lifts. To compensate for this he increases the number of assistance exercises (such as the Bench Press, cleaning from the hang, Deep Knee Bends, etc.), because these exercises increase muscle power and he does them frequently with heavy weights. A month or six weeks before an important contest Kono increases the weights in the three lifts and does them at every training session. At the same time he does his assistance exercises with limit weights, but decreases the number of repetition.

Kono pays great attention during each training period to the performance of the Press. He does not believe in lots of repetitions from the shoulders in one set. When he is in good training he does the Press first with a light weight, then he quickly repeats it with a medium weight (75-80% of his limit) and presses the bar only once.

Like all the other American lifters, Kono makes full use of assistance exercises. In order to increase the strength of the drive from the shoulders in the Press, he likes to do bench pressing and considers it very useful. In Stockholm after training Kono bench pressed 330 lbs (his best is 352.5). In successive training sessions he does the Press with a narrow grip, with a wide grip, from behind the neck and, in particular, likes to Press on an inclined bench, when he increases the angle up to 50 or 60 degrees.

Kono often presses dumbbells in lying, standing or sitting positions. He is capable of pressing two dumbbells of 110 lbs each, 10 times in succession; he can do 20 hand pressups with his feet resting against the wall.

His Snatches and Cleans are done in the Squat style. After snatching 295 in god style for his Olympic lightweight record, Kono was unable to repeat to repeat this lift with such perfection. Although is results in the Snatch have improved (rather significantly when compared with the Press and Jerk) up to 275.5 (Note by Oscar State: 281 in Munich), Kono's technique still suffers from mistakes -- his steadiness and the accuracy of his Squat style cannot be depended on and Kono himself admits that it is "temperamental." He explains his rather weak result in the Snatch as being due to increased training on the Press. In the near future he intends to devote more time to training on the Snatch and will attempt to exceed 286 lbs. Watching Duganov's record which the latter set up at the Leningrad match by lifting 292 lbs, Kono warmly congratulated him: "That was a beautiful Snatch. I can learn a lot from that. I'm sure if Duganov would train me I could also make it," he said with enthusiasm.

Yuri Duganov



Kono has also been successful in the Jerk. His assured performance of this lift has brought him victory on more than one occasion. Like other lifters who use the Squat style, Kono pays great attention to the strength of his legs. He does Squats during almost every training session.



During his training at Stockholm he squatted with weights on the chest of 330, 374 and 396 lbs. When demonstrating the ordinary Squat in 1953 the barbell weighed 460. He then did 15 repetitions with 352. To help his recovery in the Squat-style Snatch Kono does repetition squats while holding 308.5 overhead. One can now understand why he almost never experiences any difficulties in recovering from his low squat position in the Clean.

In order to strengthen his pull Kono often snatches with one hand, either from the floor or from supports, using various weights up to 170 lbs. He does high pulls with narrow and wide grips, lots of snatching and cleaning from the hang.

During individual training sessions he devotes particular attention to the Jerk from the shoulders. He does it from stands and with the bar handed in. He once jerked in his way 407.75. Another movement he does to help both his Press and his Jerk is the Push-Jerk. When doing this he does not Split but only bends his knees slightly. It is his favorite exercise and he has done 352.5.

Having become familiar with the main characteristics of Kono's training routines I come to the conclusion that on the whole he devotes little attention to the development of speed. The main object of his training is a continuous increase in strength by means of assistance exercises. Kono is capable of concentrating all his attention and willpower on the performance of a lift.

The ABC's of Weightlifting, by Tommy Kono:

http://ditillo2.blogspot.ca/2010/11/abcs-of-weightlifting-part-one-by-tommy.html
http://ditillo2.blogspot.ca/2010/12/abcs-of-weightlifting-part-two-tommy.html
http://ditillo2.blogspot.ca/2010/12/abcs-of-weightlifting-part-three-tommy.html
http://ditillo2.blogspot.ca/2010/12/abcs-of-weightlifting-part-four-tommy.html
http://ditillo2.blogspot.ca/2010/12/abcs-of-weightlifting-part-five-tommy.html
http://ditillo2.blogspot.ca/2010/12/abcs-of-weightlifting-part-six-tommy.html
http://ditillo2.blogspot.ca/2010/12/abcs-of-weightlifting-part-seven-tommy.html
http://ditillo2.blogspot.ca/2011/01/abcs-of-weightlifting-part-eight-tommy.html
http://ditillo2.blogspot.ca/2011/01/abcs-of-weightlifting-part-nine-tommy.html
http://ditillo2.blogspot.ca/2011/01/abcs-of-weightlifting-part-10-tommy.html
http://ditillo2.blogspot.ca/2011/01/abcs-of-weightlifting-part-11-tommy.html
http://ditillo2.blogspot.ca/2011/01/abcs-of-weightlifting-part-12-tommy_28.html
http://ditillo2.blogspot.ca/2011/02/abcs-of-weightlifting-part-13-tommy.html
http://ditillo2.blogspot.ca/2011/02/abcs-of-weightlifting-part-14-tommy_17.html
http://ditillo2.blogspot.ca/2011/03/normal-0-false-false-false.html







Step Up and Shake it Off, by Tommy Kono:

http://ditillo2.blogspot.ca/2012/09/step-up-tommy-kono.html






Chest Training With Unusual Exercises - Charles A. Smith (1955)

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You can make an excellent comparison of the physiques of modern bodybuilders and the strength athletes of forty and more years ago by leafing through a copy of Muscle Power and that classic work of the weight world "The Kings of Strength"by the late Professor Desbonnet. Place a picture of any recent Mr. America winner alongside a muscular model from Desbonnet's book, and you at once notice a very salient fact . . . that the modern physique star has it all over the old timer when it comes to chest muscle development.

There are quite a few fellows among the muscle men of yesteryear who can qualify as outstanding physical specimens, included among them brothers Bobby Pandour, Staff Sergeant Moss, Otto Arco and Eugen Sandow. Yet not one of these admitted "greats" had a chest development that could compare with any Mr. America crowned during the past eight years [1948-55]. You have only to look at the pictures to satisfy yourself of the soundness of my contention.

It is of course true that the men who in many respects most closely approached the modern concept of ideal chest measurement were Staff Sergeant Moss, Bobby Pandour, and Otto Arco. But be it noted that these were all skilled gymnasts, polished performers on Roman Rings, Parallel Bars and the High Bar. Those who have used these pieces of apparatus in high school or college know just how much the muscles of the chest, arms and shoulders work in concert in activity connected with them.

