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Developing a High Poundage in the Olympic Press - Peary Rader (1954)

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Click Pic to ENLARGE
Top photo taken at Doug Hepburn's Grandview Barbell Club.


Article From "Iron Man Lifting News" December 1954
from Liam Tweed's Collection.



Due to the space taken by the World Championships report in our last issue we were forced to leave out our installment on developing the press. However, we are happy to be able to dontinue with it in this issue. We closed the September article with a description of the rules as found in our present rule book. If you don't have the issue either get one or get out your rule book for we wish to make a few comments on those rules.

The description of the first movement of the press is OK as far as it goes. We don't always observe these rules even then because we have often seen men with their feet spread much farther apart than 16 inches mentioned, especially tall men with rather long legs. Either we should leave this item out or it should be enforced. 

In the second movement we find it mentions the pause at the shoulders for two seconds and then press after the referee claps his hands. Quite often this hand clap is hard for the lifter to hear and I used to find it better to say "press" when it was time for him to lift. In addition to being more distinct and less likely to be confused with noise from the audience, it also has a psychological value as an order to perform a movement. Many referees give the clap or signal too soon - even before the lifter has stopped moving around with his feet. This is, of course, very wrong. While I can see no reason for making a lifter stand still for any longer period than is necessary for him to assume the correct position, still some officials require the lifter to stand there holding the weight for a long time. So we feel that the official should give the signal as soon as the lifter assumes the correct position and stops moving around.

I guess we used to do things differently years ago. When a lifter finished his lift, instead of clapping the hands we counted one, two, and on the count of two the lifter lowered the bell. Anyhow, here is another spot where the officials sometimes get excited and give the signal to lower the weight too soon. Be sure that the lifter has finished the press correctly and holds the weight in a stationary position for two seconds to indicate he has complete control. Hasty signals are more frequent in the snatch and clean and jerk than in the press, for most men who can press a weight have the power to control it for two seconds after the lift is finished. Occasionally a man will lose his balance and raise the toes or take a step  if he has to hold it too long, but this would indicate a lack of control of the weight. Regardless of this, if he can hold it for two seconds without any of these things happening, the rules say it is a good lift. 

It also states that the lifter should keep the body and head in a vertical position at all times during the press - Wow! We sure get off the beam here, don't we? Many men, when starting the press, and just after cleaning, will assume a decided back bend as certain Russian lifters have been in the habit of doing. They they will press from this position very rapidly. Now, either we should re-write the rules or make the lifters follow them as they are written. Such a starting back-bend gives the lifter a decided advantage. It amounts to a modified Continental press. In this position you are able to bring the pectoral muscles very strongly into play and increase your press a great deal. A man lifting in erect style against a fellow who uses this position is at a decided disadvantage. Still the judges pass such lifts and so you can hardly blame the lifters for using them. It is especially prevalent in certain international contests. Generally, too much back bend is not allowed in major contests in the USA, though, of course, there are exceptions. 

Others will give a fast start by leaning forward then back into a back bend, which also violates the rules. You will also note that the rules say the head must remain vertical. That means you should look straight ahead. Only a few lifters today observe this rule. Heel lift and toe raise, for some reason or other, is a point on which officials are very strict. Lifters seldom get away with this but they let other more serious things pass without a thought. 

I have seen some men get a leg thrust, even though small, on every lift they make and get away with it for years, even on world records. Others get a shoulder hunch in the start of the lift and get away with it while still others use what is termed a body surge and never get ruled out. These things must be watched. 

Uneven pressing out of the arms is another point on which the judges are fairly strict. So we can see that in general the rules written and the rules used do not harmonize in very many respects.

Regardless of what the rules happen to be, the lifter should be prepared to lift however the officials require. Before every contest there should be a briefing of the men as to what the rules will be. If a man has been accustomed to lifting in a sloppy manner he should be able to at any time adapt himself to the strictest kind of ruling. He must know what he can lift in this stricter style or he will find himself without a press or total. We have seen many men miss their presses altogether because they were not able to select proper poundages for stricter styles required in certain contests.



There are a lot of people who will tell you that the press is strictly a power lift and that is all you need. However, this is not strictly true, for you can introduce a lot of science into this lift. Let's start at the first of the lift and study the different points and discuss the best method for performing the press before we go on to the power developing part.

Very few men will have trouble with the clean or pull to the shoulders. There are a few notable exceptions, of course, such as Doug Hepburn, who can press about 70 or 80 pounds more than he can clean, or DePietro who has trouble cleaning his presses.

You will do a much better press if you do an easy clean. To this end we suggest that when you pull the clean in, you do so with all the power and speed possible. Don't squat or split any more than necessary. this will save you strength and give you a much better position to press from. A hard clean means you will be pulled down and tired for the press. An easy fast clean will give you confidence, a feeling of power and a good solid position to press from. 

You should clean with the grip you expect to press with, that is, if you are going to use a wide grip then you should clean with a wide grip. If you are going to press with a thumbless grip then try to clean with a thumbless grip, though if you lack gripping power you can do as some fellows do and clean with a hook grip then change to the thumbless grip as the bar reaches the shoulders. By thumbless grip we mean with the thumbs under the bar and on the same side as the fingers. The reason for this is the theory that a thumbs-around grip causes tension on certain arm muscles which throws an opposing force against the pressing muscles and thereby cuts down your pressing power. Though this has never been definitely proven by any scientific means, enough lifters have experimented with it and concluded they can press more with a thumbless grip to make it worth of their consideration. Try it anyhow and see what you think. At first it may seem a little awkward but you may grow to like it. Many lifters use it for their jerks as well.

Before we go any farther we should consider the width of the grip since you should select your hand spacing very carefully before cleaning the bar. Most lifters will use some method of measuring out from the collars, usually so many hand widths from each collar. Others will use the knurling as a gauge. However, the latter is not always accurate, since the knurling may vary in width on different bars. It may surprise some lifters, but a difference of an inch can make a great deal of difference in a lift. This is especially true if you have one hand a half inch or an inch closer to the collars than the other hand for it can throw considerable more weight on one arm on the other and perhaps cause you to fail to press it. If you have one arm that is a little weaker than the other, you can learn to compensate for this by bringing the weak hand a half inch or so (depending on how much weaker it is) closer to the collar. This will throw less weight on this arm and more on the stronger arm and thus allow you to press out evenly with both arms. 

Whilewe are talking about width of grip we'd like you to get out your back issues of Lifting News and Iron Man and observe the grip widths used by different lifters. You will see that most of them use a grip that is just a little wider than shoulder width (depending on how wide you think your shoulders are - I guess some fellows might place their hands against the collars). 

In the November issue of Lifting News on page 1 you will see Kono pressing. Tommy holds the world middleweight record in the press now at 286.5, having made it in France before returning from the World Championships. 


 Click Pic to ENLARGE


 The photo shows him using fine style as it is known today. Although his feet may be a little wider than 16 inches apart, he has very little, if any, back bend. Also, he is looking straight ahead. This photo, taken from a low angle, might make it appear as if he is leaping back but this is not true. You will note he is using a thumbs-around grip - in fact it appears that he even has a hook grip in which the fingers cover the thumbs for a more secure grip in cleaning. His grip width would be considered medium and as you can see, it is about 2 inches outside the inside edge of the knurling. His thumbs would probably come just outside his shoulder points when bar is at shoulders. 

On page 5 of the November issue Lomakin of Russia is pressing with the same width grip, possibly a little wider. You will note that he is looking up or rather his head is tipped back, which is a violation of the rules, yet the judges thought this a very good press. Notice also that those men with deep chests can arch the chests and place the pectoral muscles in a very active position to aid with the press. You can see this in many photos. Other fellows with comparatively flat chests, like Schemansky, can get very little help this way unless they lean back a lot. You can see what we mean on page 8 of the July issue. In this same issue, take a look at Hepburn pressing on page 9. You can see that he is using a wider grip than most of the other fellows. Davis has a medium grip though a few years ago he used a very narrow grip, about 14 inches, I would judge. This was especially noticeable at his contest with Abele and Stanko. However, it worked very well for him. It did seem to require more back bend than pressing with a wider grip, though. At that time I believe he was pressing around 325, which was very good. Pressing with a narrow grip enables you to use the triceps more while the use of a wide grip brings the deltoids more into action.

Of course the use of a wide grip means you have less distance to press, but, on the other hand a wide grip makes it difficult to get a fast start because you don't have the initial arm drive that you do with a closer grip.

A few years ago we heard a great deal about pressing leverages and if a man was a poor presser he blamed it on bad leverages. Today we hear less about this and I believe most lifters have found that so-called bad leverages can be at least partially compensated for by a change in style and special development exercises. We don't have nearly as many really poor pressers now as we had a few years ago. In those days it was felt that if you had long arms you couldn't press. Some of our good pressers today have fairly long arms however.

We must not lose sight of the fact that long arms are somewhat of a handicap, though, and must be adjusted for by a change of style and specialization work.

Some of the paper experts claim that a good presser should have long upper arms and short forearms. This depends on your style of pressing. A man with short forearms may find that he can press better by starting with his elbows high and keeping them that way all through the press and thus taking advantage of his advantageous leverage of the short forearms.

On the other hand a man with long forearms and short upper arms may find it better to press with the elbows starting low and driving straight up with deltoid power.

Again, we may find that our calculations arrived at through examinations of relative bone lengths may be upset because of differences of muscle attachments. Let us illustrate what we mean by using the curl as an example Have you ever noticed that the best curlers are the men who have muscle attachments far out on the forearm at the lower end of the biceps muscle? A still more outstanding illustration would be the reverse curl. Watch different men curl and you will notice that the best men at this feat have forearm muscles that are attached high up on the upper arm bone. This gives them greater curling ability for a given amount of contractile power of the muscles.

The same thing is evident in the press, though the illustration would be much more complicated because so many muscles and groups of muscles are involved. We feel that this muscle attachment is of much greater importance than bone lengths, not because relative bone lengths are not important, but because we have found more frequent variations in muscle attachments making the difference between a poor presser and a good presser. This condition of course exists throughout the entire body. This partly explains why the strongest men are seldom the best built. A man with the best muscle attachments for power does not have the small, compact joint areas for the greatest physical shape. Of course there are occasional exceptions to this rule.     

       








Working all the Angles - Greg Merrit (2017)

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Charles Glass

Article by Greg Merritt on Applying Bulgarian Methods to Bodybuilding:


We think of muscles as parts. But skeletal muscles themselves consist of many thousands of tiny parts called fibers. Crucially, fibers - which are one to four inches long - rarely run the length of any muscle you train. Therefore, an exercise that stresses fibers near a muscle's top won't activate fibers near the bottom. Diverse angles of attack are necessary to stimulate as many fibers as possible and goad them toward growth, and no methodology hits your muscles in more ways each workout than Small-Angle Training. 

Over the past four decades, Charles Glass has established himself as bodybuilding's preeminent trainer with what is popularly called angle training. This is a constantly morphing assault using subtle changes in the positioning of bodies and equipment. But what if you took that idea and cranked it up to 11? What if no two sequential sets were ever alike, and your overriding mission was to hit fibers from as many angles as possible? 

With small-angle training, each set of an exercise is performed differently in a sequence of typically four to six sets. You might change the grip, the stance, the angle of a bench, or the positioning of equipment, like the height of a cable pulley. Ideally, this is a progression from harder to easier, such as dumbbell chest presses that go from a high incline to flat to a low decline to a high decline. In that way you can use the same weight as you progress, and with adequate rest between sets, you can get the same or more reps each time.

Let's go over a small-angle progression for pulldowns. Start with a wide grip. The next set use a shoulder-width grip. Then switch to a parallel grip on a medium length bar. Finally, clip on a V-handle for your final set. The changes in hand and arm position will work the upper back in a subtly distinct way each set and activate more fibers than four sets performed in the same way.   

What follows are some of the best small-angle methods for diversely attacking each body part. 


Legs 

From narrow to sumo-style, barbell squats can be done with a variety of stances. Hack squats, Smith machine squats, and leg presses can be performed with both different stance widths and your feet positioned anywhere from under your hips to far out in front. You can arrange your toes in, out, and straight during leg extensions, leg curls, and any calf exercise.


Back

Pulldowns and cable rows can be done with a variety of grips, from very wide to parallel and narrow. Similarly, you can also alter your grip on barbell rows from shoulder width and underhand to wide and overhand. By progressively raising a cable's height and using a rope, you can go from a low row to a medium row to a face-pull to a pulldown. With a progressively raised Smith machine bar, you can crank out inverted rows (like lat ladders) at a sequence of angles.


Chest

From narrower than shoulder width to very wide, barbells can be pressed with a variety of grips. For dumbbell presses or flyes, an adjustable incline or decline bench can be positioned to work pecs from the uppermost edge (incline) to the lower cliff (decline). Cable crossovers can be performed from low to high and all the positions in between.


Shoulders

From narrow to wide, overhead barbell presses and upright rows can be done with a variety of grips. You can alter your hand position during dumbbell presses from palms forward to palms facing each other to palms facing backward. One-arm side laterals can be done leaning toward the floor, standing straight, and leaning away from the floor. While lying on an adjustable bench set in many positions, you can perform front raises. Shrugs can be done with two low cables held behind your back, straight down, and in front.


Triceps

Pushdowns and cable triceps extensions can be subtly changed each set from an underhand grip with a straight bar to overhand grips with a variety of bars or a rope.


Biceps

Barbell curls can be altered from a very narrow grip to a very wide grip with multiple stops in between. You can also change the angle of curls. For example, go from a 45-degree preacher curl to a Scott curl to a regular curl.


Abdominals

Do crunches, situps, and leg raises on an adjustable incline bench set in any position from highest to lowest.   


Small-Angle Tip Sheet

 - A portable, adjustable bench can be positioned at a variety of angles for exercises you may not have considered, such as pulldowns (facing away from the cable). 

 - A Smith machine bar set at varying heights is great for bodyweight inverted rows or triceps extensions.

 - A kind of dropset can be done by repeatedly changing the angle but not the resistance. For example, progress from dumbbell presses on an incline tot flat to a decline without resting.


Small-Angle Basics

 - To work all fibers of a muscle, hit it from a multitude of angles.

 - Vary exercises for each body part, such as one with a barbell, another with dumbbells, and a third with a machine or cables.

 - Change your grip, stance, or the position of the bench or body angle on each set. 


Example of a Small-Angle Chest Routine

Bench Press, 1 x 8-10 each 
2 inches narrower
Shoulder Width  
2 inches wider
4 inches wider
6 inches wider

Dumbbell Flye, 1 x 10-12 each 
45 degree incline
20 degree incline
Flat
20 degree decline
45 degree decline

Cable Crossover 1 x 12-15 each 
Highest position
High position
Shoulder height
Low position
Lowest position
 
 
 

The Secret of Superb Physical Development - Joseph Curtis Hise

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Check into Joe Roark's Iron History Forum! 
Megatons of Information Over There.
Note: Your Real Name will be required for registration.









Covers of James Evans publication.
Early through late 1930.



Scan of Original James Evans Circular Below 
 Courtesy of Michael Murphy


The article below, a circular mailed to subscribers of Evans'The Weight-Lifter, is missing a few lines from the bottom of its page. This is an extremely rare item. Enjoy . . . and Thank You, Michael!




Editor Note (James Evans): The following article by the Mighty Joseph Curtis Hise is sent as an appreciation of your patience in waiting for the next issue of the Weight-Lifter. You will receive much valuable advice from the pen of Mr. J.C. Hise in future issues of the Weight-Lifter magazine.


The Secret of Superb Physical Development 
by Joseph Curtis Hise (mid to late 1930s)

All Training is divided in 3 parts: 

Training that you must do,
Training that you can do, and
Training that you do do. 

Scarcely anyone knows the "must do" training and like my Quaker ancestors, I even doubt myself sometimes - on financial training, of course.

"Can do training" depends on our environment, whether our parents are considerate and compassionate financially for our desires. If they are able to support you in the style approved of my the Joes - Hise and Louis "must do" training is easy if you KNOW what is "must".

One of the most outstanding of all exercisers (to those that know him) gets no kind words from a doting mama and sister - since he refused to be a perfectual invalid - as ordered by the doctor 10 years back. He sneaked training on the weights deciding better to be dead than a certain invalid - and the bad heart became a good heart. Were the loving females ecstatic over the recovery? Sure, for about 30 days.

The "was" invalid was in favor of "more" of the bar bell treatment - believing if a little is good - more is better. Alas, alas - nay not so with the mama's and sister's - as those of you who have them know. The only "mores" in men their women folks scream for is "more" clothes or "more" money - in (this) fact you don't have to have a mother living or sisters either - but the majority do have. It is true every son believes (so the paper says) that his mother and sisters are different - which is OK - but don't hope to prove it to Cynics or people that know better.

When the invalid son and brother recovered for say about 30 days - the women believed philosophy and training were further useless in a "compromised area" and sought to have him get ahead in the world. In a woman's eyes and against his will they rustled a job for him in the auto biz - paying 5 or 6 a week for a 12 hour shift. He didn't stay long because anybody who earns less than 40 a week really has to work and no one who knows his exercise will work long for 5 or 6 a week - or want to marry the daughter of such a generous employer either. So he was retired for a more ambitious man - much to the frustration of the females who had his interest at heart. However, despite all the female abuse he got enough to eat and with his knowledge of exercise to climb into 200-lb class nearly doubling his weight. I consider this an outstanding success story - any others having mothers and sisters will likewise.

Speak to a youngster and determine his idea of training and it will be "running" - a practice that exercise experts and bill collectors strongly disapprove. A sport writer points that a group were talking of training at the Braddock-Louis camps and one veteran points out that he had never seen a fighter run - and the others all agreed - the only time they run was for the camera man - the experts in the business can't make too many mistakes. If the school boys want to believe that boxers "run" - and Santa Claus comes down the chimney - the boxers ain't going to tell him different. Whom so we hate worse - the man who is patriotic and sentimental or the low skunk who is honest and tells the truth?