The modern trend to greater chest muscularity has undoubtedly come about as the result of greater, more intense specialization. Yet that specialization has been made possible only because of new types of equipment; these have enabled the bodybuilder to make use of movements which directly affect the muscles of the chest. George Eiferman, Steve Reeves, Jack Delinger, Clancy Ross, Marvin Eder, Leroy Colbert, etc. Devotees of Flat and Incline Benches will, I am sure, support my statement and furnish visible proof in their own musculature.

The exercises possible on Flat and Incline Benches work the muscles of the chest completely through the function for which they were introduced . . . as adductors of the arms . . . groups which pull the arms from any "away" position, into and across the chest. But the most important fact is that not only do these benches allow performance of chest exercises in a more efficient manner, they also increase the number of exercises and variations. And there is an added benefit. The movements provide physical improvements, but also mental stimulation, a quality enabling a bodybuilder to retain and increase his enthusiasm, train harder, and thus build up his strength and measurements faster than ever before. 

But even fifty years ago, there were exercises that provided a measure of chest muscle development, foremost among them the pullover and press on back, with or without a bridge. Yet this movement was never sufficient in itself to provide outstanding pectoral and rib box development, since the muscles did not get a complete workout. As a consequence, the mighty men of those times never quite reached the maximum possible development of the chest.

Every piece of string has two ends. Just as the old timers were comparatively deficient in chest muscle, so there are some present day bodybuilders who work their "pecs" to a fare-thee-well. It should be the aim of every bodybuilder to build a proportionate development, and this can best be done by learning as much as possible about the science of bodybuilding . . . about muscle function and internal organs, about food and rest. Take for instance the way a muscle works. The more you know about this phase of bodybuilding, the better you will understand why certain exercises must be used. If you know what action a muscle performs, then you automatically know what are the best exercises to give it a proportionate, muscular appearance. 

Let's look at the chest, or pectoral muscles. The first thing to learn is that it is not a single muscle but two.  Just as the deltoid muscle has three separate heads so the pectoral muscle has two sections, each with its own function. The smaller portion of the muscle, the Pectoralis Minor, is located on the front of the upper chest, covered by the Pectoralis Major. This section is important because it not only draws your shoulder blade forward and down, and helps rotate it, but it is also an important breathing muscle. The pectoralis minor works with great vigor in all, deep, forced breathing, but not, note - not ordinary breathing.

If you want to feel this muscle at work, get your buddy to hold his arms close to the sides and pull them slightly back. Place your fingers near the top of the big chest muscle, then have him take a deep breath at the same time lifting his shoulders. You'll feel the muscle working as it lifts the big "pec" covering it.

The Pectoralis major muscle is a large, fan-shaped, the upper half of which swings the arm forward and inward. It also presses the arm against the side and front of the chest wall. When the lower section of the pectoral works on its own, it swings the arm forward and down and also presses the arm hard against the side and front of the chest. From the description of the muscle's action you can see that without it you would not be able to move the arm forward, down or inward against resistance.

If you want your partner to help you test the muscle function, have him hold his arms out straight at the shoulders and press his hands firmly together. Both upper and lower sections of the pecs will stand out in bold relief. Press down on his arms, while he resists. The lower part of the pec will relax, the upper part wil contract. Press up on his arms while he resists and the upper half wil relax while the bottom contracts.

A well designed pectoral specialization program will develop larger chest muscles, but it will, if the exercises are used correctly, help to build a larger rib box as well. For this reason, special attention must be paid to breathing in the exercises where indicated, so that the rib box gets a chance to increase in size and capacity.

Here are the exercises. I'll explain how they are to be used after I've described them. Notice that they are divided into three separate routines, with a final movement to pump up.


CHEST ROUTINE A

Exercise 1 - Incline Bench Dumbbell Presses.
Lie on an incline bench, a dumbbell held in each hand. Palms of the hands should face forward. The dumbbells must be presses steadily to arms' length, then lowered down steadily so the upper arms come straight down to shoulder level position, and then down to the sides of the body for the stretch. (See Illustrations for fuller explanation of the exercises.)

Exercise 2 - Straight Arm Pullover.
Lie on the floor with a barbell held at arms' length above your chest. Throughout this movement your arms must be kept straight, locked at the elbows. Lower the barbell straight down to the floor behind your head, taking in a deep breath as you do so. Raise to commencing position again and repeat. it is most important that you force the air out of your lungs as you raise the barbell. You can place a pad behind your head to get a slight rebound of the bar.

Exercise 3 - Criss-Cross Laterals on Incline Bench.
Lie along the slope of the bench with a dumbbell held in each hand, arms stretched out and down to the sides, as shown in the shadowed outline in drawing number three. From this position raise the dumbbells up to arms' length, crossing your arms straight and locked at the elbows. Lower the dumbbells down to commencing position breathing in deeply as you do so, forcing that air into the lungs. Breathe out as you raise the dumbbells up to criss-cross position.  


CHEST ROUTINE B

Exercise 4 - Wide Grip Bench Press to Neck.
Lie on an exercise bench, a barbell held at arms' length above your chest, collar-to-collar grip. Lower the weight down steadily to the base of your throat, then press to arms' length again and repeat. Don't try to speed up the exercise, instead concentrate on its form and use as rhythmic a motion as possible.

Exercise 5 - Prone Rolling Laterals.
Here's an unusual exercise which is all pure pectoral work in its final stages. Loosen the collars sufficiently away from the plates on two dumbbells so the plates roll around the bars easily. Place the dumbbells as in Illustration 5, hands gripping the bars firmly. Push the dumbbells out to the sides, but take care not to go too far out at first. When you feel you are as low as you dare go, pull the dumbbells in and back to starting position and repeat. Whatever you do, don't bend those arms of yours but keep them straight, locked at the elbows throughout the exercise.

Exercise 6 - Breathing Bench Laterals.
Lie on an exercise bench, a dumbbell held in each hand at arms' length above the chest, palms of the hands facing in, arms just slightly bent at the elbows. Lower the dumbbells down and out to the sides, and as you do so take as deep a breath as possible, reaching a peak of intake from when your arms and the bells are level with the bench. Breathe out and return to the commencing position and repeat. Remember, it's important that you force the air into your lungs as you breathe in, and force it out as the dumbbells return to commencing position. 


CHEST ROUTINE C

Exercise 7 - Reverse Dumbbell Pullovers.
Here's one of the finest exercises for complete pec development. It gets the lats too. Lie on the floor with a dumbbell held in each hand. One arm should be stretched straight out above the head, the other resting alongside the body. Raise both dumbbells at the same time, one moving from the body to above the head, the other moving from above the head to alongside the body. Thus each dumbbell, as you will see from illustration 7, moves through half a circle. Breathe as deeply as possible, reaching peak of intake as the dumbbells meet at arms' length above the chest, breathing out as they both travel down to the floor. 

Exercise 8 - High Bent-Arm Pullovers.
Lie on an exercise bench with a barbell resting across the top of your hips, hands gripping the bar with a shoulder width spacing. Push the bar up over the chest and face, to down behind the head. Breathe in deeply as the rib box takes the stretch effect of the barbell behind the head. Breathe out as you raise it back to commencing position. When you do this, make sure the bar travels high above the face and body, down to the hips.

Exercise 9 - Bent-Arm Breathing Laterals.
Rest a pair of heavy dumbbells on your chest, arms bent as shown in Illustration 9. Keeping the arms bent, lower the dumbbells down and out to the sides, breathing in deeply as you lower the bells, forcing the air into your lungs. Raise to commencing position, breathing out forcibly, and repeat.

Pump Up Exercise - Controlled Resistance Floor Dips.
Take up the floor dipping (pushup) position with your feet resting on a box, your training partner's hands resting in the middle of your upper back. Press up to locked arm position. Your partner should apply enough resistance so you are just able to keep moving. He keeps this up, resisting as you push up, until the required number of repetitions have been performed.


For the first week of your chest specialization routine, use Routine A, handling as heavy a weight as possible, performing 3 sets of 8 reps each exercise. The second week, switch to Routine B, handling as heavy a weight as you can manage, again using 3 sets of 8 reps. The third week use Routine c, the same set and repetition combination as in the other routines, and again using all the weight you can handle. The fourth week, use every exercise in all three routines . . . 9 exercises in all, 2 sets of 8 repetitions each exercise. 

At the end of each workout, finish up with the Controlled Resistance Floor Dips, forcing out as many repetitions as you can.

Train four days weekly, performing the chest program first, then using the exercises for the other muscle groups you choose to work on those days. 
     
  














Smithsonian - Jan Dellinger (2015)

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Dick Smith






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"Smithsonian"
 by 
Jan Dellinger 




This was Dr. John Ziegler's nickname for Dick Smith, long-time coach of York Barbell's and America's quality Olympic lifters. While he was an astute and highly trained medical professional, Dr. Ziegler was no stuff-shirt, possessing colorful dimensions to his personality. Hence, he liked to bestow nicknames on many of those with whom he associated. 

In addition to "Smithsonian," Bill March was "Will-Yo", Weaver was "Verno", Grimek was "Strong John" and there is an outstanding chance that Dr. Z was the real origin of the Bob Hoffman shorthand moniker, "BoHo."


While Smitty might have been unheralded among much of the mainstream weight world, and especially by the more recent generation, esoteric Iron Gamers of a certain age, and especially if they have personal knowledge of either York Barbell Club/Company or American Olympic Weightlifting history, recognize the contributions he made.

A case could be made that Smitty's name came up most often in regards to his association with Dr. Ziegler and the introduction of isometric-style strength training. Consistently, Smitty voiced the belief that he was blessed to have been involved with both the good Doctor and isometrics, which he whole-heartedly felt was a bona fide advancement in the area of strength acquisition. Why it is not recognized as that today, he also whole-heartedly felt, was because virtually everyone--including its prime advocate, BoHo--did not fully grasp the concept, as well as its simplicity. Hence, it was misused, distorted and rendered nonproductive. 


The bodybuilding-strength training culture loves to cling to the notion of mystic secrets which have yet to be revealed. According to Smitty, if the strength training world truly has a deep, dark lost "secret", it is isometric -style strength training!


If one knows Smitty's personal background, perhaps it is fair to say that his involvement with isometric strength training was his destiny. His introduction to muscle training came at an early age as his father faithfully followed one of Earle Leiderman's mail order bodybuilding courses, which featured the self-application of manual resistance moves coupled with isometric holds in the contracted position. 


That got him on the progressive resistance exercise journey; however, Smitty really started motoring down the physical culture highway in his early teens. His prime inspiration at that time was seeing the tremendous development of professional wrestlers of that era--Jim Londos, Strangler Lewis, Ray Steele, and the Garibaldi and Dusek Brothers. Plus,he also became aware that many football players were quite "husky" in their own right. 


Going into high school, Smitty's prime passions were wrestling and football, both of which he participated in at West York High School. But his high level of motivation kept prompting him to focus more on steadily improving his athletic performance. The question of how best to do that nagged at him, until he got wind of the existence of barbells. 


Next, he learned that the city of York had a company which sold barbells, so he scooted on over to Broad Street where he encountered Bob Hoffman who outfitted him. However, while there he noticed the Broad Street York Gym, and several "slapped together" guys who physically resembled those pro grapplers to which he initially gravitated.


Suddenly, devoting as many waking minutes as he could spare to watching these extraordinary specimens who he so wanted to emulate,became an overriding concern in Smitty's young life. Suffice it to say that he utilized any and all tactics imaginable to sneak into the gym, remaining as inconspicuous as possible for as long as he could just to watch these mighty men exercise.

Oh, to be a fly on the wall, but alas Smitty wasn't. Smitty would recall that, "Grimek and Stanko showed me the door to the street many times when I was kid. When I became a co-worker years later, we'd joke about that!" 


After high school graduation in 1943, Smitty enlisted in the Army, which formally assigned him the duty of driving trucks. This aspect of his military service he never discussed. What he did talk about readily was the fact that his stay in the Army inadvertently allowed him the chance to learn the fine art of athletic coaching which altered the course of his life.


The base Smitty was stationed on had a pretty fair boxing team in large part because the coach of said team had worked previously with a number of highly ranked professional pugilists, including well-known featherweight fighter "Machine Gun" Nicky Jerome. According to Smitty, this wily coach knew all of the ins and outs regarding the "Sweet Science", fully grasping the mental as well as the physical. 


Because Smitty showed plenty of interest and aptitude, ( by rising early in the AM and doing road work with the fighters, as well as sparring with them), the old coach took a decided liking to him, and along the way clued him into the real nitty gritty of preparing fighters to be maximally effective in the ring. 