The boy is started out on Santa Claus and finally graduated to believing in running - here he learns to read newspapers or turn a radio dial and he never learns any more. Q.E.D. [quod erat demonstrandum]. 

An Exerciser must have leisure - very much - say 21 or 22 hours out of 24 - if he is to climb into the superlative class. In spite of hard labor or tiresome hours he can climb from the "lowest" class to the ordinary exerciser stage - with proper instruction and weights, but

 - bottom section of page missing here, perhaps one or two lines -

As he grows older his toughness increases until one is as good as paps was at it - when one is well into middle age - but there is a slight slowing up in speed and a slight tapering in strength. A strong man is like the Deacon's One Hoss Shay -

Oliver Wendell Holmes: The Deacon's One Hoss Shay
http://holyjoe.org/poetry/holmes1.htm

 - he enjoys the natural life span that is inherited from his ancestors - and he is 100% alive while he is at it - contrary to the words of mama Babbitt and Sis -

Babbitt, and six others by Sinclair Lewis:
http://www.gutenberg.org/ebooks/author/278

The most important thing in training is food - lots of it and plenty of protein - meaning MEAT - about 2 or 3#  a day. Man is omnivorous and if he is a vegetarian thru poverty - or not knowing any better - he is very stupid and half dead in his mental processes. There may be stupid men who are strong - but I never met any - nor would I believe it if I did. The dumb guys are none too bright because they are silly like many of you are now. They took up professional athletics and got their brains knocked loose in the arena. They sold their brains for a very few pieces of silver and will never get them back - just like some of you saps are willing to do - and wish to do - and will.

Most trainers can handily east 4 or 5 times a day but I was just a 3-timer- an idiosyncrasy I was born with - and not something I wished to laud as an all wise habit. There may bee some people who eat too often - but I don't believe it - agreeing with some docs who are not nuts that it is either lack of activity or a glandular unbalance. A voluntary meal misser is just another nut or unbalanced gland owner - not someone who is practicing restraint.

The best training schedule for a rapid gainer is - get up early and eat an "unAmerican" breakfast - a BIG meal - in fact my idea of the right breakfast is sausage or hamburger and beans and maybe gravy eaten around 5:30 or 6:00 A.M. - then back to bed for a 2 or 3 hours snooze - then up around 9:30 or 10 and read or loaf - read up on your P.C. [personal, private correspondence?] or read mechanics and classics. I usually read Shakespearean, Rabelais, Nietzsche, Moliere and Athenian drama, then eat lunch - then take a nap till about 3 PM - then read more of the foregoing and do some "light" exercise - eat supper - and about 8:30 or 9 would go do heavy DKB [deep knee bend] or SLDL [stiff legged deadlift] on a hopper. I later learned the best time was about 4:30 to 5:30 in the eve. Then to bed. THIS IS THE EXACT EXERCISE AND STUDY SCHEDULE THAT I GAINED SO RAPIDLY IN STRENGTH AND SIZE. You'll notice I had it all over Joe Louis on sleeping unless the 12 hours they credit him with is understatement.

From my chair of study in exercise you may see why I am so skeptical as to the chance of dial twisters [radio listeners] and sport page fiends of ever accomplishing anything "exercising".

If I cannot have these long hours of rest - those generously proteined meals - that freedom from labor all at one time - plus the adequate poundages in the SLDL on a hopper and D-K-B on a cambered bar - I am just as hapless as all of you have been under the same conditions.

I always turn up when some one would infer that Grimek or I were "naturals". That is an insult. GRIMEK'S LOOK COMES FROM SMALLER ELBOWS AND KNEE JOINTS. His skin is as thick and wrist and ankles are the same as mine - but my elbows and knee joints are so much larger that they have none of the looks. Small elbow and knee joints are common - but Grimek's??

Grimek gained slowly and persistently for 3 years - then and now he can gain and lose at will - as can many.

What are the limits in training? I can truthfully say it is not known. A guess by me is only a guess. There are several dozens of men in the world who know correct training, who are bound down by poverty, age, or the necessity of ceaseless activity. To one not knowing leisure - or ignorant of the proper training in D-K-B, SLDL and deltoids -

http://ditillo2.blogspot.ca/2012/02/hise-deltoid-exercise-joseph-curtis.html

 - any limits are surmises to them, but not to me - the "all seeing ones . . .

last line or two missing from original circular.  

          
    

  

























 






Developing Your Abdominals - Zabo Koszewski

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Photos Courtesy of Lydia Tack
Article Thanks to Liam Tweed











After so many "Best Ab" trophies over the years I often am surprised to see just how many I have won. In fact, I've been winning them for such a long time that bodybuilders now believe I was born with good abdominals. Believe me, it ain't so! 

To give you the plain unvarnished truth, my abs are the result of an accident! When I was younger I participated in a lot of sports in my New Jersey home town . . . football being a special favorite. I'm sure you realize that training for football isn't much of an ab developer. If anything, it packs on flesh all over the body . . . and the abdominals get their own fair share.

The real clincher that started my road to prizewinning abs was a hernia. Yes, weakness in my intestinal wall made possible an ailment that doctors told me only surgery could repair. I wouldn't accept this answer, and so I would win out another way, and because at first I had little knowledge of advanced training techniques I had to do it largely in hit-or-miss fashion.

I knew that it would be wise for me to "make haste slowly" so my first ab routine consisted of just two exercises: Situps and Leg Raises. Although I could only manage a few reps that first training day, I soon had worked up to the point where 500 Situps and 500 Leg Raises were just warmups for my more advanced training routines every day.

Even just these two exercises had produced a good enough abdominal development for me to begin winning contest titles. Of course, I was in top condition from the football and other sports I had played, and this together with my long torso which responded so rapidly to high sets/high reps made me an easy winner. So, in the more than 20 years I have been competing I have never failed to take the Best Abs award, even though I may have been only runner-up (or less!) in overall competition for the main title.

Because a fine abdominal development is the hallmark of an allover good muscular development, I intend to keep on winning those titles, just to prove to the world that a guy over 40 (way over!) can maintain a well-defined athletic shape. 

To bring out clear-cut abdominals you must do two things: 

1.) Burn away all midsection fat that is on the outside, and that which lurks between the muscles . . . the fat you can't see, but causes you too look too smooth and too large in the abdominal region.

2.) You must continually work for muscularity of the abdominals, and that requires daily diligence. Yes, you don't exercise your abs with a split routine . . . but with an everyday workout with specialized abdominal exercises, as I will show you in this article.


My Favorite Abdominal Stars




 Leo Robert: One man I contested with back in the early 1950s, Leo Robert of Montreal, had the most perfectly shaped, classically carved abs in the business. Flawlessly shaped, they looked as though a sculptor had carved them out of sheer granite. Leo worked them hard, too, to keep that top shape at all times.   



Clarence Ross: Another old-timer with a classical midsection plus obliques like the Farnese Hercules. He worked very hard every day on abdominal development, and it showed in his sensational posing. It just took your breath away. 



Reg Park: Probably the best tall man in the history of abdominal development, Reg was tops in the last 1950s. His entire torso was sensational, but his abs, obliques and intercostals were incomparable, with clear-cut side and deep front separation.



Larry Scott: Few bodybuilders realize that Larry at his best has a tremendous set of abs. Everyone is usually so busy looking at his magnificent arms they miss his top quality abdominals. Larry is not tall, either, and abs on a short-torsoed guy often cause him to look chunky. But in Larry's case his abs are totally right for his build. He is unforgettable.   


Function of the Abdominals

There are two principal functions of the abdominals:

1.) To move the upper body from side to side, and
2.) To lever the upper body forward (as in bending forward).

Two auxiliary muscles assist in this latter function if you perform an exercise such as the Situp from a flat position on the floor. Since this type of Situp is not performed by modern bodybuilders little is written of these muscles, and even less is known. They are not the showy muscles like the rectus, and any exercise that works the rectus actually works the psoas and iliacus . . . so let's just forget about those.


Some Situp Variations

Abdominal movements can be divided into Situps (which affect only the two upper layers of abdominals and Leg Raises (which affect only the lower layers - Note: remember that this was quite some time ago and try not to whine too much about how much more you know. Thanks, and enjoy the article!). Let's discuss some exercise variations of each, beginning with the Situp.

To sit up, or bring the body from a lying to a sitting position, is basic abdominal motion. In the basic Situp the back is held reasonably straight. You come up to a sitting position with abdominal power alone if you do it at an angle (feet higher than the head), on a modern abdominal board.


 Click to ENLARGE



The Flat Situp

I shall begin with this movement to 'get it out of the way', for no modern bodybuilder performs it any more. Why? Because with the body absolutely flat-horizontal on the floor there is just too much 'thrust' required to get the upper body started in this movement, and this 'thrust' is provided by the shoulders and partially by the psoas which adds nothing to development of the abdominals per se.

Continuous Tension is one of the best ways to develop a muscle group to the pinnacle of proportionate shape and sharp definition. Forcing never-ending tension on the target muscles throughout each rep of a movement can speed your results. Applied to ab development it is obvious that any Situp in which the force of gravity pulls against the extended body from head to toe is going to require some degree of 'thrust' or 'cheat' to get the upper body into motion a bit. Thus the abdominals do not begin to really operate in the first 40 degrees of the flat-horizontal Situp. It is here that the psoas does most of the work, with little developmental result of the abs to follow. Thus our first priority is to choose a suitable angle for the Situp, and we do this to relocate the force of gravity so that the abs work against continuous tension instead of with initial thrust. The first variation would be:

The Low Incline Situp

This fine movement can be performed on the very crudest of equipment . . . a simple wooden board which should have one end (for the feet) slightly elevated by placing it on a low support. Modern bodybuilders, however, almost invariably have access to a slant board, and this makes possible a rapid selection of exercising angles. The technique is to anchor the feet and lie with the body flat against the board with with the head near the floor. The hands are clasped behind the neck, the knees are slightly bent, and by strength of the upper tiers of abdominal muscles alone the upper body is brought upward and forward until the elbows touch the knees. The body is then lowered slowly (resisting all the way) back to starting position.

The Situp Touching the Opposite Knee

Resume the position used in the previous exercise, again making sure the undersides of your knees lie flat against the bench. Now round your back slightly and as you bring back upward and over into crouch position, touch the right elbow to the outside of the left knee, and on the next rep touch the left elbow to the outside of the right knee . . . always trying to force an extra squeeze into the abs. This really gets the intercostals, and is one of the best definition exercises for this group of 'showy' muscles.

The Bent-Knee Situp

Keep your abdominal board at the same angle as the preceding two exercises, but this time draw the entire body upward on the bench until you can bend your knees into a high angle (your heels should almost touch your buttocks). Open the legs into a "V" and using the same technique as before, pull the upper body forward until your elbows touch the board between the knees. This articulates the abs in quite a different way, for it makes possible a giant super-squeeze of the central abs. The back will have to be slightly rounded to effect a complete follow-through of this movement. Be sure to think tension into the abs throughout the complete range of the rep.

Ladder Situps 

We increase the difficulty (and effectiveness) of any Situp by increasing the angle of the board. If you have an abdominal board/ladder combination with several rungs of increasing height, you can do any of the preceding Situp variations with continually increasing levels of tension on the abs. In a sense this is like increasing the poundage handled in barbell and/or dumbbell exercises, for the muscles have to work continually harder against a higher angle. In short, any type of Situp you can perform on the ab board is made increasingly effective with the ladder effect.

Side note from blog guy here: Somewhere around a half year after I started lifting, still a kid in the later Sixties, I wanted to know which would be a "better" Situp progression - increasing the angle of the board, or holding more and more weight behind my head. So . . . I sent in a letter to the Weider Research Clinic Canada on Bates Road in Montreal. Duh, pretty gullible and naive, right? Couple weeks later I actually got an answer! Snail mail, eh. I don't remember who 'signed' it, but their answer was to increase the angle to its utmost, then, add more and more reps. Back then adding weight to ab exercises was thought to 'thicken' the midsection and such. But they did send me a real letter, without any other promo or sales pitch, which I thought and still do think was way cool. And how did a guy get a job answering mail like that? One day, if I kept exercising and kept learning more and more about it and grew into a full-fledged adult maybe I could . . . Yeah. Sure, kid-that-was-me. Okay then, back to the article now - 

Roman Chair Situps

This is the most difficult of all the Situp variations, and it is as old as time. It dates from Roman days when gladiators used the 'Roman Chair' to build extreme muscularity and power in the midsection.


Early Roman Column Exercise
See Photo Further Above for Roman Chair Situp of the Zabo Era. 

Another Version.
Today, the Roman Chair Sissy Squat bench utilizes this ancient fulcrum in a modern way. The bench is narrow, you place your body on it so so that the bench itself touches not the buttocks but the upper back thighs. The feet angle downward and are caught by a brace at the bottom. [or put a loaded barbell with a 'bar pad' on it parallel to a flat bench and have at 'er].

You clasp hands behind neck, and from a sitting upright position lower the back as far down as you can. From this starting position you perform a Situp, bringing the back up and forward until your elbows touch between your knees. Leverage is everything here, and when you try this for the first time you will find that even horizontal layout position can provide a tough situp workout. Day by day and bit by bit, you will be coming more and more into the technique of the Roman Chair Situp, and you will then begin lowering the back to greater depths.

These, then, are the principle forms of the Situp. Now, let's look at some . . .

Variations of the Leg Raise

One bodybuilding fact is immutable. Situps cannot exercise the lower abs nor can Leg Raises exercise the upper ones. Likewise, as you sit up against the force of gravity to work [blitz!] the upper abs, you raise  the legs against the force of gravity to bomb the lower abs. There are several variations of the Leg Raise.

Lying Leg Raise

This is the basic Leg Raise. You lie flat on your back and, keeping the knees locked and legs straight, you raise your legs to perpendicular position, and return. Unfortunately, this variation is not as effective as others because (like the flat-horizontal Situp) the tendency is to begin the movement with a 'thrust' (again the entire body is practically anchored by the force of gravity). Hence modern bodybuilders use this variation without additional weight on the feet more as a conditioner and warmup for more severe Leg Raise variations. That is why the most popular lower abdominal movement is the . . .

Hanging Leg Raise

In this variation you grasp the chinning bar (you'll have to use a fairly wide hand spacing so that the legs can be raised freely without worrying about body balance). With the body hanging freely you straighten the legs, lock the knees, and now, by thinking tension into the lower abs, raise the legs to horizontal position and slowly return to starting position. It is understandable that Hanging Leg Raise sets will have to be of short duration because of the dead-hang pull of the entire body against the hands and wrists. [Google "ab straps" for some solutions to this. Or, you could google "ab originals" out of respect for Brad Harris, their inventor, who recently passed]. Do many sets sets of shorter duration to achieve the abdominal effect you desire.

The Body Lever

Done lying or hanging, the Body Lever (see photo above) is the most difficult exercise for the lower abs. It is to the lower abs what the Roman Chair Situp is to the upper. The Hanging Body Lever is almost never done by anyone except gymnasts. It really requires the exceptional muscular coordination and timing that are the special properties of the experienced gymnast. Moreover, the Hanging Lever is really no more effective for chiseling fine abdominals than the Lying Body Lever. As practiced by gymnasts it is more of a strength builder for the central body which makes possible the performance of other (and more difficult) gymnastic stunts.

For the Lying Body Lever you absolutely must have an incline board with a support at the upper end for the hands to grasp. The angle of the board may be increased as strength grows, for the higher the angle the greater the resistance.

Lying flat on the board, hands grasping the upper support, keep the body absolutely rigid. The knees must not bend, the body must not sway, and, if possible the hands must not pull at the supports. With strength of the lower abdominals alone, raise the rigid legs, buttocks and lower back into orbit in a straight line. The only support at this point is the upper back which fastens the body to the board, and, of course, the hands [did you scroll up and look at that photo yet?]. When the body has been raised to a 90-degree (or higher) angle to the incline board, the legs are then held a moment before they are returned to the board. And even here you do not let the legs touch the board . . . but as they near the board, just a few inches above it, begin the next rep. You must do this with only the strength of the lower abs. Anything else produces cheating or momentum which does not build muscles.


What Sets . . . What Reps?   

In Situps, choose one variation each training day (which, abdominally, should be every day!). One form of Situp per day is quite enough. In this way, throughout the entire workout week, you will have run the gamut of them all, thus exercising the upper abs from every conceivable angle.

How many sets? Begin with five . . . and continue increasing them to 10 or more per day.

How many reps? Begin with 10 per set and increase them until your abdominals just won't let you do any more. No set number of reps . . . just do as many as you can. I do upwards of 500 Situps per day . . . I've done more, of course . . . but this is my 'maintenance' workout.

In Leg Raises you cannot do as many reps as you can of the Situps. Gravity is too great an enemy and is not as easily defeated! Start with five sets of one variation of the Leg Raise . . . increase the reps as you can. Like the Situps, bu doing one variation of the Leg Raise each training day you activate the lower abs from all angles. Actually, 30 reps per set are quite enough. You'll be lucky to knock out that many.

So, to recap:

Work up to 10 sets of Situps and work up to at least a total of 500 reps. Work up to 10 sets of Leg Raises and work as many reps per set as your pull against gravity will allow. But don't throw, thrust, or maneuver the body by 'assisting' with other muscles. Make the upper abs do the work in Situps; make the lower abs do the work in Leg Raises.

After each workout practice mirror posing for 15 minutes, contracting first the rectus - then the intercostals, trying to squeeze extra definition from each posing session. This will add interest to your abdominal workouts, and give you valuable posing experience and control.

Larry Scott's "Ring of Fire" Ab training might also interest you:
https://forum.bodybuilding.com/attachment.php?attachmentid=2005891&d=1250891654 
   
Obviously diet plays a great part in whether or not your abs are buried beneath a fatty layer or diamond cut and crystal clear. If you want your midsection to look rock hard you must control and manipulate your diet.

Abdominal training a a great health 'regulator' and no other aspect of training will do so many good things for you. It has maintained a fine physique for me . . . it has rewarded me with great health . . . and it saved me from the scarring indignity of a herniated life.

     


Bodybuilding With the Three Olympic Lifts - Hal Stephens (1949)

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Hal Stephens


Once Again, Thanks to Liam Tweed!



Article From The Iron Man Nov/Dec 1949

Editor's Note (Peary Rader): Too many bodybuilders look upon the lifts as of no value or interest except for competitive lifters. Such is far from the truth a we have tried to point out. The lifts can be made into one of the finest of body building programs. Such a program as here outlined by Mr. Stephens will give the physique a rugged, finished appearance not obtainable in any other manner. If you are seeking a perfect physique and one capable of demonstrating strength and agility, don't neglect the lifts.


Practice of the Olympic lifts in repetition form can build a super physique and at the same time maintain the strength and technique necessary in competitive lifting.

Very few bodybuilders are extreme specialists, either in the body culture field or in competitive  lifting; most of us enjoy mixing a little lifting with our body development program, or vice versa, we like to combine bodybuilding training with our lifting program, if we are lifting enthusiasts. 

The writer, for example, adapts his training routine to fit the conditions under which he is living. If I am living near a metropolis where competitive lifting is the chief interest, I devote considerable time to the practice of the three Olympic lifts. Where my work takes me to the more remote mountainous regions of the country, I change over to a bodybuilding program, usually some phase of specialization, when competitive lifting seems to be out of the question. 

Undoubtedly, many other lifting fans find themselves in much the same sort of situation. Moving about the country is certainly not conducive to best results in training, but if we have no choice as to where to live, the best plan would be to arrange the training program to suit the new conditions as nearly as possible. When a competitive lifting enthusiast moves to some 'out of the way' location, he may regretfully turn from his lifting training to a bodybuilding program and perhaps even give up hopes of lifting in the near future. 

This discussion is intended, therefore, to point out how the competitive lifts may be practiced as exercises, bringing about excellent improvement in the development the physique and at the same time help keep the lifter in topnotch form with regard to style and technique.

In this way he could return to competitive lifting at any time in the future without having lost much of his original power and form.

Although an entire workout, beneficial to all major muscles of the body, can be made up from the practice of the three lifts, we will supplement the suggested program at the conclusion of the article with a few additional bodybuilding exercises.

The writer feels strongly in favor of exercises that involve the large muscle groups of the body. The heavy exercises such as the two hands press, the deep knee bend, and the two hands clean are highly recommended for developing muscular bulk and great overall body strength. The more complex movements of the competitive lifts develop a fine degree of coordination and balance, to say nothing of the speed and nervous energy that is built up.

For our workout program, we will include the three Olympic practiced in repetition with one or two variations of parts of each lift to aid in furthering muscular development. Different exercise working on body parts such as the neck, abdominals, pectorals, not seriously affected by the lifting practice are offered for rounding out the program.

Remember, the ultimate purpose of this system is body development; secondary reasons are the maintenance of lifting form and body strength in these lifts. 

Recent issues of Iron Man have very adequately discussed and illustrated the manner of performing the Olympic lifts; details of their correct performance is therefore omitted. Intermediate and advanced bodybuilders and lifters to whom this article is directed will have already mastered the technique of the lifts to some degree. Beginning bodybuilders are encouraged to follow a generalized bodybuilding course of training for a period of several months before considering this type of program.

This training can be as intensive as you would care to make it. Practice of the three lifts for serious competition can be very strenuous as many of you know. Practice of these same lifts for development purposes will involve more reps at less poundage, but will still demand great output of muscular and nervous energy.

You may compromise with regard to poundage versus number of reps for each workout, depending upon the maximum poundage you wish to lift. Single attempt lifting may even be attempted once every other week in order to keep your lifts at near maximum poundage.


The first of the competitive lifts, the Two Hands Press, is practiced in some form by nearly every bodybuilder or lifter. It is a marvelous developer of of the upper back and one of the best exercises for the shoulders and triceps. It should be performed in accordance with lifting rules [Note: 1949].

Make each press fast, but smooth, and avoid the shrug and heave habit that many lifters have fallen into - it is sure disqualification in a meet and defeats your purpose in using it as an exercise. Perform this exercise for 8 to 12 reps and work up to 5 sets. For your first set, choose a poundage that is reasonably difficult, but one that might allow two more reps with extra effort. This set will serve to warm up the muscles thoroughly and prepare them for the more difficult sets to come. Add 10 pounds to the bar for the second set and possibly the third set if you are nearing your limit. Put out on this third set. If you make at least 8 reps on this third set, put 5-10 pounds more on the bar for your fourth set. Decrease the weight on your fifth set, using about the same as the first set.

Some fellows prefer to use the same poundage on all sets, a plan that the writer has found to be quite satisfactory in the past; however, many experienced bodybuilders have found that because one's strength and endurance are not consistent throughout a number of sets, best results should be expected if the poundage is varied in keeping with the capacity of the individual from one set to the next. With the first set as a warm up, the strongest sets should be the second and third.

Vary the position of the hands, the grip width, until you find the most natural one for performing the press. The writer used a slightly wider than shoulder width grip for several years, and then changed to a wide grip, several inches wider. After using the narrower grip for this long period of time, one which frequently resulted in painful back-bending on the heavier presses, I found that the wide grip permitted a strong press in correct and natural style. It was quite a revelation! Pressing with the wider grip was begun after a two month complete layoff. My top press with this new style was 180 pounds at the beginning of this phase of training, while my best with the narrow grip was only 200 at this time. The wide grip was practiced exclusively without once resorting to the old grip. In about two or three months my limit press reached 235, exceeding my previous personal record by 35 pounds. Noticeable development in the posterior portions of the deltoids resulted from this type of pressing. With the exception of a warm up set of 8-10 reps, no set exceeded 5 reps. This training, however, was for competitive lifting.

The Press Behind Neck is an excellent exercise to alternate on different workouts with the regular press. Use the same set and rep plan.

The Two Hands Snatch practiced in repetition in the dead hang style (without letting the plates touch the platform) has long been recognized as a wonderful exercise. The muscles of the entire body are vigorously called into play during performance of this movement.

The first part of the lift involves the thighs, entire back with emphasis on the spinal erectors, the deltoids, and trapezius in that order of importance. The second phase of the lift which consists of fixing the weight overhead places a great deal of effort upon the deltoids, trapezius, and other back upper muscles in about that order.

The lift progresses smoothly from the first phase through the second phase without any perceptible break. Gripping strength of he hands and forearms is forcibly developed throughout the entire lift.

If your technique in the Two Hands Snatch is rusty, practice the lift with a very light weight until it goes smoothly and to your satisfaction. Repeat the lift until the action is automatic. Check yourself on the fundamentals of correct form; see that the back is flat at the start of the lift, that the legs provide the beginning thrust. Pull the bar straight upward as high as possible before going in under the bar.

When practicing the lift in repetition, use the dead hang style by not letting the plates touch the floor between reps. Lower the bar to a point just below the knees and come up immediately for the next lift. Perform at least 8 reps and work up to 4 or 5 sets. Perfect your style before using maximum poundage, and use the same set/rep plan as in the Press.

As a supplementary exercise to the Snatch, include the Upright Rowing Motion or High Pullups. It is best performed with a narrow grip and with elbows pulled high at the completion of the movement. This exercise works directly on the deltoid and trapezius muscles.

Use at least 12-15 reps for not less than 3 sets, preferably 4. Instead of the upright rowing motion you may substitute Dead Hang Snatches - without lowering the bar below knee level. This manner of lifting requires a strong finishing pull to bring the bar overhead; a very fast split or squat is also necessary to complete the lift. A reduction in poundage from that used in the regular Snatch is needed to make the lift in good style. Determine this poundage by trial and error; use a weight that permits 7-8 reps.

The final Olympic lift, the Clean and Jerk, actually consists of two distinct lifts; the clean to the shoulders and the jerking of the barbell overhead. For purposes of muscular development, we will consider them one at a time, and we will practice the two together as a competitive lift once every week or two.

The Clean, in which the bar is lifted from the floor to the shoulders in one continuous movement, is very similar to the first part of the snatching movement. Because the weight is carried just to the shoulders, a great deal more poundage may be employed than in snatching the weight. The heavier weight used in the Clean vigorously works the large powerful muscles of the legs and back. When practiced in sets of 8-10 reps, this lift becomes one of the very best back developers. It does not matter a great deal whether the feet remain in one place during the movement or whether the split or squat style is used as far as muscular benefits are concerned.

Whichever style is employed, maximum poundage should be attempted for the 8 reps and at least 4 sets should be included. Work up to this maximum poundage and number of sets over a period of 2 or 3 weeks, if you have not been practicing the Clean recently. Begin with a moderate poundage in any case and strive for perfection of form. Perfect form is not absolutely necessary for muscular development, but it is essential if you anticipate entering any competitive lifting.

Going down low in the split or squat while cleaning will result in magnificent thigh development. Let me illustrate by a recent experience. A few months ago, I worked from a bodybuilding program into some lifting training. At this time my thighs measured 24.5 inches, the largest they have ever been. After one month of lifting training which included specialization in the Clean, my thigh increased in size to 26 inches! Incidentally, my bodyweight increased as well.

This led me to make use of a very excellent leg exercise, one which I have not seen practiced by many bodybuilders. The movement is similar to that part of the Clean in which the lifter comes up from a low split. The weight is placed on the shoulders as for a deep knee bend. Then, take a long step forward with the right foot. While the weight is evenly distributed between the two feet, bend the right knee until a position equivalent to the low split is reached. Next, shift the weight over the bent leg by bringing the body forward. Now straighten the leg, using the back leg (in this case the left one) only to maintain balance. [the things we take for granted, eh]. Go through this movement about 15 times (reps) before replacing the bar on the rack. Load the bar to a poundage about 20 to 50 pounds less than your best Clean for this exercise. Avoid the mistake of overloading the bar, as this will prevent you from dipping low enough for maximum benefit. 3 or 4 sets should give the legs a pretty thorough workout.

Repetition Jerks From the Shoulder involve the triceps and shoulder muscles principally, but the entire back and legs certainly receive their fair share of work. Approximately 8 reps and not less than 5 are recommended in this lift. The barbell may be taken to the shoulders either by cleaning the weight from the floor or by lifting it from a pair of supports. Cleaning the barbell preparatory to jerking it 5 to 8 times will require some effort, but not enough to hinder the jerking. It is easier, however, to take the weight from the racks and start a series of jerks while fresh. If you do take the weight from the racks, make the first few attempts with a rather light poundage in order to accustom the body to the movement. Cleaning the weight to the shoulders tends to "set" the muscles ready for the Jerk, but such is not quite the case when taking the bar from the rack. Lifting the weight directly from the rack causes it to feel unduly heavy and the first Jerk will not be done in best form. It is for this reason that a light starting poundage is recommended.

Jerks From Behind The Neck may be included for the sake of variety. The writer, however, prefers to stick to the regular Jerk as performed in competition.

A review of the exercises or lifts described above will reveal the fact that none of them develop the pectorals or abdominals directly. The muscles of the neck receive some benefit, but not very much from the lifting exercises. For this reason, we should include a couple of bodybuilding exercises which will complete our well rounded exercise program. The Supine Press On Bench With Wide Grip is an excellent barbell exercise for the pectoral region. Change the inclination of the bench by raising the head end of the bench for some of the sets. Use a poundage that will permit 8-12 reps and repeat for 3-5 sets.

Situps On An Inclined Board (head at lower end) and Incline Leg Raises (with head at upper end) will keep the abdominal region in fine shape. Work up to 30-50 reps on each of these exercises and include at least 2 sets for each. Gains should be forthcoming from such a routine.

Any lack of neck development may be remedied by the Wrestlers Bridge which works all of the neck muscles. Rock back and forth with the head resting on a mat or cushion and perform at least 25-50 movements (reps) eventually.

It should not be necessary to mention that the poundage in the lifts practiced as exercises should be increased whenever possible. The strength capacity of the body can only be increased by keeping the demands close to the maximum. Strive to handle more and  more weight, but do not make these increases unless you are able to complete the minimum number of repetitions for each set.

Now comes the problem of arranging all the above exercises into one weekly program. Obviously, we cannot perform all of the exercises described in one workout, since the time required and the capacity of the individual would not permit such a schedule. It will be necessary, therefore, that we select a group of exercises for the first workout day and an equivalent group for the second workout day, so that through the three-day workout week we are able to cover the important exercises.

Each of the Olympic lifts is nearly a workout in itself; because of this fact, we cannot carry too great a load for a given workout period. Our suggested program, in this case, will constitute an average routine with optional parts for the more rugged and ambitious lifter. Let us consider it a very flexible program which can be rearranged to suit each individual need.

The suggested program is based on a three day workout week with each workout lasting from 1.5 to 2.5 hours, depending on the energies of the lifter and what optional exercises he chooses to include.


First Workout Period

Warmup exercise such as Clean and Press with light barbell, 5-8 reps.
1) Olympic Press, 3-5 sets of 8-12 reps
2) Dead Hang Snatch, 3-5 sets x 8-12 reps.
3) Supine Press On Bench, 3-5 x 8-12 reps.
4) Two Hands Clean, 3-5 x 8
5) Upright Rowing Motion, 3 x 12-15
6) Situps or Leg Raises, 1-2 x 25-50.
Optional: Perform maximum number of recommended sets in above exercises.


Second Workout Period

Warmup exercise as above.
1) Press Behind Neck, 3-5 x 8-12
2) Repetition Jerks (taken from rack), 3-5 x 5-8
3) Supine Press on Incline Bench, 3-5 x 10-12
4) One Leg Knee Bend With Legs in Split Position, 15 reps each leg
5) Two Hand Clean, 3-5 x 8
6) Wrestlers Bridge
Optional: Perform maximum number of recommended sets.


Third Workout Period


Warmup as above.
1) Olympic Press, 3-5 x 8 maximum poundage
2) Two Hands Snatch (dead hang), 5 x 5 maximum poundage 
3) Two Hands Clean (dead hang), 5 x 5 maximum poundage
4) Clean Weight and Jerk, 3 x 5
Optional: Perform maximum number of recommended sets.


Remarks: The suggested weekly program using the three Olympic lifts as exercises with two or three extra exercises included has become a rather intensive overall body workout. Actually this program might also be considered a specialization routine for back and leg development, for it is on these parts that the most notable improvement should be obtained.

You will note that the third workout period calls for heavier poundages and fewer reps than the first and second periods. This alone should keep your lifts very near your best on single attempts. If you are interested in attempting some heavy single lifts, work up to your maximum on the third period instead of doing sets at 5 reps each, but not oftener than every other week.

When you are ready to make the transition to a full-fledged Olympic lifting training program, simply cut down on the number of reps and hike up the poundage on all workout periods. Working with very heavy weights requires a great deal of energy output and your capacity for the number of sets of exercises will also be decreased.

For heavy specialization on the lifts, you will probably practice just the Press and the Snatch on one day; the Press and the Clean on the next; and possibly all three lifts on the third day, but that is another type of program. 
                  

Delt Training, Lee Labrada - Thomas C. Deters (1987)

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I know what you're thinking . . . yet another training article. Lee Labrada does so many sets and so many reps and gets great shoulders. Big Deal! 

Well, not exactly. This is a training article. I'm going to tell you exactly what Lee does every Monday and Thursday when he trains shoulders. But more importantly, I'll tell you WHY he trains the way he does.

Since the shoulder is so mobile and vulnerable to injury, Lee takes special care when training this body part. He warms up his shoulders with a very light weight for a few high-rep sets in all ranges of motion. The reps are done slowly and under complete control at all times, starting with half movements. He follows this with some gentle stretching, again in all ranges of motion. Lee attributes the fact that he has never had a shoulder injury to this simple warmup. 

Lee also cautions against overworking this relatively small muscle group, which is also directly involved any time back and chest are trained. 

He usually follows a four-day split routine, whether preparing for competition or not. Every Monday and Thursday Lee trains shoulders along with chest and triceps, the order being chest -> shoulders -> triceps. In the past, shoulders were usually trained first, but this resulted in tired, weakened shoulders and low intensity chest training.

The delt work itself is limited to 10 very intense sets.

Lee does the first work set of each exercise with the heaviest weight possible, starting with side laterals performed bilaterally (both arms at once) with dumbbells. He begins with this exercise, as opposed to a form of overhead pressing, because he achieves a better pump, which in turn helps him to mentally focus on his delts. Side laterals rarely result in sore shoulders for Lee, and this movement pre-fatigues his delts and preserves his triceps for the work to come later in the session. Decreasing the weight each set, he performs 2-3 sets of 8-12 reps. He does these sets at a fast pace because this generates a pump that he can maintain throughout the course of the workout. His form is relatively strict, and he raises the dumbbells about six inches above parallel, since going much higher doesn't increase deltoid activity. He finds "running the rack" also gives an excellent pump, and uses this technique frequently on the side laterals. These are extended sets of around 50 total reps performed in rapid succession, repeated twice.

Going Down the Rack:
 - Start with the heaviest set of dumbbells you can handle for the chosen rep numbers, and work down the rack in 10-lb. jumps with little or no rest between sets.

Behind the Neck Presses for 2-3 sets of 8-12 reps are next. These are 3/4 reps, not locked out. This helps to keep constant tension on the deltoids. It also avoids nonproductive movement and tiring the triceps. Lee's grip is slightly wider than shoulder width here, and he tries to keep his elbows back. To increase the activity of the rear delts, he sometimes does dumbbell presses with the dumbbells being rotated into each other. Lee prefers to perform presses seated, wearing a belt; however, people with back issues may feel less discomfort if they stand.

After just enough rest to catch some air, he doe 2-3 sets of 12-15 reps of Rear Lateral Raises while sitting on the end of a bench, leaning forward with his chest pressed tightly against his thighs. Lee prefers to use dumbbells (not cables) with his arms out 90 degrees from his body. He raises the dumbbells just above parallel and bends his elbows only slightly. Just recently Lee began working his rear delts lying face down on an incline bench. In this position, he performs rear laterals alternately with his arms 90 degrees from his body and then almost directly to the front, like a front lateral raise. When performed in the manner, the leverage is such that a great deal of stress is transferred to the rear delt, which can be a difficult area to isolate.