Smitty came to view his association with the camp boxers and especially the coach himself, as serving sort of an apprenticeship in the fine art of athletic coaching. Among the wizened instructions he came away with, knowledge which he transferred over to handling lifters, was that coaches should coach by what they see. It isn’t so much what athletes are doing in training workouts, but how they are doing it. Actually, this was a standard operational mantra with Coach Smitty.


Are their reflexes sluggish, or are they snappy and crisp in their movements? Do they remain mentally and physically alert throughout training, or do they just go thru the motions? Are certain body parts showing signs of lethargy while others are functioning in a consistently timely fashion? These are the kinds of issues that coaches should constantly be monitoring when training athletes. Of course, knowing what to do when these situations arise among your athletes makes all the difference, and the old boxing coach prepared Smitty for all contingencies. 


So, just how did Smitty end up at York Barbell? After leaving the Army, he banged around for a while before eventually making his way back to the York area. Of course, he still maintained his fervent interest in resistance exercise, making the local YMCA and a local flower house—yes, a flower house—his training bases over time. Both places proved fortuitous as he developed lasting associations with a couple of local boys who made a name for themselves in weightlifting and bodybuilding circles. At the YMCA, he became quite friendly with Bill March, while at the flower house, he was a training partner of Vern Weaver. 


By 1958 or ‘59, March was a card-carrying member of the York Barbell Club. Recalling his considerable abilities as a "handler", Bill petitioned Bob Hoffman to allow Smitty into the fold. Needless to say, the BoHo-Smitty interview went swimmingly, due to the latter’s likeable personality, forming yet another lasting bond in Dick’s life.


Smitty was a unique man in several respects. After all, how many people from the Iron Sports do you know who studied the artificial insemination of cattle at Cornell University? 


Then again, how often does one find a national-international level coach who never actually competed in the sport he coached? That has to be rare, but this description fits Smitty, who was the platform coach for United States Weightlifting teams at six Olympic Games and 22 World Championships. And speaking to the quality of his coaching presence, the great Norbert Schemansky, who is not known for easily passing out compliments, is said to have labeled Smitty as the best platform coach we had. 


Dick's counterparts from other highly regarded nations also recognized his versatile abilities and gravitated to him. For example, Smitty was quite well liked by the lifters and coaches from the Soviet Union, having spent many evenings at international lifting meets in their hotel rooms sampling their cavier, smoked fish and swapping all manner of lifting-related stories. 


However, their regard for Smitty reached a new high in the late 1970s when the Soviets, as well as the rest of the weightlifting world, came to Gettysburg, PA--a short jaunt from York--for the World Championships. Being quite serious about retaining their status as THE top country in Olympic weightlifting (and because they were government funded), the Soviet squad arrived quite a bit in advance of the actual competition. This necessitated that they put in a few pre-contest workouts at the York Gym on Ridge Avenue. 


After one of these sessions, the entire Soviet team had assembled at the side door leading out of the gym, socializing while waiting for their ride back to the Yorktowne Hotel. David Rigert, their renowned 198-pound World Champion, took the opportunity to get in additional physicality by performing a "flag" on the hand railings of the steps. As one of the onlookers, Smitty applauded, complimenting Rigert on the quality of his fine impromptu feat. Whereupon, Rigert smiled in appreciation and gestured that Smitty should try it. 


Smitty, who was in his 50s at the time, laughed and acknowledged that he stood no chance at matching David. However, he then posed a friendly counter-challenge to the great Russian lifter, asking if Rigert would try his pet exercise, the stiff-arm pulldown on the lat machine.


By that stage of his life, Smitty no longer engaged in any sort of formal workout routine. In fact, mostly what he did was perform the occasional spontaneous example of "old man strength". For instance, in the middle of the work day, I once witnessed him walk up to a bar left loaded to 402 pounds on the platform, take a serious look at it, and then execute a very powerful clean grip deadlift with it....sans formal warm up of any kind. 


Actually, if there was anything Smitty did with any sort of regularity, it was the stiff-arm pulldown on a lat machine. Nevertheless, he was thoroughly expecting Rigert to "blow his doors in" despite the fact that the latter probably had never attempted the movement prior.


So, Smitty threw 125 pounds on the weight peg of the lat machine and proceeded to crank out 12 reps. Rigert himself was no doubt thinking that if this "old goat" can knock out a dozen reps, this should be easy, and he grabbed the lat bar. Trouble ensued quite quickly for the great lifter as he had to resort to generous amounts of arm-bend and body heave to even cheat out a few reps.

Other members of the Soviet team began taking notice of Rigert's plight and wanted to try it themselves. Sultan Rachmanov, the young superheavy phenomenon who was thought to be the heir-apparent to Alekseyev, was able to bat out 6 or 7 reps in good form, but expressed amazement at how difficult it was. And it should be noted that the Soviet coaches, in particular, who were around Smitty's age, took particular delight in watching the young bulls (and especially Rigert) struggle.

Smitty, however, was not crowing about besting Rigert, worrying that he may have damaged his very cordial prior relationship with Rigert by unintentionally showing him up. Fortunately, to the contrary, the coaches and lifters (including Rigert) began inquiring as to how much Smitty could do. To put an end to this, another 20 pounds went on the weight peg, and Smitty knocked out 6 reps. 


World class athletes and coaches or not, the Soviets possessed a tremendous level of respect for all manner of strength demonstration and are not shy about spreading the news. So the aforementioned incident gave Smitty newfound "street cred" among them. To the point that upon his next visit behind the Iron Curtain, all manner of Soviet lifters, coaches and even officials were coming up and pinching his arms and praising his performance that they had heard so much about. 


Earlier I mentioned that from his exercise beginnings, Smitty's eventual deep involvement in isometric-style strength training, which came thanks to Dr. Ziegler, was his "destiny." That is my reflective analysis; to Smitty at the time, it was a combination imperative-learning experience.

You'll recall my mentioning previously that Smitty was a rarity, in that he coached the sport of Olympic lifting at the highest levels despite having never competed in it himself. While Bill March had ever confidence in Smitty's judgements, not all of the other York lifters felt similarly early in Smitty's York Barbell tenure. A couple were not shy about pointing out to him that while he had done a fair amount of general weight training, he had, "never been under really heavy, heavy weights."

Hence, when the Ziegler-inspired exploration of isometric-style exercise came to York Barbell, and especially when March consented to be a part of it, Smitty saw this as his opportunity to be under some "really heavy, heavy weights" and perhaps silence his critics. 


Despite being past the prime age of a typical strength athlete when embarking on the Ziegler rack routine, Smitty vowed to ultimately have 1000 pounds "on his back" (partial squat) and support 500 pounds overhead. The record shows that it took him two solid years of partnering with March in rack workouts, but Smitty was forever immensely proud of the fact that he did a partial squat with 1010 (photos of which can be found on the internet) and supported 525 overhead. And, yes, the critics took notice!


Of the twin accomplishments, he possessed the greatest satisfaction from the 1010 back squat as he felt as though he "beat" a pre-existing weakness in one of his legs. In 1954, Smitty was involved in a motorcycle accident on the Blue Ridge Parkway. While he required surgery from taking out several guard rails with his right hip and leg, as well as receiving the appropriate recovery time, thereafter, he was never quite sure what his structural limitations (if any) where. A thousand pounds on your back will test just about anyone's skeletal structure, so Smitty considered himself lucky to have achieved this goal and thought this was a good point for common sense to step in. 


And speaking of motorcycles, they were one of the other passions in Smitty's life. Brand of choice: Honda Goldwing! Day trips, week-long trips, month-long trips on his various generations of Honda bikes allowed him to visit most of the states in America over the decades.


And, no, the 1954 accident was not his only motorcycle accident. In this regard, Smitty and Bob Hoffman were kindred spirits: the latter totaled a few cars in his time, while the former had to "lay over" a couple bikes in his traveling days. 


Actually, Smitty was involved in a motorcycle accident in which he was not even on the bike at the time. When the World Weightlifting Championships were staged in Gettysburg in the late 1970s, Smitty decided to ride his Goldwing to the meet site one day. Yuri Vardanian saw him on the Goldwing, told him that he had his own motorcycle back in the Soviet Union and asked if he could ride Smitty's. Sensing Smitty's reluctance, Vardanian assured him that he was quite experienced and would not go far. 


The problem here was the vast discrepancy between the Soviet understanding of "horse power" and the American definition of the same. Motorcycle top-speed behind the Iron Curtain at the time was 30-40 miles per hour. Let's just say Smitty's Goldwing had well more than twice that capability...and could reach maximum output m-u-c-h faster than anything Vardanian was used to.


Despite Smitty's generous cautionary instructions on how to handle the bike, Vardanian immediately open the throttle full tilt...and went off the end of a retaining wall! Fortunately, Vardanian was enough of an athlete to separate himself from the bike without sustaining real injury. By the way, the Goldwing was not quite as lucky. 


Smitty was not sure just how long it was until his heart started beating regularly again because he knew if Vardanian had been hurt to the point where he couldn't have competed...and especially if the Soviets were not able to take the team title as a result of it...there would have been h--l to pay!

You would think that just one episode of this nature would have been enough to prohibit another such incident involving modes of transportation. You'd be wrong! Whether this incident happened before or after the Vardanian mishap, I do not recall. However, at some point during the Soviet's stay in York, one of the other lifters on the team eyed up Terpak's fully loaded Chrysler enough to overcome any shyness about asking to operate it. 


As with Smitty and Vardanian, Terpak, who was taken completely by surprise, didn't know how to diplomatically say "no!", although I'm sure he wanted to. So, there they--I think the lifter was Militsojen, and Terpak-- were in his Chrysler in the parking lot aside from the York Barbell gym on Ridge Avenue. Just as Vardanian did, Militsojen tromped the gas pedal down to the floor, and suddenly the Chrysler was careening around the parking lot parameters in, shall we say a decidedly unsafe manner. Fortunately, Terpak was able to get him and the car under control before taking out any of the neighbors' garages, autos or backyard fences. 


I'll wind up with a couple of other anecdotal things about Smitty: Even as a student in school, he loved geography and desired to see as much of the world as he could during his time here on earth. Of course, he was very indebted to the sport of Olympic weightlifting for the opportunity to visit 37 different countries (certain of them multiple times), as well as to Bob Hoffman for providing the gateway to become part of the sport of Olympic weightlifting.


Daily, Smitty brought that gratitude, as well as his amicable personality and innate passion for all things related to progressive resistance exercise, to the work place. And especially when it came to waiting on York Barbell customers...it didn't matter if you came thru the doors wanting to purchase nothing more than a pair of 10 pound dumbbells, or you wanted two Super Power Racks and three 400-pound sets, he connected with you. 


If the purchaser wanted quality advice on general fitness, or training for a sport or how to pump his arms, Smitty's extensive background in multiple areas gave them considerably more food for thought in a single encounter than any YouTube videos or e books which are the current "fountains of knowledge" to which exercise pursuants flock. 


Contemplate this a minute, how many other places in the Iron Field could a customer walk into and get a bona fide multiple-time Olympic coach to wait on them...and dispense quality advice, upon request, free of charge? Only York Barbell Company! 


And I'll also point out that Smitty was quite generous with his time, even off the clock, and to average customers, not just those who were interested in Olympic lifting. For example, if someone showed up right before closing time, and especially if they drove some distance to get to York Barbell, Smitty would give the same low-pressure, high information sales treatment to him as he did the first customer thru the door the next day. He genuinely wanted everyone who visited York Barbell to have the best possible experience, and, hence, the best possible impression of York Barbell. He conducted business in this manner when York was riding high, and when they were in decline.


Historically, I guess the "best known" ambassador of York Barbell would have been Bob Hoffman himself. And that was probably true for the first 25-30 years of the company. But clearly, from that point forward, the "number one" booster or ambassador of York Barbell (company, lifting team, gym...feel free to pick one) was "Smithsonian."


Triple Squats - Joe Weider (1959)

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Bill Pearl
Click Pics to ENLARGE


Jack Delinger 

Paul Anderson



Unfortunately, the squat -- done workout after workout -- becomes boring. Because of this the bodybuilder dreads it and therefore puts little enthusiasm into the movement. Worse -- some of you dislike it so much that you rush through it without getting its full benefit.

To gain maximally with the squat you must like to squat. You should always find it interesting, exhilarating and productive. It should keep your mind alive. If you learn to like it, you'll make terrific muscular gains . . . not on your legs alone, but all over your body. If you continue to hate it because it seems dull, monotonous and primitive, then the results will be small indeed.

Since the squat is a "must" you should never intentionally omit it from your routine. Therefore, to learn new ways of doing it will increase your interest and enthusiasm, and speed the gains you hope for. That's why, with this article, I am offering you a different variation -- or rather a different way of performing all variations of the squat -- which will add unusual interest and variety to your training.