Finally, he does a set or two of trap work in the form of shrugs, using a straight bar with the help of wrist straps. Lee really started concentrating on these a few years ago, with good results. These are normally burnout sets, rarely using more than 315 pounds. We both feel that the most effective way to perform shrugs is to keep the head down and shrug the weight straight up, hold for a second, relax, and momentarily stretch at the bottom. This is designed to bomb the upper traps, which raise the scapula. Therefore, fancy rolling motions waste energy, put more stress than necessary on A-C joints, and are not the most effective way to work middle and lower traps.

No high pulls? Nope, they are a very specific exercise, because they work traps and front delts - or even lateral delts - depending on how your elbows move. Inefficient. They are pretty good to pump up the areas though.

Lee doesn't use forced reps. He chooses instead to work to momentary failure. He's especially careful when dieting, since he doesn't have the nutritional reserve to recuperate rapidly. "In the past I've done a lot of forced reps, but I just didn't get the results and started getting achy," Lee says.

To stimulate muscle growth, it is essential to increase intensity. You can do this by increasing the weight, using the same weight for more reps/sets, or by using the same weight and doing the total work in a shorter period of time. "Increasing poundage is important, but the feel of the movement is even more important. I accentuate the negative portion of the movement more on shoulders than on any other body part. In this way I can increase the intensity with safer poundages," Lee points out.

There you have it - plain, simple, yet effective. Remember, you are attempting to create a work of art, and overdeveloped front delts can be a problem, aesthetically and in other ways as well. Form is critical, since improper form actually decreases the efficiency and desired intensity of the movements, and also increases the chance of injury. Avoid bouncing, since this creates extreme stress on the joints, even with light weights.      

     

The Press - Al Murray (1954)

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Al Murray, national weightlifting coach; born January 10, 1916, died September 27, 1998 
His obituary in this newspaper will give you a small idea of what he accomplished and what he overcame along the way: 

More By Al Murray: 

Mr. Murray also coauthored a book with David Webster titled "The Two Hands Snatch" that can be found in its entirety on this blog. 

Other books of his include 
"The Theory and Practice of Olympic Weightlifting" (1955)
"Modern Weight-training: The Key to Physical Power" (1971)


And now to our article on The Press. 
This is part of a series written by Mr. Murray, "The Olympic Lifts . . . And How To Train On Them" and we are able to read it here thanks to the efforts of  LIAM TWEED.  








Taken From This Issue (April 1954)






THE PRESS

Prior to the war anyone using weights was considered a weight-lifter. However, these days there are so many branches . . . bodybuilding, all-round lifting, weight-training for all sports, and Olympic lifting, which incidentally is considered to be the athletic and competitive branch and consists of three lifts, namely, The Two Hands Clean and Press, The Two Hands Snatch, and The Two Hands Clean and Jerk. 

In competition there are seven classes: Bantamweight, Featherweight, Lightweight, Middleweight, Light-Heavyweight, Middle-Heavyweight, and Heavyweight. Three attempts are permitted on each of the three lifts, the best attempt on each of the these lifts is added together to form a total, the lifter with the highest total in each class being the winner. Every type of athletic quality is required to reach the top in this sport but these will be dealt with as they crop up. Let us start with . . . 

THE TWO HANDS PRESS

The Press is believed to be a sheer feat of strength, but there is much more to it than strength. Correct positioning of the body during actual training and in competition can reduce the lifter's difficulties and increase his limit poundage. 

In cleaning the bar to the chest much time and energy can be saved if one cultivates the correct method of cleaning a weight to the shoulders in preparation for the press itself. The feet should be placed approximately hip hip breadth apart with the bar touching the shins and over the insteps. The width of the grip is indeed important. This should be slightly wider than one's shoulder breadth so that when the bar is at the chest the upper arms are in line with the body and not facing forward against the front of the chest. 

The grip can be either thumbless or with the thumb around the bar in the normal manner. Oscar State and myself went through over 100 photographs of lifters from all around the world and there seemed to be an equal number of top line pressers using the thumbless grip as there were using the normal grip.

Assuming that you have now gripped the bar in the correct position, your back should be straight but not vertical, shoulders slightly forward in front of the bar, head up and eyes looking to the front. This distributes the weight of the body evenly over the whole surface of the floor so that when your bar leaves the floor, center of gravity (or balance) will be traveling vertically upwards over the center of the base, i.e., insteps. 

Use your legs and back in the pull as much as possible so that you may conserve the strength of your arms and shoulders for the press itself. As the bar slows down passing the chest, quickly dip at both knees, lowering the body to receive the bar on the chest at the exact position from which it will be pressed (see Figure 1 below for more instructional notes).

Click To ENLARGE

Now comes a very important part, that is positioning your body in the best balance and most powerful position for pressing. 

The mechanics of this are simple - but seldom correctly observed. The lifter should aim to have the center of his bar as near as possible over his personal center of gravity (or balance) and these two points must be placed centrally over the lifter's base. The bar must also be in such a position that it can be pressed vertically overhead, still maintaining position over the center of your base. If the bar is held too high on the sternum the lifter will most probably be forced to swing the bar forward to clear the chin.  It is then a mechanical impossibility to keep the body still, in he correct position. 
Once the bar has left the ground the body and barbell now become one mass with a common center of gravity. This is known as the combined center of gravity. In pressing the barbell forward from the chest two things can happen: 
1) As the bar goes forward you may come on your toes, being pulled forward by the bar. This, by the way, is quite common and is a cause for disqualification.
2) This is more common, as the barbell travels upwards and forward, he head and shoulders are lowered backwards to counter balance the weight moving forward. The distance between shoulder joint and barbell is increased, making it harder for the muscles involved (see Figure 2 and its notes below). 

Click to ENLARGE

 This backward movement with moderate weight may escape the notice of the referee. But it is a simple law of mechanics that the heavier the weight the further back the shoulders will fall in an effort to counteract the additional weight traveling forward. 

If you take a particularly narrow grip you will observe when pressing the bar that your elbows will be forced to travel well to the front. The weight will then be transmitted vertically downwards through the forearms and elbows. This imaginary line will continue to fall downwards in front of the toes. The shoulders in consequence will be forced backwards and hence the reason for the success of the more modern wide grip. 

A related and interesting pair of articles with Press grip widths discussed in parts, by Bob Hoffman:

When the wide grip is used you will note that whilst pressing from the chest, the bar, elbows, hip joints and insteps are more or less in one vertical line. This is a strong and economical pressing technique.  






The Press, Part Two - Al Murray (1954)

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Thanks to Liam Tweed!



Part One is Here:
http://ditillo2.blogspot.ca/2018/01/the-press-al-murray-1954.html


Doug Hepburn

Ronald Walker




THE TWO HANDS PRESS, PART TWO
by Al Murray

Now let us go back and observe the important points of the correct starting position at the shoulders. The bar should be supported as much as possible by a high chest, it should be in such a position that when the chin is held in the bar may be pressed vertically.

The hip joints should not be vertically over the ankle joints but instead they should be eased slightly forward so that that the bar, hip joints, and insteps are in line

The chest should be held high so that the dorsal spine is in extension, this is also favorable to the pressing muscles, for any anatomist will explain that a muscle works more efficiently when it is working from a static and fixed origin.



Another point, when the bar passes the top of the head, commonly known as the sticking position, the lifter normally gives way at his weakest point and this is nearly always the dorsal spine. If you do not assume the correct technical position in pressing and believe in the old-fashioned idea of getting heavy weights up anyhow in training, you are robbing yourself of the chance to develop power in the dorsal region by failing to make use of the strong dorsal muscles. [generally, any muscle contained within the region posterior to the spine and ribs, and no more lateral than the lateral-most edges of the erector spinae muscles.]

You are also neglecting a very important quality necessary in the pressing of heavy poundages, that is Will Power or Discipline. The discipline I refer to is the determination to hold the correct position at all times. It is easy to note a lifter who does not possess this quality. He will often finish his top press with his shoulders practically resting on his buttocks.

The opposite was obvious in Vorobyev's case at the last World champs in Sweden. As he pressed his heavier weights he was fighting not only to get the bar to arms length but to maintain his chest in a high position.  
 - Note: You may be interested in this book:



When a lifter is fully aware of the aforementioned advantages and disadvantages he is then conscious that as his bar approaches the sticking point just above the head he will tend to bend at the dorsal spine. To combat this he should forcibly raise the chest and extend the dorsal spine, fighting the bar vertically overhead, at the same time striving with all his power to keep his chest in this high position (see Figure B). 
Click to ENLARGE 
and read illustration notes

If you are not sure whether you are pressing in a good or bad form, you can test yourself in the same manner as I tested Jan Smeekins of Holland, a wonderful lifter on the snatch and clean and jerk but comparatively weak on the press. With poundages over 209 his position is very dodgy. My own press, as far as poundages are concerned, leaves much to be desired, yet I feel sure if I adopted the folding up procedure of many of our lifters I could do some 20 lbs more than 205. But I should not have the hard neck to discredit the referee's intelligence with such tactics. 

I asked Jan (in order to prove my point that his position was bad) to follow me through this exercise. I took 176 lbs. and brought it to my chest, pressed it to my chin, stopped the bar, then to the nose, pause, up to the eyes, pause, back to the chin, pause, press to the forehead, pause, then completed the press without losing my position. I asked Jan to try this with 170 and he failed hopelessly. 

Les Willoughby has done this exercise with 209 lbs. Ken MacDonald, the Australian middleweight now in the country, greatly improved his pressing position by working hard on this exercise. We have seen Ken do 241 lbs on several occasions, and he is doubtlessly capable of more. 

The purpose of this exercise is threefold: 

1) To teach the lifter to press in the correct position and along the line of least resistance. 

2) This exercise also teaches you to balance the center of your bar, and center of your bodyweight vertically over the center of your base, i.e., the insteps.

3) It also forces the lifter to use the pressing muscles. Instead of bending back into a position where other muscle fibers are used, which are not normally involved in correct pressing. 

Diligent training for technique on the press will reward you with an increased top (max) press, and I may add, you will be surprised at the increase in muscular development and shoulder posture. One of the latest lifters to be rewarded for his efforts is Alan Conway, famous as a Junior Mr. Britain, now an Olympic lifter and winner of the bantamweight class at the recent Maccabian games. [Note: The Maccabiah games are an international Jewish and Israeli multi-sport event].

Alan's press was stuck around 155 lbs. He joined my gym to train for the above games, he proved himself to be an excellent student as he readily assimilated the instructions given to correct his pressing. He was also taught to press as fast as possible whilst maintaining the correct pressing position. This develops the essential quality ofspeed of muscular contraction. To cut a long story short Alan, in the short space of three months increased his press to press to 181 lbs - an increase of 26 lbs. For a small man this is more than a fair reward for his efforts.

Set out to adopt the correct pressing position, keep good positions throughout the press itself.

From time to time include dumbbell pressing in your training schedule, providing you press the dumbbells in the same position as you would assume whilst pressing a barbell.

Some advocate the bench press as an assistance exercise, but many are sadly disappointed as I was, after specializing on the bench press and press on back, until I broke the British record several times without a single pound of reward in the standing press. However, I do believe there are some who do respond. Then there are dozens of top line bench pressers who find themselves extremely weak by comparison when in the upright position. Still, there is little doubt that it is of great assistance to the beginner and the intermediate Olympic lifter as a fundamental power builder.

"Overall Power for Pressing Success" by Charles Smith:
http://ditillo2.blogspot.ca/2008/05/wheres-hepburn-reg-park-overall-power.html

"The Press and Basic Body Power" by Doug Hepburn and Charles Smith:
http://ditillo2.blogspot.ca/2010/03/press-and-basic-body-power-doug-hepburn.html

"Power for the Snatch and Clean" by Charles Smith:
http://ditillo2.blogspot.ca/2008/08/power-for-snatch-and-clean-charles.html

Note - Search this blog (and elsewhere) for more on building basic body power for lifting. This article is mainly aimed at improving form and body position to improve your press, but don't neglect basic power either. By the way, have you tried using modern Westside methods for training your Press? There's so much out there on benching schedules and routines, and a lot of it can be adapted to Press training by anyone with a desire to do so.

Seated pressing with dumbbells and barbell, also the press from behind neck, are very valuable contributions to powerful pressing. Naturally no article on the press would be complete without some information of training schedules, so here goes:

I would like to say a few words of advice to the beginner, so that he will have a fair chance to improve his technique, he is advised to keep his poundages low enough to allow a fair number of sets of five, four, and three, as follows . . .

Let us assume your top press is around 140 lbs.
Start pressing with 90 for 5 or 6 reps
100 x 4
110 x 4
120 x 3
125 x 1 or 2
Drop back to 105 for 4.

For the more experienced lifter the reps must be kept lower to allow him to handle heavier poundages. Example . . .
Top press around 195
Warm up with some light pressing.
145 x 4
155 x 3
165 x 3
175 x 2
185 x 1
Drop back to 160 for 4 sets of triples,treys, threes, dreis, त्रीणि, tats, (দুই).


As a change from dropping back to 160 lbs and doing sets of 3, attempt to press 185 for 3-5 singles. However, it is not wise to keep this up for longer than three or four weeks, as limit and near-limit poundages in training are a great drain on nervous energy.   

There are many, many schedules and variations, but the aforementioned schedules are a good sound base from which to work. Give this technique and training a fair chance and I'm sure you will be rewarded.  



   

Excerpt From Olympic Weightlifting Cues & Corrections - Daniel Camargo (2014)

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Get Your Copy Here:



Daniel Camargo is a 24-year veteran of Olympic Weightlifting. After representing the USA in nine international competitions and setting three Junior American Records, he began coaching and is now a USA Weightlifting International Coach.

In this book, Camargo presents his approach to teaching lifters the snatch, clean and jerk, and provides clear, simple strategies for recognizing and correcting the most common technical errors in the Olympic lifts. 

Contents

Progressions: Introduction
Snatch Progressions
Clean Progressions
Jerk Progressions
Corrections & Cues: Introduction
Corrections & Cues: Snatch
Corrections & Cues: Clean
Corrections & Cues: Jerk
Drills



A small excerpt . . . 


Cues & Corrections

It must be noted that anyone with some level of competency can show another how to perform a snatch, clean, and jerk. What separates coaches is the ability to correct individual errors. I'll take that a step further by saying what separates elite coaches is their ability to train someone over a long period of time while maintaining forward progress. 

No matter the level of experience, practitioners of Olympic weightlifting will always work on their form. Ask elite lifters, and they'll tell you that even at their level they still find ways to perfect their technique. That's not to say they are struggling with their form by any means. It's a matter of tweaking, changing, and, in some cases, returning to a tactic they employ, in order to gain the advantage over their competition.

Cues: we love to find great ones. Cues are words or expressions that elicit a desired physical response from the athlete. Not all cues are literal. In fact, many are figurative. I'm proud of the cues I carry in my arsenal. They come from two unique places: directly from the mouths of athletes, and years of accumulation. My vocabulary of cues took quite some time to develop and they oftentimes came right out automatically. 

Over the years, when an athlete has completed a lift I have asked him or her to describe what it felt like, whether good or bad. I, in turn, use the same words they speak when coaching them. For example, a lifter successfully corrects an error in the snatch and he says he felt the bar was "snapped behind my ears." I'll then use "snap behind the ears" as much as necessary on that one athlete to remind him how to make the bar land. I'll perhaps use the same cue on others to see if they too respond the same way.

The biggest mistake a coach can make is over-coaching, or over-cueing. Too many instructions will cause confusion and in turn slow the learning process down. This section describes the most common errors and my suggested  corrections and cues. This is hardly an exhaustive list, but rather, and, perhaps more significantly, contains the successful cues I have accumulated in my years of experience.  

Some things to think about: 

Video recording and reviewing an athlete's technique is beneficial, especially in slower motion or frame by frame. However, be careful not to use video to he extent where the athlete suffers from "analysis paralysis." Too much exposure to video footage can cause athletes to overthink.

Never use mirrors. The use of mirrors will only slow athletes down. By the time their minds compute with their eyes see, and attempt to send signals to their bodies, the lift should be over. There may be no harm in moving slowly in front of a mirror with a PVC pipe or dowel rod. However, training in front of one during high speed, high intensity attempts will only ruin the movement they may have had otherwise perfected.

Many drills, which are described later in this book, serve dual purposes.

The goal is to feel the movement, not to see or think about it.


Another small excerpt, from Snatch Cues & Corrections

Note: The book has many, many helpful photos included, which are not shown in this excerpt you are reading. 

The snatch, though seemingly complex, is actually simple to conceptualize. There are far fewer moving parts than the clean and jerk. What intimidates people about the snatch is the amount of balance and mobility needed to be highly successful. Moreover, there is a smaller margin of error in this lift versus any other associated with Olympic weightlifting. The snatch is far more about precision whereas the clean and jerk is more about effort. An athlete can commit more errors in the clean and jerk and still walk away successful compared to the snatch, making it my favorite of the three lifts.


Jumping Forward

This is a big concern, and simply telling the athlete he or she is jumping forward isn't enough. Determining exactly where (or in which phase of the lift) the problem originates is essential. There are three factors, or a combination of any of them, which cause an athlete to jump forward: being forward on the first pull, early on the toes during the transition, or swinging the bar out during the second pull.

Causes

Athletes jump forward because it feels explosive to them. We are all more agile and explosive on the balls of our feet, so we try to rely on them wherever possible, even at the detriment of proper bar path.

Forward Off the Floor (First Pull Forward)

Cues:
 - "Chest up"
 - "Heels into floor" (this is not to mean lean back; keep the athlete in place but have them drive the heels into the floor.
 - "Knees out"
 - "Move hips and bar together"
 - "Sweep back"

Corrections:
 - Lift-Offs (practicing keeping the knees back and out of the way)
 - Snatch Grip Deadlifts (practicing the hips and bar rising at the same rate)
 - Any exercise that will keep the athlete flat on the feet immediately pulling off the floor will be advantageous.


Early Toes Past the Knees

Cues:
 - "Stay on heels"
 - "Delay the jump"
 - "Patience"
 - "Wait on the bar"
 - "No rush"
 - "Get knees back under the bar"

Corrections:
 - Mid-hang high pulls
 - Mid-hang snatch
 - Power position snatch
 - Any snatch from technique blocks that rests the bar at knee height.  

Coach's Tip: As in the first pull, people want to increase velocity so the natural thing to do is shift to the toes, as we are all more powerful and agile there. However, for beginners and intermediate athletes this can cause the bar to travel too far forward when we want them to maintain more weight distribution on their heels. Athletes should perform any exercise that will instill patience and keep them flat-footed a bit longer during this phase of the lift.


Sending Bar Out and Away From the Body in Second Pull

Cues:
 -

And there you have a very small excerpt from the book.
If interested in more, order here:

https://shop.catalystathletics.com/products/olympic-weightlifting-cues-corrections






Mike MacDonald - September 4, 1948 - January 9, 2018.

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Michael James MacDonald, 69, of Eveleth and formerly of Duluth, died Tuesday , January 9, 2018 at St. Raphael Health and Rehab Center in Eveleth.  He was born September 4, 1948 in Duluth to Jerry and June (Wallin) MacDonald.

Mike graduated from Cathedral High school.  He joined the armed forces and served his country as a medical corpsman which included a tour of Vietnam where he received the Medal of Valor for his courage in act of duty.  Mike loved Minnesota outdoor life as well as a passion for weightlifting which he excelled in to a point of setting 36 world records in bench pressing.  Two of these world records still remain unbroken after 40 years.  This inspired him opening a business in Duluth, Macs Gym, and later he went on to invent a revolutionary new cambered bar specific for benching which the sport now calls the “MacDonald Bar”.

Favorite Exercises of Old-Time Champions - John C. Grimek (1976)

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Many Thanks to Liam Tweed! 


Taken From This Issue (June/July 1976) 


Photo Courtesy of Jarett Hulse


Joseph Newman, Original Patent Holder and Inventor of 
The Vinyl Coated Barbell Plate





FAVORITE EXERCISES OF OLD-TIME CHAMPIONS
by John C. Grimek (1976)


Have you ever given any thought as to what kind of lifts or exercises some of the old-timers favored? The truth of the matter is that very few of these old-timers could be classified as "bodybuilders" in the sense that so many of today's weight trained men are. Why? The simple answer is that the men  of yesteryear did not specialize in acquiring or developing their muscles as the majority of weight trainers do. Instead, training was employed to increase their overall physical efficiency or to excel at some particular lift or event.

According to many of the old-times with whom I discussed their training, none would admit that they trained primarily to acquire big muscles only . . . except in the beginning when they first started to exercise. All readily admitted that the degree of muscular development they possessed resulted strictly from the stunts and lifting feats they practiced, and at which they generally excelled. On the other hand, anytime they showed or demonstrated a lift or strength feat it was usually something that they favored, so naturally they were good at it and would list it as their favorite.  

It must be remembered, however, that in those early days of weight training every man who lifted or trained with weights did so because he wanted to excel at some specific stunt or lift, and none, outside of a very limited few, showed any interest in the size or actual dimension of their muscles.

Sandow was one of those few who actually promoted bodybuilding instead of lifting and strength feats, and this probably was the reason why he developed such an impressive physique.

The majority, however, accepted whatever type of development they derived from the stunts or the kind of lifting feats they performed, and for this reason some of these men actually acquired some odd looking physiques resulting from their strength specialty. Take for example the men who specialized in gripping feats. By handling those thick, cumbersome bars and objects their hands often grew huge with powerful looking forearms, which was their outstanding physical feature. 

Others developed into huge, ponderous individuals, acquiring prodigious size, especially those on the continent. But whatever their specialty the muscles that were involved were always superbly developed, and most of the time this gave them an asymmetrical physique. Yet most of these men ranged in physical appearance from just ordinary to impressive.

Conversely, some of these men did realize the value of all-round training and often indulged in it for physical improvement. Men such as Sandow, Sgt. Moss, Gustav Fristensky, Clarence Weber, William Bankier and scores of others were rated tops in the Iron Game of that era. The truth of the matter is that any of these outstanding men could easily rival the contestants of today in any "best built man" contest, but perhaps, and more importantly, these men not only had well-developed muscles but possessed unusual muscle power to match. 

But another worthy citation should be cited; each man always tried to do something to prove that his muscles were not "just for show," but that he could do something with them . . . which is what weight training was all about in those days . . . to be able to do something with their muscles.

Perhaps since Lou Ferrigno was able to compete so well in the recent Superstars event, it is possible that this may begin a trend among bodybuilders and other weight training enthusiasts, just to prove that they can have well-developed muscles and still compete favorably in other athletics. 

In the past, however, we had a number of outstanding weightlifters that were athletically inclined. Unfortunately, competition such as the Superstars event wasn't known then.

In looking back at 50 and more years [written in 1976] of the Iron Game I readily recall some of the outstanding men who were tops in their field and who specialized in various forms of lifting or strength feats. But one man flashes to my mind promptly. That is Sigmund Klein. He was a top-notch lifter in his day and was really one of the first "big lifting stars" that I had the privilege to meet.

During the 20s Sig lifted nearly every week trying to break some kind of record . . . and often did. His picture appeared nearly every month in Strength magazine, which showed him giving some kind of demonstration or trying for records. I followed his career avidly. Although he was a very capable lifter, his forte was pressing - Military pressing. His style was faultless. His body remained rigidly upright, with heels together. In his press only the arms moved, pushing up the weight. He was only a welterweight then, around 145 pounds, but the poundage he pressed was surpassed only by a few of the heavies.

He also held the record in what then was called the "prone" press and what we call today the bench press. The prone press, however, was done while lying flat on the floor and the weight was pulled over the head and onto the chest and, after a brief pause, the weight was then shoved up to arms' length. No arching of the back or lifting of the buttocks was permitted, nor was any drive or collapsing of the chest allowed to get a fast start. In many ways this style was tougher than the present style of bench pressing.

Sig could press over double bodyweight in this style easily, a weight that only some of the heavier lifters could exceed but no one in his class could challenge him. Today Sig is still active but involved only in conditioning exercises, which he does regularly as clockwork . . . and all this as a senior citizen!

He's mentioned to many people that his measurements and bodyweight haven't changed or varied much at all, and that, as you can well imagine, is some kind of a record in itself.

Sigmund Klein

 Click Pics to ENLARGE


Here is Gregory Taper's excellent index of articles on this blog:
It won't include posts beyond that date, but there's a wonderful 17-part series of Sig Klein articles you can easily find the links to from that index, describing some of the high points from his first quarter century in the iron game. 


Then we have that ole powerhouse leg champ, Milo Steinborn. Milo, some may recall, was the first man in this country to squat with over 500 pounds. But squatting with that weight wasn't the toughest part. What made this feat more spectacular is the fact that Milo racked this weight onto his shoulders without help of anyone, and then proceeded to do squats. It's doubtful if any man today squatting 700 to 800 pounds could do 500 pounds in the style that Milo managed. In order to get the weight onto the shoulders one has to sink into a very low squat position, and getting up out of this first low squat is tougher than doing the squat afterwards. Once Milo got up from this first squat he could do several reps without trouble. Only those who have tried this style of lifting know what it takes to do it, and how it feels. It's indescribable! 

Milo still practices the squat, and still has one of the strongest pair of legs around. He handles between 275 and 400 pounds in his workouts, which he does three to five times a week. He's the real "grandpappy" of the old-timers.  

 Milo Steinborn, both photos



And who could forget the ponderous "belly toss" lift of the middleweight lifter Bill Lilly, which is better known by the name of the shoulder bridge? Because of his unusual flexibility, Bill could arch his back (weight across his abdomen) so high as to get it to arms' length without much pushing. He did close to 400 pounds while weighing around 160 pounds himself. In those days, the early 1930s, a few men could handle this weight but only in the deadlift.

Naturally no one ever came close to Bill's performance in this lift at that time, and not very many tried the lift since. It was Lilly's specialty and he was the super champ at it. He did, however, practice other lifts, particularly muscling out weights. He was an exceptional handbalancer, too, but his shoulder bridge was his outstanding feat. 

Note: Bill Lilly is also notable for his muscle control mastery, and published several articles on the topic in the early 1930s.


Another lifter of renown was welterweight Robert Snyder. He could do a bent press with one hand of over 225 pounds, a most commendable performance. We have his interesting story and hope to feature it soon. 

His lifting buddy, Bob Knodle, weighed around 110 pounds but lifted over double bodyweight easily. 

Our own Dick Bachtell, now retired, was lifting at this time and is the only man to win about a dozen consecutive national championships. He was also proficient at one-hand snatching, having equaled and surpassed the world record at that time. A very powerful squatter too, he has legs to prove it, even today. 

Dick Bachtell, above in photo below with John Grimek


 

Ottley Coulter, another fine lifter from the past, and now in his 80s, took to harness and back lifting to emulate the feats of Louis Cyr and Warren Lincoln Travis, both great back and harness lifters a half-century ago. Coulter, who weighed under 150 pounds handled some real tonnage in these lifts, and for his weight and size, it was stupendous.  

Ottley Coulter, circa 1911, and below with a section of his strength publication archive
now part of the H.J. Lutcher Stark Center for Physical Culture and Sports. 
 

With Bob Hoffman


Another man with a flawless physique, at least judging from the picture of him doing a one-hand side press with a spheric dumbbell, was Harry Hall. This picture (see end of article) is one that was used in the Milo equipment advertising and represents one of the best of all time. The action of the lift and the symmetry of his body has gone unchallenged and almost everyone agrees "this was the best." The photo used here is from an old magazine reprint, consequently it is not as impressive as the original print would be, but it does show the magnificent man! 

And who could forget the muscular and shapely Anton Matysek? Matysek was a light-boned man who had the physique of a bodybuilder (see photo at end of article). But he possessed the power of a heavyweight in certain lifts. Of course Matysek came close to being a bodybuilder because he actually did include bodybuilding exercises in his training program . . . and he had the shapely muscles to prove it. He also favored a lot of odd lifts that were popular in his day, and in which he excelled. He was quite a bent-pressing champion and his reverse curl was something else. 

Alan Calvert, in his book, Super Strength

here, sans photos:

shows Matysek reverse curling with a bar that was three inches in diameter. In this lift his arms were strapped to his sides to prevent any arm movement or fast starts. Most men, even today, would have trouble doing anything with a bar of that thickness, let alone a reverse curl!

Matysek Reverse Curling (strapped) - bottom right. 
Click to ENLARGE

Then there was the mighty George F. Jowett, who was editor of Strength for a while. Jowett was a husky looking individual with big arms and meaty hands. He enjoyed all kinds of strength feats and made claims for a lot of records. Nearly 50 years ago (circa 1926) Bob Hoffman asked him to come to York and help him launch Strength & Health magazine. While in New York they trained together and Bob often commented how easily Jowett handled a pair of 50s and 60s in the bentover lateral raise exercise. Bob often remarked that "Jowett was a powerful man." Bob wasn't easily impressed in those days but as he watched Jowett doing the exercise he said, "the mass of his upper back is amazing, and his arms and shoulders are tremendous!" Others who knew the great George F. Jowett readily agreed, which only confirms Bob's observation.

 Milo Bar-Bell Company Ad With George Jowett,


In the early Milo Barbell Company's advertising they featured a group of four outstanding men posing with the training equipment they made and sold. This group of men were all well-developed. None was overly muscles, nor thick and heavy, but each had a superbly developed physique. These four men were: Anton Matysek, Charles Durner, Henry Sincosky and Charles MacMahon. Each was a champion in his own right and these pictures were some of the finest exercise shots of men with any training equipment, before and after.

We had these pictures in our files but so far we have not been able to find them as this is being prepared. And that's the real pity. Only the old-timers will be able to remember these pictures, and perhaps a few others, and that should bring back some glowing memories.


 Charles McMahon, Henry Sincosky, Antone Matysek


Readers of old Strength magazine will remember the husky looking fellow called Arthur Allaire. Art was massively built but impressively shapely. He had powerful looking legs, fine deltoids and massive arms, so he naturally excelled at pressing, especially in the one-hand form. He also went in for some supporting and strength feats but alas, his strength career was short-lived. An accident ended his sparkling career - and his life!

Lurten Cunningham (see photo below), a physical director of the Atlanta Y, was also featured in Milo advertisements during this era. He also had a well proportioned physique with a striking V-shape which barbell men sought to achieve, just as they do today.  

Note: Strength magazine throughout the years of the middle twenties held an annual posing contest and the winner received considerable acclaim. Lurten Cunningham, later physical director at the Athens, Ga. Y.M.C.A., and a writer for this magazine, won the 1925 contest.

Another lifter, Frank Dennis, was fast but he turned his efforts to all kinds of strongman stunts and later, he and a partner put together a great strongman act that would have paid off handsomely on TV or in Las Vegas today.

Anyone who was interested in training with weights back in he 1920s and earlier could not possibly overlook the Nordquest brothers, Joe and Adolph.

 Click to ENLARGE
Courtesy of Joe Roark
For More on the History of the Iron Game visit
Joe Roark's IronHistory forum:






Joe, unfortunately, lost a leg as a young man yet this accident didn't deter him from developing into one of America's strongest men. For years he held the record in the "prone" press, which was only surpassed when powerlifting came upon the scene.  

Prone Press: Joe Nordquest

Photo Courtesy of Jarett Hulse

Nice article by Charles A. Smith on the rules and training of The Pullover and Press on Back:

But strongman Joe Nordquest went in for bent-pressing and actually came close to pressing nearly 300 pounds overhead with one arm in this lift. Imagine the power and balance this man had to expend in order to push this ponderous weight overhead with one hand and supported only by one leg! Sure, Joe had an artificial leg, but who ever heard of an artificial leg providing any power . . . so this lift was truly stupendous. 
His brother Adolph, slightly older, had a terrific physique and was a favorite with sculptors. His forte was the deadlift. In those days only one man could do more, and that was Hermann Goerner, who held most of the deadlifting records then. 

Adolph Nordquest

Here is a letter from Adolph Nordquest to Earle Liederman (1922):
http://ditillo2.blogspot.ca/2008/08/letter-from-adolph-nordquest-earle-e.html

It wasn't until the early 1930s that a young, blocky powerhouse named Walter Podolak (whose story was recently featured in the Jan/Feb issue of Muscular Development) began assaulting the record and brought it up to 600-plus.

Here's that article mentioned:
http://ditillo2.blogspot.ca/2010/07/walter-podolak-fred-howell.html

Walter Podolak Shaking Hands With the Author John Grimek.
Charles A. Smith, center.

This deadlift record stood until powerlifting took hold and, as most other records, this one fell. But when Adolph and Goerner practiced deadlifting a 600-pound-plus deadlift was something, and Adolph pulled up over 700 pounds to his knees but failed to complete the lift. 

Adolph's physique had the muscularity and symmetry of Grecian statuary and sculptors sought his services. In fact one of the most symmetrical back poses ever photographed was Adolph's. This too is missing but perhaps we can reproduce it from a reprint. There's never been another picture taken like it; nor will there ever be. It's truly a classic. 

Adolph formed a stage act with another husky named Otis Lambert. Not to be confused with Joe Lambert. Joe was more of a circus performer and with his wife did many unusual supports and lifts. But Otis was a heavier, stronger man who did a lot of modeling for art schools and artists, but when he an Adolph formed an alliance they had what could be called a "mighty fine act." 

Little need be said about Al Tauscher, the remarkable athlete who is still as active today as he was over 60 years ago. His story was recently featured in the Feb/Mar S&H magazine. 



 Tauscher's training buddy, Owen Carr, was another powerful strongman in his youth. During the time when these two trained together most of the men in that era did so many odd lifts and stunts that they were "hard as nails," and very few if any just exercised to develop muscles. The majority took up training to enjoy better health and to become more athletic and stronger, which they invariably became. Measurements just weren't "their bag" and whatever girths they acquired were the result of the effort they put into "doing their thing" and not merely pumping up to attain these girths.

  
Owen Carr, bottom left.


Many will remember a rugged barbell man who became one of the best wrestlers this country produced. He was Walter Stratton. He grew from a middleweight to a lightheavy and had the power and physique to match. Not too many years ago he accepted an invitation and came to one of Bob's birthday parties and he looks as rugged and impressive as he was 50 years ago. 

Another great old-timer was John Y. Smith, a sailor, who at the age of 60 won the Strongest Man in New England title back in 1926.  Though he barely weighed 170 pounds then, he out-lifted all came to vie for the title. His thing was his fabulous grip. In Oscar Matthes' gym, where John Y. trained, he picked up a pair of heavy, thick-handled dumbbells and walked around the gym with them. It was a feat that he and he alone could muster. His trainer, Matthes, was himself a small (58.7 inches, 107 pounds, circa 1895) but well developed man and because of his fine symmetry the title of Miniature Sandow was bestowed upon him . . . and he lived up to that title.   

An article on Mr. Smith by Tom Ryan:

  
John Y. Smith

An article on Oscar Matthes from Strength magazine:

It was during this time, the 1920s, that a flurry of "train you by mail" instructors came from every which way. However, somewhat earlier a fine wrestler by the name of Abe Boshes (photo below) hired two budding strongmen to demonstrate his chest expanders for him in a window along Third Avenue in New York. These two budding supermen were none other than Charles Atlas and Earle E. Liederman. They showed great promise which Boshes recognized, then as the passing spectators stopped and watched these men exercise with the cables and complimented them on their fine musculature. It was only a  matter of time before each branched out on his own. Liederman got together his own chest expander course and posed for the exercises, while Atlas joined forces with Dr. Frederick Tilney who then prepared his Dynamic Tension system. Both men promptly began making a big name for themselves . . . not to mention the money factor. 

Fatman's Guide to Cable Training:
Check it out, there's plenty of info on the history and training with cables there! 