Here's how it goes: Select a squatting poundage which you can handle for 10 reps. Place the weight across your shoulders. Now sink into a deep, full squat. 


 Next, rise until your thighs are just slightly above horizontal position. From here, sink again into the full squat and continue rising half way and lowering all the way for 6 reps.

Rack the weight a rest a moment until breathing returns to normal. Now place the bar on the shoulders again. This time lower tojust slightly below horizontal position, and return to erect starting position. Continue to lift in this manner for 6 reps, lowering to just below horizontal and rising to the erect position. 

This is one Triple-Squat Set. The principle used here is the Peak Contraction Method, which you have probably used in building other parts of your body. 

Now, if your strength and energy permit, perform five more Triple-Squat sets --- six triple-sets altogether. If you can do but three or four of these compound sets that's all right. Just keep trying to add sets and reps until you can do the full six Triple-Squat sets. Then start adding more weight to the bar.

Try this method at different times in all your variations of the squat -- Hack, Reeves, Half, Parallel, Full, Front, etc. Every workout day will be filled with more interest in this way.

Of course, you must remember not to simply go through the motions when lifting, and always focus hard during your training. Be sincere, concentrate on the task, be determined and give the exercise all you've got . . . mentally, emotionally and physically.  

 


























Heavy Clean Training - "Joe Weider" (1959)

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Fantastic things are happening in the Olympic lifting world! Having lifted more than double bodyweight, many strength athletes now have set their sights on a triple-bodyweight Clean and Jerk. Here are some tips on how to increase your power for the Clean.

No article in years has stirred up such a hornet's nest of controversy as the one we recently published in this magazine concerning the triple-bodyweight Clean and Jerk.

Muscle Builder:
Sept. 1958. "Which Country Will Make the First Treble-Bodyweight Clean and Jerk."
Feb. 1959. "How to Train for the Triple Bodyweight Clean and Jerk." [This article will follow in next blog post]

The possibility of such a fantastic lift has stirred the hearts and fired the imagination of weightlifters all over the world. Enthusiasts from Fairbanks, Alaska to Pretoria, South Africa are demanding to know more on this subject.

While many of the letter writers range from the skeptical to the downright indignant, most weightlifters are of the opinion that the triple bodyweight Clean and Jerk is definitely possible.

"Dear Mr. Expert," writes a lifter . . . "Since no one has ever performed a triple-bodyweight Clean and Jerk, and since no known technique exists to make such a lift possible, what method can you devise that will make the lift at all possible?"

Well, you've put us on the spot. However, since we plainly pointed out how a triple-bodyweight Clean and Jerk could be performed, we will explain equally how thebeginning half of the lift can be done . . . how a triple bodyweight Clean can be trained for.

We already know that it is humanly possible to lift triple bodyweight in a Front Squat! At least four internationally known lifters have accomplished this and can certainly be depended upon to succeed with even higher poundages in the future.

Chan Tse Kai of Nationalist China -- weighing 123 lbs -- has already performed not only a Clean and Jerk of 62 lbs more than double bodyweight, but -- more indicatively -- he can squat with held in front (Front Squat). Chen is only 23 years old and obviously is nowhere near his peak....

Also in the bantamweight division, both the Korean, Yo In Ho and the American, Chuck Vinci, have also made Front Squats with about 370 lbs, while in the middleweight division (165-174 lbs), Tommy Kono has made a Front Squat with nearly 500 lbs.

It must be obvious to all of you that as regards lifting triple-bodyweight the stars are just about ready to break the barrier. And it is through their wisdom in training according to basic power methods that this tremendous and thrilling feat will assuredly come to pass.

Now, here are two great problems the lifter faces when attempting a triple-bodyweight Clean from the floor to the shoulders:

1) The bar must be pulled upward with sufficient force and momentum to enable the lifter to hold or 'fix' the weight at the chest when in a deep squat or leg-split position.

2) The lifter must -- through scientific training methods -- develop sufficient power in his thighs, hips and back, so that he can be sure of standing upright for the Jerk, without being exhausted.

To accomplish the first of these stages, it is clear that the lifter must practice making upward power pulls from all angles and positions, because only through this training procedure can he develop enough muscular force to handle and sustain such large poundages.

There must be all-around pulling motions for the arms. There must be fast deadlifts for building both coordinated back, hip and thigh strength; and for short, sudden bursts of power to make fast, powerful cleaning motions with great weights.

Now, regular movements will not accomplish this, for extremely heavy weights cannot be handled. Therefore, we have devised a series of unusual movements which -- while performed by many champion lifters -- are not familiar to all lifters. These movements are all great basic, power movements and faithful performance of them will build you the needed power to clean and support much bigger poundages.


WHAT ARE THESE UNUSUAL MOVEMENTS?
 
 Click Pics to ENLARGE


1) Fast Repetition Deadlifts From Graduated Levels.

This advanced training technique has built super power on all lifters who have used it appropriately. Here's a quick overview of how to use them:

A) From the Floor.
Starting with a medium weight and gradually working up in poundage . . . when it is no longer possible to add weight, go on to --

B) Using Blocks (or the rack)
Progressively shorten the range of motion of the exercise by raising the starting point of the bar, all the while continuing to increase the poundage. At first, low (6-8 inch) blocks are used; then foot-high blocks, continuing on in this manner as greater and greater weights are used.

Now, when you have continued to increase both the height of the supports and the poundage on the bar and no further gains in strength seem forthcoming, you still have an ace up your sleeve. You can do the deadlift in reverse which will build even more terrific back, hip and leg strength; and use this in a combination with reverse cleans to build equally terrific arm and shoulder strength so essential in certain parts of this lift especially where confidence is concerned.

 
Click to ENLARGE


Here is how the deadlift in reverse is done:
Load the barbell on sturdy boxes at about hip height, so that as you grasp the bar you are standing in an erect or nearly erect position. Now lift the weight just slightly up from the boxes and lower (or 'reverse deadlift') it to the floor, lowering the weight to the floor as slowly as possible. In this way you can overcome almost an sticking point in hip/leg/back weakness and handle heavier weights than are possible in the regular deadlift. Progressively work up to the heaviest weight you can over 6 to 9 single repetitions.

After you have done this phase of the movement, then you are ready to give your shoulders and arms an extra power boost. With the barbell still on the hip-high boxes -- but this time with considerably less weight on the bar -- bend the arms somewhat and lift the bar slightly upward until it just clears the boxes, then lower it to the floor slowly (with arms held slightly bent for as long as you can), fighting the weight all the way down, working up to a maximum weight over 6 to 9 single repetitions.