Besides these two there were many others, and in spite of the vast army of train-you-by-mail instructors, all appeared to thrive. There was Lionel Strongfort [a.k.a, Max Unger], a strongman who claimed to have bent-pressed 312 pounds with one hand and showed a picture of himself doing it on stage. He sold 15-pound shot-loading dumbbells. 

 
Anthony Barker also sold shot-loading dumbbells and barbells, plus a lot of other courses, from keeping super fit to eradicating dandruff. Barker, however, outlasted all of his competitors. He died at the age of 106! And that's a tribute to his way of life.



Anthony Barker.
Eradicating Dandruff? 
BIG THANKS to John Wood for his Oldtime Strongman Site! 

Also Check Out Kim Wood's IRON LEAGUE website:

Among the advertisers who were then trying to "sell muscles through the mail" were: Harry Glick, who called himself the American Sandow, and Sigmund Brietbart, the only man outside of the Mighty Atom who could bite through spikes and chains. Brietbart was a big fellow and peddled a crusher exerciser but he had an unfortunate accident when he failed to take the usual precautionary measures, and consequently died from blood poisoning.

Then there were Charles MacMahon, Jack Sandow, Michael McFadden, Stanislaus Zbysko, Prof. Titus,Adrian P. Schmidt and several others who flourished. Most of these sold chest expanders, but Schmidt, with the help of Harry Schaffran, who recently passed away, got together a leverage machine that was different and very effective if used properly. [Plenty of names there to find out more about!]

In those days everybody wanted to get into the act - and did! But there was little variety among their training systems [sound familiar?], and it was about this time that the York Barbell Company offered its training courses and barbells, and it's the only one that continues to flourish for the betterment of the Iron Game.


Otto Arco was another powerhouse who became one of the first in the world to lift over double bodyweight overhead. He was a fine athlete, who competed in lifting and wrestling. Later he and his brother developed an outstanding balancing act and toured around the world to much applause. Although he only outweighed his brother by a few pounds, he handled his brother with apparent ease in some of the most difficult stunts you ever thought possible.



 Otto Arco Video here:

After retiring from the stage he continued to train and did handbalancing to keep himself fit and flexible. His favorite was something he called the "neck roll," a unique exercise that kept his arms, shoulders, back and especially his neck in marvelous condition. When he was in his mid-60s he often came to Bob Hoffman's birthday shows and when asked if he would give a demonstration he never hesitated. Even at this age he looked super fit and was a hard man to equal in ability or development. 

 Bobby Pandour immigrated to this country with his brother about the same time that Arco did, and promptly fashioned an interesting stage act. Pandour had a terrific physique, and his legs were especially outstanding. He was constantly asked what he did to develop and keep his legs so muscular. The information he gave, although Otto Arco supplied me with the information, was that Pandour rarely ever used the elevator to reach his hotel floor. Instead he would sit his brother on top of his shoulders and then run up the stairs, taking two and three steps at a time. This provided him with all the leg work he needed, while keeping his hips form and muscular, not to mention the cardiovascular system, which also got ample exercise. 

There are many more fine old-timers who served as inspiration to many of our present day barbell men, but it would take volumes to cover than all. But we cannot forget Clevio Massimo, a powerful looking wrestler and strongman with a physique that you would always remember once you had the privilege of viewing it. 


Clevio Massimo, above, center, and below

 From Bookfinder:




 The Mighty Atom, Joe Greenstein, cannot be forgotten either. This mighty mite was a combination of power that made him a giant among his contemporaries. 



The time I first met him was at a marketplace in my hometown where he and another strongman, Sailor Jim White, were giving their spiel. I kept my eyes on both, but of the two, the Atom impressed me more even though Jim White was twice the size of the Atom. How well I remember watching the Atom bend bars, twist horseshoes, and then bite through spikes and chains. I shuddered at this chain biting as I watched in disbelief. It wasn't until after I came to York that I again got the opportunity to talk and discuss many of the strength feats that he and others did. This was during one of his appearances at the famous York Interstate Fair. He knew then that we didn't believe that he could bite those nails and chains. So one year he came to the old barbell club building on Broad Street and offered to bite through any spike we could produce . . . and he truly did! The first spike took longer because, as he said, it takes to first spike to numb his teeth and gums, but after that he can apply even stronger pressure and bite through any steel easier. There was no question about his ability to chew through steel. We saw this at close hand, and it was our own spike, no one doctored or tampered with it. In fact when he was 85 years of age he made a point to come down to the York gym one Saturday to bite through what he said would be the last nail he was going to bite. He did. The bitten nail is still on display in the York Weightlifter's Hall of Fame.

Check out this Mighty Atom Video:
https://www.kickstarter.com/projects/2035295057/the-mighty-atom
And here, find out about The Mighty Atom documentary now available to view:
This compelling passion project turned documentary from writer-director Steven Greenstein tells the extraordinary life story of his grandfather, famed Strongman Joseph Greenstein, also known as “The Mighty Atom.” Born with tuberculosis and expected not to live past his teens, he went on to become one of greatest and most unlikely Strongmen in history, overcoming insurmountable odds and harnessing the power of his body and mind to achieve the impossible. Available on iTunes, Amazon and Google Play on November 14th.(SDG Films)
Early Photo of Greenstein 
Get This Book!

But this man did a lot of other unusual strength feats. At one time he held back a plane with his teeth, a mouthpiece that fitted into his mouth to which was attached a chain . . . then this chain was attached to the rear of the plane, preventing it from taking off. At another time he pulled several trucks and cars on the streets of New York, attached to his hair! A metal type of comb was entwined in his hair from which a rope emerged and was tied onto the vehicles. He then strained enough to get the vehicles moving, and once they moved they rolled along under his pulling power. For a man his weight and size he had what it takes in abundance, and no one was ever disappointed in any of the strength feats he did or demonstrated. They were genuine. 
Everyone wonders, at this point, what the next 50 or 100 years will bring in the way of records . . . or for that matter, what the next quarter of a century might turn up. But the way records are being broken even the next decade should be astonishing. I only hope that many of us will still be around to see it. In any case, More Power to all the Men of Might and we hope records continue to build up over the next century! 

Clockwise From Top Left:
Anton Matysek, Lurten Cunningham, Abe Boshes, Harry Hall.
Click to ENLARGE  

 



       















Not So Complex Gains, Parts One and Two - Jon-Eric Kawamoto (2017)

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More by Jon-Eric Kawamoto:









Not So Complex Gains, Part One
by Jon-Eric Kawamoto

The most intricate program in the world won't do jack for your physique if you approach it with half-assed intensity and focus. 

To improve your training efficiency and keep your intensity high, select basic exercises that give you the highest return on investment in terms of muscle recruitment and efficiency of movement, and limit your rest time to keep our heart rate elevated. Employing a barbell complex training method will cover all of that.

Made popular by strength coaches Istvan Javorek and Dan John -


 - a complex, done with one piece of equipment, usually a barbell, a dumbbell, or a kettlebell, is a style of circuit training where several exercises are performed in succession without resting. 

For example, you can perform 8 reps of barbell rows, followed by 8 front squats, and 8 overhead presses. Not only will this flood all your major muscles with nutrient-rich blood, but you'll also be gasping for air. Since you're only using one piece of equipment, you won't have to worry about another trainee interfering with your circuit.

They're also diverse. If you don't have access to or don't want to use a barbell, you can use dumbbells, sandbags, kettlebells, and medicine balls. 

Finally, complexes can be tailored toward different goals, since they're more of a template for how to lift. 

Not sure where to start? 

No problem.

In Part One of this two part feature, we provide you with a road map for structuring your own complexes and then outline three to try, depending on your training goals. 


Create Your Own Complex

1) Determine your goal - 
Figure out whether you want to focus on hypertrophy, strength, endurance, or athleticism. This will help you determine how many reps and the types of exercises you should choose.

2) Get into the flow - 
Be sure to arrange exercises in an order that allows a smooth flow from move to move. For example, the back squat flows nicely after an overhead press, but not so much if it's performed after a bentover row. For a full-body workout, include an upper body push, an upper body pull, a lower body push or a lunge, and a lower body pull. And be sure to order them wisely.

4) Begin each complex with a naked bar to warm up - 
Add weight slowly until the weakest exercise feels challenging. Then begin your working sets. Leave your ego at the door. Complexes are not so much about how much you can lift but about the consistent flow from exercise to exercise and total work performed in each workout.

5) Progress smart - 
Once you're comfortable with your form and can stick to the 90-second rest interval more easily, add 5-10 pounds to each workout. Choose only one mode of progression every three to four weeks.  


Sample Complexes

Hypertrophy, Upper Body: 

Complete 4-6 rounds, resting 90 seconds between rounds.
1A) Bentover Row, 12 reps
1B) Upright Row, 12 reps
1C) Overhead Press, 8 reps
1D) Barbell Curl, 8 reps
1E) Close Grip Barbell Pushup, 12 reps
1F) Bentover Row Isometric Hold, 15 second hold. 

Hypertrophy, Lower Body:

Complete 4-6 rounds, resting 90 seconds between rounds.
2A) Conventional Deadlift, 8 reps
2B) Romanian Deadlift, 12 reps
2C) Front Squat, 8 reps
2D) Good Morning, 8 reps
2E) Back Squat, 12 reps
2F) Alternating Reverse Lunge, 8 reps per leg.

Full-Body Endurance

Do 4-6 rounds, resting 60 seconds between rounds.
3A) Bentover Ros, 15 reps
3B) Romanian Deadlift, 20 reps
3C) Barbell Thruster, 15 reps
3D) Forward Lunge, 12 per leg
3E) Alternating Lateral Lunge, 12 per leg. 




Not So Complex Gains, Part Two
by Jon-Eric Kawamoto

 In Part One last month we provided the road map for constructing your own complexes - that is, four to six exercises performed in succession using one tool, like a kettlebell, barbell, or dumbbells. Then we outlined three barbell complexes as examples for you to try, focusing on hypertrophy (in your upper and lower body) and then muscular endurance. 

To round out Part Two, we give you two more sample complexes to try - one aimed at building strength and one for improving your athletic prowess. 

If you followed along last month, at this point you: 

a) should be used to performing multi-joint movements with no rest in between, and
b( can maintain perfect form as you reach the brink of complete exhaustion.

Which is a good thing, because these next two complexes are no cakewalk. For starters, the rep count will be lower for the strength routine, meaning the weight will be heavier. There's a reason most powerlifters rest upwards of three minutes and longer after a heavy set of squats or deadlifts, so be prepared to feel fried after just one or two rounds. 

As for the second complex, all the moves are dynamic. You won't just be squatting, you'll be doing jump squats. And forget upright rows. Instead, you'll be performing full-on clean high pulls. The point is, workout No. 2 will demand some serious focus and stamina. But, in the end, neither of these is too complex . . . just difficult! So, are you ready? 

Note: The weight in each complex doesn't change, so select the load based on your weakest link. Chances are you can row a lot more than you can push press. 

Feel free to sub in moves similar to the ones in the sample complexes. Just make sure that the order allows for a smooth transition. 


Sample Strength Complex

Do 5 rounds, resting 90 seconds between rounds.
1A) Pendlay Row, 6 reps
1B) Power Clean, 5 reps
1C) Push Press, 5 reps
1D) Split Squat, 6 per leg.

Sample Athleticism Complex

Do 5 rounds, resting 90 seconds between rounds.  
Note: For the jump squat, you're not trying to set a vertical jump record. Rather, focus on landing softly and being rhythmic.

1A) Back-Loaded Jump Squat, 8 reps
1B) Power Jerk, 5 reps
1C) Hang Clean, 3 reps
1D) Clean High Pull, 5 reps
1E) Romanian Deadlift, 8 reps.




 



















Winter Size and Strength - Andrew Gutman and Anthony Presciano

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Not Taken From This Issue
But the two magazines are definitely connected.

From This Issue (October 2017)


More by Anthony Gutman:

Workout by Anthony Presciano



Many lifters prioritize size gains during the winter months. It makes sense. Chillier temps and added layers of clothing make it an ideal time to consume more calories and adjust your lifts to add muscle. 

Unfortunately, achieving success involves strategic planning. Otherwise, you risk blowing up your waistline, not your biceps.  Without a plan of attack, it's easy to get lazy as the weather gets colder. But your nutritional goals must be prioritized or you won't achieve your goals, or even worse, you'll have to combat unwanted weight gain. 

To add strength without acquiring a spare tire, Step One is to start counting your calories. Yeah, it sucks, but apps like FatSecret make it slightly less annoying. Aim to consume the following per pound of body weight: 

14-19 calories
2 grams of carbs
1 to 1.5 grams of protein
.4 grams of fat.

If you're dropping or gaining too much weight, subtract 250 calories' worth of carbs and reassess. Remove cheats until you've found the right balance, then strategically (and occasionally) work them back into your meal plan.

Pair that eating plan with this routine created by former bodybuilder and all-around savage Anthony Presciano and you're programmed for success. Presciano's meat and potatoes approach helped him knock out 495 pounds for 2 reps on the bench press, overhead press 315, and deadlift 675 for 3 reps. 

The plan is tough but not complex. All you need is a barbell, a couple of machines, a Swiss ball, and dedication. Think you can handle that? 


Mass Gain Rules

1) Your first set should never require a spotter; your last set should.

2) Strictly adhere to the rest times. The idea is to eliminate as many variables as possible from this program, and resting longer or shorter than prescribed will vary your level of energy for each set, workout to workout.

3) You'll follow a two days on, two days off schedule, training on Day 1 and Day 2 an taking day 3 and Day 5 off, and then repeating the cycle. This is not a traditional seven-day split.

4) Steady cardio or HIIT can be thrown in on off days. 

5) Eat big. This is not a get lean workout plan. Your food intake should reflect your activity levels. These workouts can last up to two hours. Make sure you're consuming enough calories - between 3,000 and 4,000, in the form of many small meals - to keep your energy high. 


How to Progress

For this program you'll be using the RPE (Rating of Perceived Exertion) scale. It sounds fancier than it really is. A rating of 1 means that if felt like you could have performed another 9 reps, while a 10 means that you couldn't have done another rep if your life depended on it.

For the last two sets you should be using a weight that has you at an RPE of 8-9. When that weight starts to feel like a 6-7 rating, add 5 pounds - or less if you have half-pound or one-pound plates. Small progression is safe, long progression. 

However, Presciano also urges you not to push it too hard. This program is meant to challenge you, not break you, so if you want to stick with pretty much the same weight for the entire program, that's cool too. You'll still grease the groove with your lifts, in regards to mastering the form of the movement. And once you become efficient at moving the weight, the pounds will start to pile on.

for novice lifters, take one set off everything for the first 8-day cycle. "Back in the day," there were workouts so excruciating that we would do only 2-3 sets of the last few exercises."    


Day One

Barbell Bench Press, 5 sets of 6,5,4,3,2. 120 seconds rest between sets.
Incline Bench Press, 4 x 8,6,4,3. 60 secs rest.
Weighted Dip, 4 x as many reps as possible (AMRAP). 60 secs rest.
Overhead One-Dumbbell Two-Hand Extension, 4 x 8, 60 secs rest.
Barbell Overhead Press, 4 x 10,8,6,4. 90 secs rest.
Seated Dumbbell Press, 3 x 8,6,5. 90 secs rest.
Barbell High Pull, 4 x 10. 60 secs rest.
Dumbbell Shrug, 4 x 8. 60 secs rest.
Swiss Ball Jack Knife, 4 x 15. 60 secs rest.
Plank, 4 x 30 seconds. 30 secs rest.   


Day Two 

Bentover Barbell Row, 4 x 10,8,6,4. 60 secs rest.
Pullup, 4 x 15. 60 secs rest.
Close Grip Front Pulldown, 3 x 10. 60 secs rest.
Barbell Curl, 4 x 10,8,6,4. 60 secs rest.
Hammer Curl, 4 x 6. 60 secs rest.
Back Squat, 5 x 10,8,6,4,3. 120 secs rest.
Hack Squat, 4 x 8. 60 secs rest.
Stiff-Legged Deadlift, 5 x 10. 60 secs rest.
Seated Calf Raise, 10 x 10. 60 secs rest.
Run in Place, 4 x 30 secs. 30 secs rest.

Excerpt From "The Rep Goal System" - Steve Shaw (2014)

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Get Your Copy Here:

More Articles: 

More by Steve Shaw:



Who This Book Is For

This is not a book for advanced lifters. The Rep Goal System is designed to help struggling trainees get on track and make better progress, and to assist intermediate lifters with refining their training and improving weak, undersized and lagging body parts.

Make no mistake about it . . . this is not the only way to train. There are many ways to progress in weight. With that said, I believe the Rep Goal System to be one of the most efficient ways to spend your gym time. After all, if you never waste a set can there be much lacking with your training? 

The programs contained in the book are merely examples. They are not the only way to utilize the Rep Goal System. The Rep Goal System is a tool. Use it where you need it.

Table of Contents
Chapter 1 - An Overview of the Massive Iron System
Chapter 2 - Maximize Every Set, Maximize Results
Chapter 3 - Massive Iron Pillars of Success
Chapter 4 - The Prime Directive
Chapter 5 - Massive Iron Training Guidelines
Chapter 6 - The Rep Goal System
Chapter 7 - Massive Iron Workouts
Chapter 8 - Massive Iron Novice Program
Chapter 9 - Massive Iron Beginner Program
Chapter 10 - Massive Iron Gains Programs
Chapter 11 - Exercise Selection
Chapter 12 - Frequently Asked Questions

A Small Excerpt From Chapter One: An Overview of the Massive Iron System

This book is for those of you that want to build as much muscle and strength as possible. It is not a bodybuilding or powerlifting book per se, but rather a collection of principles and tools that are meant to help the average lifter exceed their goals.

Consider it a base building book.

Should you decide you want to enter competitive bodybuilding, this book will help you build a muscle base. Should you decide to become a competitive powerlifter, this book will provide you with the strength base you need.

If you simply love training and want to get as big and strong as possible for the heck of it, than this is a book for you. Keep reading.

My Main Philosophy: Maximize Sets

i don't believe in wasting sets. What's the point in going to the gym if you aren't chasing progress? A set without a goal; a set lacking maximal effort is simply a calorie burning movement that might create progress.

We are not hitting the gym to burn calories. I don't care how much you sweat during a workout. I also don't care if you "destroyed" yourself in the gym. Neither of these are a good indication of a quality muscle or strength building workout.

Your main goal is progress. If you sweat while chasing progress, so be it. If a muscle is destroyed while seeking progress and you are sore for days, so be it.

Progress. Progress. Progress. Progress is your only goal while building a base.

To reach this goal you will focus on one thing, and one thing only - never wasting a set. By maximizing every set of a training session, you will leave the gym knowing that you did everything you could to ensure progress.

When you maximize sets, you maximize workouts. When you maximize workouts, you maximize results. It's really as simple as that.  

This is not a book of magic secrets. Instead, it is a book that boils away the nonsense, leaving you with the mechanisms that truly drive gains . . . 


A Small Excerpt From Chapter Six: The Rep Goal System

 
 . . . The Rep Goal System is my tool of choice for novice to intermediate lifters. It allows you to focus on the most important aspect of your training - PROGRESSION.

The premise is simple: maximize every set. By doing so, you maximize workouts and progress. You leave nothing on the table, and exit the gym knowing you gave it everything you could on that given day.

 . . . The Rep Goal System tells you exactly how hard to push a set, and when to add weight. It ignores arbitrary set and rep schemes that sound good on paper, and instead provides you with parameters to work within so you are free to perform up to your potential on that given day.


Understanding Rep Goal Sets and Reps

Here's how it works. For each exercise you will see listings for:

1.) Total sets
2.) A rep goal total

For example, a chest workout might look like this:

 - Bench Press - 3 sets, 25 rep goal total
 - Incline Dumbbell Bench Press - 3 sets, 25 rep goal total
 - Pec Dec - 3 sets, 35 rep goal total

Sets - sets are sets. Each set is a group of reps, all sets should be worked for as many reps as possible. Only stop the set when:

 - You feel like you may fail on the next rep.
 - Your form starts to dramatically deteriorate.

The is no need to train until failure. Progression is the driving force for gains, not failure. If failure happens, so be it. It's not the end of the world. Just don't chase after it as a goal.

Rep Goal Total: A "rep goal total" for a given exercise is the goal for each of the sets combined. It is NOT reps per set.

Once you reach a rep goal for a given exercise, it's time to add weight. The next time you perform this exercise add 5 pounds to the bar, or 5-10 pounds to the machine stack.

So, looking at the bench press example above, let's say you hit the gym and perform the following reps for your 3 sets:

 - Set #1 - 200 pounds x 10 reps
 - Set #2 - 200 pounds x 8 reps
 - Set #3 - 200 pounds x 7 reps.

Adding up the reps, you find you reach 25 total (10 + 8 + 7). Because this was equal to, or greater than your rep goal, you will add weight the next time you perform this exercise.

What happens if you fail to reach the rep goal for a given exercise? You simply try to improve the next time you perform the lift. It's really as easy as that.


The Rep Goal Isn't Magic

The rep goal for an exercise isn't magic. Progression is.

If you find that a certain exercise feels better with more reps per set, increase the rep goal total by +5. If you feel you are performing too many reps on average, drop the rep goal by -5.

This isn't going to change results. You will still be maximizing every set, and progressing as quickly as possible.

Trust your own judgement and make changes as needed. Just don't mess around and keep changing the rep goal total for an exercise each week. Once you find something that works, ride it and focus on progress.

Messing around is a game that slows gains. Make intelligent changes when needed. Evolve your training when appropriate.




And there's a small taste of the book, just a few short excerpts, just enough to give you an bare minimum idea of its content.  









 
 












Joe Nordquest and His World's Record Lift - Alan Calvert (1915)

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ARTICLE COURTESY OF THE LATE AND GREATLY MISSED 
REUBEN WEAVER. 


 Taken From This Issue (March 1915) 

Note: It's worth knowing that Joe Nordquest lost his left leg below the knee at age six. He performed all his lifting and set records while wearing an early 1900s style prosthetic. Enjoy your lifting! 

And now, to the article . . .



Away back in 1890, Eugen Sandow made his debut in London. A young man, unknown in England, but with a European reputation as a wrestler and lifter, Sandow amazed London with his superb symmetry and his sensational strength feats.

The first thing that gained Sandow lasting fame was a lift of a 250-pound Bar-bell from shoulder to above head, with his right arm. This broke all existing records, and was hailed as a thing almost incredible. Athletic authorities solemnly discussed whether it was possible for human strength to achieve such a feat, many athletes contending that it must be a fake, that no man alive had strength enough in his right arm to push 250 pounds aloft.

A few months later Sandow lifted in the same manner as before a bar-bell weighing 271 pounds. England fell under his spell. Lifting became a favorite sport, and English amateurs are still striving to eclipse that old record. A few professionals - mostly men much heavier than Sandow - succeeded in lifting more than 271 pounds, but no amateur in England, Europe, or anywhere else ever officially reached the 250 mark until on Saturday, March 20th, 1915, the feat was accomplished by Joseph Nordquest, 21 years old, and of Ashtabula, Ohio.

In the January issue of "STRENGTH" I stated that many of my pupils had cast envious eyes on Matysek's record of 222 pounds. Just as the January number was issued Matysek raised his mark to 238 pounds, but I felt that even at that mark his crown did not rest securely, and advised him to train for further improvement.

In February I received dozens of letters from advanced pupils, telling me of their lifts.

Among them was a startling communication from a Joseph Nordquest, who modestly stated that he could press aloft over 250 pounds with his LEFT arm, and in support of his claims he sent me two photographs, which showed that he was a young man of tremendous muscular development.

Being deeply interested in such a phenomenon, I wrote Nordquest and asked him how he had gained his strength. He replied that he had developed himself with an old MILO Bar-bell, which was the property of an older brother. I searched my records and found, sure enough, that ten years ago I had sold a bar-bell to this brother, and that the said brother was famous several years ago as one of the finest living examples of manly strength and beauty of form. More of him later on; we are now concerned with Joe Nordquest, the present amateur title holder.

I wrote Joe, telling him frankly that I had never seen anyone - amateur or professional - lift 255 pounds aloft with his LEFT arm, and asking him how long he would have to train to be able to duplicate the feat in my presence. I half anticipated a reply saying that six weeks or so were necessary that at present he had a sore shoulder, etc., etc. But no indeed! Joe avowed that he could lift 255 pounds any and every day in the week, and if I was in the neighborhood of Ashtabula to stop off and see him and he would prove what he said.

Business calling me west in March, I notified Joe to expect me on the 20th. I arrived at Ashtabula at noon on that day, but as I had not named the road on which I was traveling, Joe was not on hand to meet me. Inquiry soon convinced me that I would have no trouble in finding him. Ashtabula is a fair-sized town, but apparently everyone there knows Joe Nordquest, and I soon located him.

The news of Joe's attempt for an official record had spread, and a couple of hundred of his neighbors  and friends were present to see the event. Everyone wore an interested expression of pleased anticipation; there seemed to be no doubt in anyone's mind that the visitor (yours truly) was to be convinced that Ashtabula harbored a champion lifter. The afternoon was pleasant; a chill wind was blowing off Lake Erie, but the sun was strong and the ground spongy.

There were a few preliminaries; the scales were brought forth, together with the certificate of inspection. I further tested them and found them to be exact.

Joe elected to "warm up" by making a preliminary press with 230 pounds - a feat which he accomplished without very much effort. He threw a coat over his shoulders and for a few minutes discussed with me his style of lifting, then he tossed off his coat, and refusing all assistance, he increased the weight of the bell to 255 pounds. Swinging it to his left shoulder with both hands, he let go with his right hand and started this marvelous press.

Slowly he bent his body over, balancing the enormous weight securely in his left hand. His expression was one of grim and relentless determination. The huge muscles of his arms and back stood out like ridges of steel. He made a supreme effort, and straightened the left arm, and then slowly and cautiously stood erect with the bell.


I had cautioned him that he must hold the bell aloft while I counted two. As soon as he was perfectly erect, with the arm straight and stiff as a poker, I counted: "One -- Two!" and he then stepped backward and allowed the bell to fall and embed itself in the soft ground. The witnesses applauded Joe as he lugged the weight to the scales. It weighed exactly 255 pounds; and a subsequent weighing proved that Joe himself weighed 168 pounds stripped.

Congratulations were in order - and also questions as to the training program. Of the latter there was little to be said. An enthusiast on heavy dumbbell exercise, Joe had trained regularly during his nineteenth and twentieth years. In 1914 he had trained but little, but the account of Matysek's lift had fired his ambition anew, so he started to train again in February, 1915, and had actually lifted 255 pounds for three consecutive days previous to his public trial.

Apparently the necessity of saving his strength never enters his head - he has so much of it that he spends it prodigally. For example: After the bell had been weighed, he asked me if I had any objection to his trying for a record lift in the wrestler's-bridge-position. On finding that I was eager to see an attempt, he sent for a small, square cushion, which he placed by the center of the bar-bell handle. Grasping the bar with both hands, he leaned over, placed his head on the cushion, and threw a neat head-spring over the bar, bringing himself into the bridge position.

He pulled the bell to his chest, and slowly forced it to arms' length. I counted "One!", but before I reached "Two!" Joe, who had not understood, hurled the bell back to the ground. We were both disgruntled; I, because I had not fully explained, and he, because he had been so quick. But it made little odds.

Without a minute's pause, he again threw himself into position; again lifted the bell across to the chest, but as he pushed the bell upwards the cushion slipped to one side, and his head slid along the muddy ground. I was horrified - it was enough to sprain his neck severely, but the mighty arms supporting the bell held it securely aloft while their owner came to full stretch on his back. He then got to his feet and ruefully examined a groove an inch deep which his head had cut in the ground, while his kind friends "joshed" him. Evidently a "Strong Man" must expect no sympathy.

We fastened the cushion in place, and for the third time in five minutes the big bell was lifted across to the chest and forced up until the supporting arms were straight. I counted "One -- Two!", and Joe, determined that there should be no mistake this time, himself calmly went on "Three -- Four" -- and so on up to Ten; then he stood up and grinned.



The pictures showing the bar-bell in use will give you a good idea of Joe's "form" in lifting, but not a very good idea of his tremendous development. Between lifts, and while the photographer was changing plates, Joe gave quite an exhibition of Herculean balancing and acrobatics.

His younger brother (Charles) who weighs 175 pounds, was called into play as a human dumbbell and was lifted by Joe in a various number of positions.

Calling to mind the prevalent idea that "Strong Men" are slow and "muscle-bound," I carefully watched for any signs in this case -- and I can assure you that Joe Nordquest has greater flexibility of muscle and joint than 999 men out of 1,000. He can bend his wrists further than anyone I ever saw, and his shoulder muscles possess apparently the very maximum of flexibility.

One thing I can solemnly affirm: he can, by mind control, do things with his shoulder and back muscles that I have never seen equaled. His nicety of balance is remarkable. He will stand on his hands and "dip" till his chin touches ground, 20 or 30 times in succession, faster than the average physical culturist will dip when lying on the floor in the usual position. He can do a "one-hand stand" while holding a 100-pound dumbbell in the other hand.

the bell shown in the pictures is one with 16-inch hollow globes, of the kind I furnish for exhibition work. It was fitted with interchangeable bars. It arrived at the Nordquest residence assembled as a short-handled dumbbell. When the box was opened and the dumbbell rolled out, the expression of the bystanders was one of incredulous wonder. The bell was certainly a formidable looking affair. As a matter of fact, it weighed a trifle less than 200 pounds adjusted as a dumbbell and empty.

Here is where the oldest of the brothers, Mr. Arthur Nordquest, enters the tale. As I have said, Arthur was formerly a heavy dumbbell enthusiast, and had bought a MILO bell from me years ago, but had not done any active training for the last eight years. While the crowd was gazing at the big dumbbell, Arthur stepped forward, grasped it, swing it to the right shoulder, and executed as beautiful a right-hand press as I have ever seen. A moment afterward one of his friends, who had not seen the lift, caught sight of the dumbbell and rushed up and asked Arthur if he could lift it. To please him Arthur lifted it again. Shortly after, to oblige me, he donned an athletic shirt and lifted it twice more, while the photographer snap-shotted him.

He then begged me not to mention his lift, for he had not trained for years, and apparently considered four (4) distinct presses with a bell weighing in the neighborhood of 200 pounds as a mere trifle not worth mentioning.

I feel that I would have cheated my readers if I had left Mr. Arthur Nordquest out of the account. Thousands of physical culturists have been told that if a man develops huge muscles he will go to pieces when he stops training. Pure foolishness! I know plenty of retired "Strong Men" who are just as strong and just as well put together as in their youth. Mr. Arthur Nordquest is still a young man (about thirty), but if I was asked to pick out a man who would be as strong in 1936 as he is today I would select Mr. Arthur Nordquest.

After the lifting was all over, we adjourned to the photographer's studio to secure some "muscle poses" as a souvenir of the occasion. Here I was amazed. For twenty years I have been a close student of muscular development. I have been watching them all pose since Sandow introduced posing at the World's Fair in 1893 -- but this boy, Nordquest, did some things which were new to me. One of them is the pose, Figure No. 8. The others consisted in muscular movements which could not be shown in still poses.

After the posing I measured Joe, at his request. The results were:

Height - 5' 7"
Weight - 168 pounds
Chest (normal) - 44 and three-eighths inches
Upper Arm (down) - 15 and one-half inches
Upper Arm (flexed) - 16 and one-half inches
Forearm (straight) - 13 and three-quarters inches
Forearm (flexed) - 15 inches
Wrist - 7 and five-eighths inches
Waist - 32 and one-quarter inches
Thigh - 25 and one half inches.

By this lift of 255 pounds with left hand from the shoulder Joe Nordquest becomes the holder of the

American and World's Amateur Records for One-Arm Press (either right or left)
American Record for Left-Arm Press (amateur or professional)

and as far as I know to the contrary, the

World's Record for the Left-Arm Press .

Also the American Amateur Record for lifting a bar-bell in the "Wrestler's Bridge" position. (255 pounds)

The mere fact that Joe has been able to lift 255 pounds at will argues that he could do much better if he specially trained. As a matter of fact, 255 pounds was the heaviest weight he had to practice with, but he now has a bell which can be loaded to very heavy weights, and I hardly believe he is going to rest on his laurels.

His "style" of pressing is not quite conventional. In my opinion, he wastes too much strength at a certain stage of his lift. If he changed his style perhaps he could lift more, and perhaps not. There are general rules governing each lift, but every lifter has his own little individual variations which he has adopted, because they seem to favor his particular build.

Rome was not built in a day. Joe Nordquest did not reach the top with a rush. He said that for a long time his progress was very slow. It took him several months before he was able to lift 125 pounds aloft with one hand, but then the persistent exercise seemed to make him grow in strength, and in the space of six weeks he improved his lift from 125 to 175 pounds. Since then, he added little by little to his strength; as his development increased his records mounted -- and now, at the age of 21 years , he is absolutely in the first rank as a lifter, and as a specimen of muscular manhood.

(I have in my possession the certificate issued by the Government Inspector of Scales, at Ashtabula, and also a statement signed by a number of witnesses and sworn to before a Notary Public -- which places beyond all question the genuineness of Joe Nordquest's lifts -- Alan Calvert


 




Arm Specialization - John McCallum (1968)

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Taken From This Issue (September 1968)

Larry Scott





Arm Specialization 
by John McCallum (1968) 

Last summer Ollie and I drove up into central British Columbia. The weather was terrific. We were driving along a winding highway with the car top down and the sun hot on our faces. 

"Man," I said. "This is it. Smell those pine needles." 

"Great spot," Ollie agreed.

I waved an arm towards the mountains. "Look at that country," I said. "Millions of acres of it." 

"And just think," Ollie said. "You can only see what's on top." 

"What's our next stop?" 

Ollie studied the map. "Place called Earl's Cove. We get a ferry there." 

"What time's the ferry?" 

He thumbed through a pamphlet. "Two o'clock." 

I looked at the speedometer and then at my watch. "We'll have about forty minutes to kill when we get there. We'll pop into a pub and have a nice cold beer." 

"Great." Ollie leaned back and closed his eyes. "Earl's Cove, here we come." 

Fifteen minutes later we rounded a bend and I hit the brakes. There was a sign nailed to a tree. It read "Earl's Cove." The road ran down a steep hill to a beat up old ferry slip. There was one car waiting by the slip. Other than the car, there was no sign of life. No houses, no taverns, no nothing.

"Well," I said. "So much for the cold beer." 

"That's for sure," Ollie said. He looked around. "Even Earl left." 

I peered through the windshield at the other car. "Ollie," I said. "Do my tired old eyes deceive me?" 

"How's that?" 

I pointed at the other car. "Look over there and tell me what you see." 

Ollie looked. "I see," he said slowly, "I see a young man sitting on the back bumper of a car parked in the middle of nowhere doing concentration curls with a dumbbell." 

"That," I said, "is what I thought I saw." 

We drove up behind the other car, stopped, and got out. The young man looked up and grinned. Sweat was running off his forehead. His arms looked like barrels.

"Nice day for it," I said.

He put the dumbbell down.

"Keep going," I said. "Don't let us stop you."

"That's okay," he said. "I need a few minutes rest anyway." 

"Sorry," I said. "I didn't mean to stare. It just seemed odd to see someone lifting weights away out here."

"That's all right," he said. "I'm used to being stared at." 

"What exercises do you do?" I asked him.

"I do these," he said. He did a couple of curls. "And this." He did a few triceps extensions to show me.

I pointed at the dumbbell. "Is that all the equipment you use?" 

He put the weight down again. "On, no. I got a regular gym at home. This is just for my in-between days." 

"How do you mean?" 

"Well," I said. "I gotta drive up here three days a week, you see. So I take a regular workout at home on the other days. I exercise everything but my arms. Then, on the on days I'm driving, I exercise my arms while I'm waiting for the ferry." 

"Well," I said. "Nobody'll ever accuse you of wasting time." 