Naturally, you cannot be expected to perform either phase of this exercise in sets and repetitions. But if you can arrange to have two lifting partners to reset the barbell on the boxes, you can get more out of the exercises than when you have to re-assemble it yourself. If you do have to remove weight before returning the bar to the boxes, make sure to make each single repetition count.

Note: I've found that I can manage lifting the loaded bar back onto support boxes quite easily if I do it one end at a time. Just lift the right side of the bar up onto the box, then the left. Just a dimwitted tip for any lifters out there who, like me, have for the most part trained alone at home for decades.


Front-of-the-Neck Squats (Front Squats).

In this exercise you will need squat stands and two strong boxes (or a power rack). Adjust the squat stands to the exact height at which you hold the bar on the chest when making front squats. Adjust the boxes to the exact depth to which the plates of the barbell descend at the lowest point of the full Front Squat.

 Click to ENLARGE

Now, using the heaviest weight you can possible handle, take it off the squat stands . . . bend the knees s-l-o-w-l-y and lower into a full front squat until the plates touch the boxes. You are not to complete the squat . . . that is, you go fully down but you do not return to the starting position. 

This builds power into the legs and accustoms them to handling the heaviest poundages. Always use the heaviest possible weight in this movement and keep increasing the poundage as often as possible. Do 6 to 9 single repetitions in this exercise. 

Now, when you have completed your quota of single repetitions in the assistance (negative) Front Squat, you can remove some weight from the bar and perform 3 sets of 3 repetitions each in the Half Front Squat. 

-- judging by the writing style in this article, I'm going to guess it was penned by one of the Charles who worked for Weider around this time - Smith or Coster -- 

And you will use boxes in this exercise adjusted to exactly half-front-squat depth to make sure that your lifts do not go lower than necessary to perform the half front squat.

On the days when you have some extra energy left after this, you can perform the Regular Full Front Squat. Try 3 sets of 3 reps if you can make it. Occasionally, you might like to perform full back squats either as an alternate to the front squats, or as an "extra" if you're just bursting with latent strength. 


Splits at Graduated Levels.

In this exercise you will again need squat stands. The idea is to help you become accustomed to handling heavier weights in the fore-and-aft position of the legs during this phase of cleaning split style. 

 Click to ENLARGE


Your boxes and blocks will come into good usage here, for the technique is to gradually and progressively maneuver the heaviest weight into a lower and lower split position until you can easily encompass the full range of the split with the heavy weights you are working toward.

First, adjust the boxes to their highest point. Take the weight off the squat stands, go into a split until the barbell plates touch the boxes. Now continue lowering and raising while in this split position, making sure that the plates just barely graze the surface of the boxes. This builds great tensile strength and flexibility.

Put in place boxes of lesser height and do the same thing . . . and continue in this manner until you can do the deepest split with the heaviest weight. The boxes protect you from injury that might come from a too-sudden and too-deep lower of the weight. 

Try about 4 sets of 5 repetitions at four different box heights . . . one set to each height of support. And, to make sure that the greatest degree of strength and flexibility is built into the legs, practice this exercise both with weight held in front of the chest and on the back of the shoulders. 

As you can see, the sticking point of the extremely heavy Clean invariably occurs at the vital half-way point in the lift. That's why the champion lifters who will make a triple bodyweight Clean and Jerk will have to attack the problem systematically to build a steady growth of extra strength. The methods they use include the ones I have given you here.

And you . . . even if you have not the slightest intention of competing in Olympic lifting, can use the techniques described here to build great reserves of power and energy and magnificent muscle beyond anything you ever thought possible.     
















 

Heavy Jerk Training - "Joe Weider" (1959)

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Ibrahim Shams of Egypt
preparing for a 325 lb Clean and Jerk





A triple-bodyweight Jerk is possible. It will be done in the foreseeable future! Had we made that statement five -- even two -- years ago, we would have been the laughing stock of the weightlifting world.

Even today there are experienced weightlifters who believe a triple-bodyweight Jerk to be impossible; so for all you "doubting Thomases" here are a few examples of actual performances which definitely prove that very soon you'll see a  man raise three times his bodyweight overhead.

1) Thirty years ago a One-Arm Jerk of even the light weight of 170 lbs was a phenomenal feat. But along came Charles Haas, an Austrian lifter who, at the bodyweight of 150, was able to Jerk with one hand 248 lbs. Now, just imagine a double-bodyweight One Arm Jerk! This proves the potential the human body can lift if proper specialization is practiced.

2) In today's bantamweight class, the champions have already jerked (after cleaning) two-and-a-half times their bodyweight! Just imagine what they would Jerk if they concentrated their strength and energy on this phase of the lift alone.

3) Chen Tse Kai of China -- a 123-lb lifter -- cleaned and jerked 308 lbs. He need to Jerk only 61 pounds more to complete a triple-bodyweight lift.

4) Our own Ike Berger -- weighing 132 lbs -- has done 319 officially, although undoubtedly he has lifted far more in training. Another 77 pounds will put him in the ranks of the triple-bodyweight lifters.

Now, it's easy to make a claim, but it's another matter to back it up. And our answer to how a triple-bodyweight Jerk wil be accomplished is found in Basic Power Training.

Basic Power Training is not something from outer space. Granted, however, it is of bigger impact than a breadbox, and perhaps one day will marry your sister. Many weightlifters -- and almost all bodybuilders -- have never heard of it. But when they learn how it's done, they can easily see why it can and will make them more powerful than they ever dreamed they could be!


What is Basic Power Training?

Just this -- the raising, supporting, controlling (balancing), and lowering of tremendous weights over the range of just a few inches -- various positions -- to build extraordinary tendon, ligament and muscle strength, permitting the lifter to handle far greater weight than he would ever be expected to do in weightlifting competition.

That's the system in a nutshell, and that's why weightlifting records are soaring today. The men who are setting these new records are men with inquiring minds -- men who have already begun experimenting with Basic Power Training. And it is they and possibly you who will be making the triple-bodyweight Jerk as common as cabbages, and even sisters marrying training methods in the years to come!

The "doubting Thomases" who have heard of Basic Power Training, yet who have shied away from trying it for fear that it might cut their totals in other lifts are very unwise, my brethren. Why? Because increased tendon, ligament and muscle strength will improve all overhead lifts, both snatching and pressing movements.

Men like Kono, Berger, Schemansky and Vinci (and maybe even some of them foreigners too) have never feared to explore any new system which would help boost their totals, and they have found in Basic Power Training the one method that does the trick. Remember, this training method makes one helluva fine brother in law to boot! Their continual record setting pace proves this to be true, beyond the shadow of a doubt. 

In order to make a triple-bodyweight Jerk, the four fundamental phases of the lift must be given individual attention with specialized strengthening exercises which will guarantee:

1) A strong leg thrust to shove tremendous weight overhead.

2) A secure lockout when getting under the weight.

3) Ability to rise quickly to erect position from the split.

4) Control (balance) of the weight and recovery from an off-balance position.

Now, if the Jerk were practiced like most bodybuilding exercises are -- by adding a couple of pounds of weight on the bar whenever the exercise becomes easier to do -- you would be old and gray before you could even dream of attempting anything anywhere close to triple-bodyweight overhead and by then it would be too late.

That is why practicing the power movements explained in this article will build such enormous power into tendons, ligaments and muscles, that the danger points of these phases will be hurdled, and a successful lift performed.

The triple-bodyweight Jerk is essentially a flashy, theatrical, dramatic lift which must be trained for as well as performed in a dramatic manner. And because the very  basis of all drama is exaggeration, that is the basis of the principle used here . . . exaggeration of the weight being handled. The handling of far, far heavier weights in practice so that your competition lift will be a thrilling, eye-filling spectacle as the barbell flashes overhead without the slightest visible sign of effort! In other words, your competition poundage will seem and be lighter because of the tremendous extra weight you used in practice.


To utilize this tremendous extra poundage in the four developmental phases of the Jerk, you will need either a pair of strong chains or a set of power stands. Whichever you choose, the length of the chains or the height of the stands must be adjusted to your individual height and needs, so that the bar which rests upon either of these supports will be at the exact shoulder height where the jerk overhead begins. 

So, if you can Jerk 200 lbs at present, it might take weeks before you could bring 210 lbs to your shoulders for the Jerk. But by using these power exercises and supports, you can, this very minute, put 240 lbs on your shoulders and begin right now to strengthen your thrust!


The Exercises 

 Click to ENLARGE


1) How to Strengthen Your Thrust.

Load the bar on the supports with 20% more weight than you can Jerk. Hold the bar on the shoulders, thrusting it up just a few inches . . . one or two inches or more if you can. Keep playing with it, trying to raise it just a few inches more each time. Practice this in each of your workouts, and once every week put 50% more weight on the bar and practice heavy thrusts. Don't worry if you can't get the bar more than one or two inches up . . . it'll go up easier next workout!


2) How to Strengthen Your Lockout Under Weight.

Here's where you need powerful ligaments and tendons. The Basic Power Exercise used here involves supporting tremendous poundages at arms' length -- raising such poundages a few inches higher with stiff arms -- and locking the arms under greater poundages than you will be called upon to actually jerk.

The technique is this: Adjust the height of your supports so that the bar is about three inches below the height of the completed Jerk. Now, grasping the bar with elbows locked, dip the legs in a simulated split position (the knee just slightly unlocks). From this lowered position, rise to erect position and repeat. This is really just a slight dipping movement, designed to assist you in rising with a heavy weight in arms-locked position. Try to make this a repetitive or continuous movement so as to strengthen the ligaments and tendons and the lockout under weight.


3) How to Rise Quickly From Split Position.

Now you will have to adjust your supports so that the bar rests at arms' length overhead height in full split position. From this point, try to rise with the weight just an inch or two. Over time, keep at it until you are rising as much as four or five inches. This builds the greatest leg strength and flexibility, and puts that 'power glide' into the completion of the Jerk.


4) How to Control or Balance the Weight.

This is a tricky part of the Jerk, and many stellar weightlifters fail with the Jerk because they are not expert in balancing the barbell. One way to learn balance is through imbalancing the bar. Use far less weight than in any of the previous exercises and load one end of the bar with several pounds less than the other. Now practice jerking it, practice rising with it, practice splitting with it, and just 'mess around with it' . . . trying to throw yourself just a bit off balance with the object of correcting the balance.

Also, you might occasionally lift with the hands in an off-center position. Make things tough for yourself in training, then in any competition you'll have no fears!

Tendon and Ligament Strength, by Brooks Kubik:




Insofar as weightlifters of renown are concerned with Basic Power Training, here are a few who know its real value:

1) Paul Anderson hit upon this method early in his career [likely through Bob Peoples influence] -- although he did not specialize on the Jerk -- and became a champion before he reached the age of 21.



2) Ronald Walker, the great English heavyweight, rarely lost a Jerk during his illustrious career, and he could support more than 600 lbs overhead.

3) John Grimek became so interested in Basic Power Training that he was eventually able to support overhead a 1,000 lb weight slung from rafters on chains.

Developing Greater Strength, by John Grimek:

But this concerns bodybuilders as well as weightlifters, for it happens that Basic Power Training methods will do the same wondrous things for the bodybuilder as for the competitive lifter.

Size Increases With the Rack, by Anthony Ditillo:

Thoughts on the Power Rack, by Anthony Ditillo:

Power Rack Work, by Bob Simpson:

Partial Arts, by John Meadows:

Heavy Partials for Size and Strength, by Greg Nuckols at T-Nation:

The Power Partials Program, by Chad Waterbury:

There's more if you search this blog, and around the net.
Don't forget discussion forums, but use your head before believing anything.


These methods build amazing ligament, tendon and muscle strength which permits the body to perform bigger bench presses, squats, military presses, presses behind neck, dumbbell presses with big weights and a host of other power movements.

Marvin Eder was an exceptionally strong bodybuilder and lifter who recognized the merits of Basic Power Training. His 485-lb Bench Press and 330-lb Press at 190 lbs are a direct result of this method of power training. To this day, although having retired from intensive training, he retains a superb physique and great strength.

Basic Power Training, in addition to building stronger ligament and tendon strength, gives a very powerful, rugged look to the body. The trapezius muscles take on a stronger look, as do all the major muscles of the body if trained appropriately with this method.

As a bodybuilder, you should perform some kind of Basic Power Training at least once a week. Although you may never want to lift three times your bodyweight over head, you'll certainly improve the overall look of your physique. 

Next month we'll discuss the possibilities of a triple-bodyweight Clean and the methods which can be used to get closer to this sensational feat of strength:

That article is here - Heavy Clean Training, by Joe Weider:


 

















 






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