Ollie walked over and admired the young man's arms. "With muscles like that," he said, "nobody'll ever accuse you of anything." 

The young man started curling again, and Ollie and I sat in the shade and watched. Two more cars pulled up and the people got out and looked at the muscles with their mouths hanging open and their eyes sticking out. Finally the ferry steamed up and nudged into the slip. We got back in the car.

"You know," Ollie said. "That's the most amazing thing I've ever seen. Imagine working out under those conditions." 

"The only thing more amazing would have been if he'd been working on anything but his arms." 

There's no doubt that arms are the most popular muscle group with the average bodybuilder. There's also no doubt that very few bodybuilders ever succeed in building the kind of arms they really want. Most of them fail for a couple of good reasons.

One reason is insufficient training for the rest of the body. You can't work just the arms alone and expect really good results. The biceps-triceps combination will never get very far ahead of the rest of the muscle groups.

You must provide stimulation for the arms by using a proper training routine for the rest of the body. Your arms just won't get very big without it.

A neighbor of mine has a boy about sixteen. Last summer the kid decided he wanted big arms. His father got him some weights and he started training. After about six months he came to see me.

"Look," he said.

He had a T-shirt on. He flexed his arms.

"What about it?" I said.

"Not very big, are they?" he asked.

"Henry," I said. "I've seen bigger muscles on extension cords. Now, what do you want?" 

"Help," he said. "I been exercising faithfully for six months now and still ain't got big arms. They get harder," he added, "but no bigger." 

"What exercises are you doing?" I asked him.

"Curls," he said. "And French presses."  

"Good," I said. "And what else?"

"What else what?" 

"What other exercises?" 

"How do you mean?" 

"What other exercises do you do?" 

"None," he said. "Just curls and French presses." 

"That's just for the arms," I told him.

"Certainly," he said. "I don't wanta get lumpy all over like you. I just want big arms." 

I gritted my teeth at him. "Henry," I said. "I oughta put a lump on your head. You'll have to build muscle all over or you won't put much on your arms. It's as simple as that." 

I talked to him for a while, and finally convinced him to add to his program. He added breathing squats, bench presses, and rowing, and his arms grew an inch and a half in the next three months.

Another reason for poor progress is poor nutrition. You are what you eat and there's no getting around it. 

Protein builds muscle. I thought every reader of Strength & Health knew it, but I was wrong.

A fellow came to see me a couple of months ago. He wasn't adding muscle fast enough. I asked him about his diet and he told me.

"That's not enough," I said. You've got to eat more." 

He said he would, and six weeks later he came back.

"Any progress?" I asked him.

He shook his head. "Can't understand it." 

"Are you eating good?" 

"Sure," he said. "I added a meal at bedtime." 

"What is it?" 

Prunes," he said. A great big dish of prunes." 

We're going to specialize on the arms for a while. We're going to bring them to a relatively high state of development. Relative in the rest of your body, that is. 

After the deltoid, pectoral, abdominal combination, are the next most impressive region. Big muscular arms are indispensable to a herculean body. Actually, arms are not difficult to develop if you go at it properly. You can get good results from this program if you want. Give it all you've got and you'll improve your appearance 100%.

Your arm specialization will be complicated by the same problem you had with the deltoid, pectoral, and abdominal program. That is, you don't want to lose any definition. So you won't be on a straight bulk program. Not yet. Every ounce you add will have to be pure muscle. The problem will be to not add any fat at all.

We'll solve the problem like this:

The training for the rest of your body will be geared to maintain definition as well as build muscle. You'll use a modified P.H.A. program and some light running.

Do the following on Mondays, Wednesdays, and Fridays: 

1) Seated Press Behind Neck: 8 reps
2) Squats: 10 reps
3) Chins Behind Neck: 8 reps
4) Twisting Situp: 20 reps
5) Incline Dumbbell Press: 8 reps
6) Calf Raise on Machine: 15 reps

Do the program in P.H.A. style. 

Do six sets of the program. Use a light weight for the first two sets as a sort of warm-up. Use all the weight you can handle for sets three, four, and five. Drop the poundage down for the sixth set to cool off.

As soon as you finish the last set, go for a run. Run about two miles at a nice relaxed pace. You should be able to jog two miles in less than twenty minutes by now. 

Don't neglect the running. It'll keep the blubber off your waist and hips better than all the situps you'll ever do.

Do the arm specialization program on Tuesdays, Thursdays, and Saturdays. Do NOT do the arm work in P.H.A. style. Use the regular set system. Like this: 

1) Curls: 5 sets of 7 reps. Do the curls with a barbell, Use a heavy enough weight so that you have to cheat a bit on the last two reps.

2) Parallel Bar Dips: 5 sets of 8. Keep your body as upright as possible. Tie weights around your waist for added resistance.

3) Incline Dumbbell Curls: 5 x 8. Strict style. Make sure the arms straighten right out at the bottom. Raise your elbows high at the top of the exercise.

4) French Press on Bench: 5 x 8. Use a narrow grip and lots of weight.

5) Concentration Curls: 5 x 10. Light dumbbell. Try to cramp your biceps.

6) Triceps Extension on Lat Machine: 5 x 10. Strict style. You should be able to really pump on this one.

Give the program a real try. Don't neglect your running and don't skimp on the supplements.

Get your arms as highly developed as possible and you'll be in shape for the advanced bulk and power stuff to come. 


Four Golden Era Arm Routines - 1968

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From This Issue (March 1968)




Today psychologists call it the 'Siegfried Psyche', but since time began man has always been idealized as a tower of strength, and the symbol of this strength has been  pair of strong, muscular arms . . . arms 'as strong as iron hands' as Longfellow wrote in his poem The Village Blacksmith. Strong arms, like Siegfried's, which could slay the dragon or pull an embedded sword from a tree.

Throughout history men have pursued sports that demand and produce strong arms: wrist-wrestling, chinning, dipping, rope-climbing, shot-putting and log-sawing. The great bodybuilding champions, with their arms measuring nearly over 20 inches, are today's Siegfrieds. They exemplify the power and development that ranks them far ahead of the greatly admired old-timers such as Cyr, Zbysko, von Turk, and Apollon. Building massive, muscular arms and power in today's Space Age is easy because of the thrust given arm development by exercise techniques and training principles such as burns, quality training, isolation, peak contraction, forced reps, and others.

Each great champion has been inspired by the great champions before him. It is this visual inspiration that has spurred him on to equal or excel his idol . . . and to a man each has been successful. Yet each champion has had his own specific problems, but through the help afforded by other lifters and articles such as this they learned how to analyze their potential . . . how to hurdle individual hazards, and how to choose the most effective exercises and techniques, and the most efficacious ways of following them to reach their avowed goals.


Know Your Strengths and Weaknesses

The most important factor in developing magnificent arms is to know your muscular potential. Which is to say: know your strong points and how to build upon them, and know your weaknesses and how to overcome them and make them strengths as well.

This is what you should do right now. Honestly appraise yourself before a full-length mirror. Study the relation of your height, weight and bone structure with your present muscular appearance and know what you have to work with, and work for. One might simplify this by saying: if you have good triceps from a certain sport, then concentrate more on your biceps; and vice versa. If tennis has given you an extremely muscular forearm and wrist, you now have a most powerful 'lever' to assist you in building a might upper arm. You need do very little wrist-curling or specific wrist or forearm exercises, but instead concentrate most of your energy and time in your workouts on biceps basics and triceps builders.

For example, Sergio Oliva started specializing on his upper arms when he realized that his strongest point was his brachialis . . . from competitive Olympic weightlifting. While his brachialis was outstandingly developed, with a great cleavage which is the hallmark of the competitive weightlifter, his biceps lacked peak and shape, so he went all-out for the exercises which would speed development of this area. Now that he has concentrated on this for some time his arms tape more than 20" and are still moving steadily toward greater size and muscularity.

Rick Wayne had only 11" arms when he began bodybuilding. They just didn't grow fast enough to please him. Larry Scott, although having well-shaped biceps, found his triceps growing too slowly. He devised a routine which would speed their growth and equalize it with the rapid growth-tempo of his biceps. Dave Draper, like Larry, had a seemingly insurmountable problem with slow-growing triceps. As you see, none of these four champions was born with championship arms. Yet each became an 'instinctive trainer' and focused pinpoint concentration on what had to be done first, and from that point turned every weakness into a strength.

So don't be discouraged if your arms have not yet attained the size and shape you desire. By becoming an instinctive trainer you can make every training day a day of discovery . . . progress . . . and be steadily on the road to your goals.

What is an Instinctive Trainer? Simply put, it is the bodybuilder who follows the plan of not slavishly pursuing a prescribed routine that is common the the majority of bodybuilders. While prescribed routines one finds in specific courses are ideal for most beginners, and they will make progressive gains with them, sooner or later the progress will almost stop and they will have to seek other methods to advance their development. They need something special and the instinctive trainer is therefore one who tries many exercises and uses them with many different training principles, to find what works best for him at any given time . . . producing steady gains and giving him the confidence to keep inspiration and enthusiasm at white heat.

Therefore, to help you devise a personal routine best suited to your current needs, I will outline the instinctive training routines of four great champions which will help you understand how they solved their individual arm-building problems. By studying the ideas contained in them, you too may find a more productive way to solve your own current arm development problems.






Sergio Oliva and His Super-Set, Tri-Set 'Burns' Routine

These routines are arranged as follows: 

1) Forearm/Triceps Superset #1
2) Mass/Bulk Superset #2 (with cheating)
3) Shaping/Definition Superset #3 (with burns)
4) Triceps Tri-set (for all three triceps heads)

In these routines Sergio employs these principles:
Cheating
Burns (the addition of half- and quarter-reps at the conclusion of any set of an exercise which acts to produce a tingling 'burn' in the muscles)
Isolation (by which a particular muscle or a sector of that muscle is so concentrated upon that the stress of the exercise works specifically on that part alone).

Here then are the four routines, broken down into their individual groupings, with the exercises, sets, and repetitions for each listed as Sergio performs them. Take what you can from them, alter them where necessary to fit your own needs, but do remember that we are all individuals. 


Superset #1 (for forearms, brachialis, and triceps):

Reverse Curl, 6 sets of 15 reps, 80 pounds, superset with ->
Supine Triceps Extension, 6 x 10-15, 125 pounds. 

The Reverse Curl is begun identically to the Regular Barbell Curl except that instead of the palms facing forward, they face backward. The bar is lifted slowly to shoulder height, and slowly returned. The tension is not felt greatly on the biceps, but mostly on the forearms and the brachialis (that unusual cup-like cushion on which the biceps rest, and which, when fully developed, adds new dimension to the arms). 

The Supine Triceps Extension is the standard exercise, but done in this lying manner the triceps can be isolated strongly . . . the other muscles do very little assisting as they often do when triceps extensions are performed upright. 

In this Super-Set (as in all supersets) you perform one set of the first exercise, then, without pause, do one set of the second exercise. A very brief pause at the end of this combination set, then repeat the entire combination in the same way until fully 6 sets of each exercise have been done. 


Super-Set #2 (for building size in both the biceps and triceps): 

Cheating Curl, 6 x 10-12, 150 or more pounds, superset with -> 
Standing Triceps Extension, 6 x 10-12, heavy weight. 

In the Cheating Curl the weight handled is considerably more than you would use in any other kind of curl. Begin as in the Regular Barbell Curl, but get the heavier weight started by shoving or swaying the hips and thighs. However, as soon as the biceps take over try to complete the curl as strictly as you can. If you must cheat all the way, that is all right, just be sure that you lower the weight slowly, and in strict form, so as to permit the biceps to get a resultant action. This bulks the biceps more than any other type of curl.

The Standing Triceps Extension is the upright version of the triceps extension performed in Super-Set #1. However, this upright position permits you to use a heavier weight, and to cheat somewhat . . . a slight sway or hip-bend which will help you in getting the weight aloft. Return to starting position slowly and ins strict form.

Again, alternate one set of the first exercise with one of the second, Super Set fashion, until all sets have been completed. 


Super-Set #3 (for building maximum shape and cuts in the biceps, with burns):

Scott Bench Curls, 5 x 10-12, 100 pounds, superset with ->
Seated Dumbbell Curl, 5 x 10-12, 50 pound dumbbells. 

In the Seated Dumbbell Curl the dumbbells are lifted at the same time, and when the 10-12 reps have been completed you continue to do hand and/or quarter curls from the shoulder as far down as you can, and up again. This 'burn' is essential for biceps definition. 


Tri-Set #4: 

Triceps Pressdown, 5 x 10, 125 pounds, tri-set with ->
Pulley Triceps Kickback, 5 x 10, 60 pounds each hand, tri-set with ->
Pulley Triceps Extension (one arm), 5 x 10, 60 pounds.

This group brings into play Continuous Tension, as well as Isolation, in such a tri-partite way that the entire three heads of the triceps are vigorously attacked from many angles. 

The Triceps Pressdown works the inner head of the triceps especially. The Pulley Triceps Kickback isolates the triceps and carves out that 'horseshoe' effect. The Pulley Triceps Extension works the outer head very strenuously particularly if the palm is kept facing outward throughout the movement. 

The Tri-Set is performed like a Super-Set, except that there are three exercises in the group. Do not pause until you have completed one set of each exercise without pause between the three exercises. Then a brief rest of about a minute before doing the next Tri-Set.


Words of Caution

This is a very demanding routine for the arms, and one which cannot be followed in the usual three-times-per-week plan, even on alternate days. Sergio works only two days each week with this group of Super-Sets and Tri-Set. Work into it gradually, space it into two days far apart in the workout week such as Monday and Thursday, and on the intervening days do no other arm work.






Dave Draper's Burns-Blitz Triceps Specialization 

Because Dave Draper has had no difficulty in building his biceps to their great size, and because he has had a triceps problem, he has specialized on the triceps, and with the thought that you may have a similar problem you are invited to try this unusual specialization routine which consists of two Super-Sets. 


Super-Set #1:

Reverse Grip Bench Press, 5 x 8, very heavy weight, superset with ->
Pulley Pushdown, 5 sets of high reps, until the triceps really burn.

The Reverse Grip Bench Press is performed like this: lie on your back, grasp the barbell with approximately a shoulder-width grip or narrower, and perform the bench press as you normally do. However, the hands do not face away as they do in the Regular Bench Press, but face backward towards the head, so that the triceps are engaged strongly. Try several hand-spacings until you find the one which will give you the most triceps activation.

In the Pulley Pushdown strict form must be followed, and at the end of each set continue with half and quarter pushdowns from the shoulders, until a great burn is felt in the triceps.

Remember, as in all Super-Sets, perform one set of each exercise . . . then pause no more than 30 seconds . . . and repeat the Super-Set until all 5 have been done.


Super-Set #2:

Seated French Press, 4 x 10, moderate weight, superset with ->
Face-down Pulley Triceps Extension, 4 x 10, with strong pulley resistance. 

In the Seated French Press use a little cheat to get the weight started, then lock out hard at the top. In the Face-down Pulley Triceps Extension use Continuous Tension . . . concentrate strongly on the triceps as the movement is continued, and at the 'end' of the set do some extra 'burns' until the triceps are really fried. 

Dave believes in great concentration on the muscles being exercised. Then, when he has concluded each group of Super-Sets, instead of pausing he uses his rest-pause to practice triceps tension. 

If triceps growth is your problem, you may wish to work them 7 days a week for periods of time. Dave's routine is not extensive . . . but quite intensive, hence you may incorporate it in your regular upper-body workouts without undue fatigue. However, in accordance with muscle priority, the triceps should be worked first in your upper body program when specializing on them. And, always try to force out extra reps in each exercise. Never miss a workout, and be consistent in training. 







Rick Wayne's Pre-Contest Arm Bulking/Shaping Routine

Before I detail Rick Wayne's routine I should explain the very rugged and unique tactic he uses to shock his arms into new growth. He uses what he calls a Super-Super-Set, which is the combination of a Super-Set for biceps alone, followed by a Super-Set for triceps alone. His arm workout therefore consists of 6 Super-Sets for the biceps and 6 Super-Sets for the triceps. 


Super-Set #1 (biceps super-set): 

Cheating Curl, 8 reps, 150 pounds (swing up fast, lower slowly), superset with ->
Close Grip Strict Curl, 12 reps, 120 pounds (slowly up and down, concentrate). 

No rest is permitted after this Super-Set, so Rick goes right into ->

Super-Set #2 (Triceps super-set):

Triceps Pressdown, 12 reps, heavy resistance (slowly, tense extremely) superset with ->
One-Arm Triceps Extension, 12 reps, heavy resistance (slowly, concentrate). 

If any of you do not understand how this Super-Super-Set is performed . . . it is done like a regular Super-Set only there are two biceps exercises to be done, followed immediately by the two triceps exercises . . . with no pause until all four have been completed. 

Perform 6 complete Super-Super-Sets. 


Super-Set #3 (finishing-off super-set): 

Lying Triceps Extension, 12 reps (cheat to get the weight going upward), superset with ->
Alternate Seated Dumbbell Curl, 12 reps (use a heavy weight and cheat to get it going up). 

This finishing-off Super-Set should be done in the usual way until 6 complete sets of each exercise have been done. 







Larry Scott's Routine for Triceps Size and Symmetry

Larry uses this routine in two ways: when he wants to bulk up he does sets of from 5-10 reps with heavy weight; when he wants to get cut he does sets of 12-20 reps, naturally with a somewhat lighter weight. 

He Tri-Sets the exercises given below . . . one set of each exercise until all three have been done, or one full Tri-Set . . . then a brief pause . . . then continuing as before until 8 full Tri-Sets have been done. Larry uses his rest-pause time between Tri-Sets to practice arm flexion. 

Occasionally he likes to do extra triceps work, and he deviates from the basic layout, as in this interesting routine; 

Triceps Kickbacks, 8 x 10 reps (done strict), triset with ->
One-Arm Braced DB Triceps Extension, 8 x 5-10 or 12-20 (as explained above), triset with ->
Lying Barbell Triceps Extension, 8 x 8-12
or 
Horizontal Press, 8 x 12-20. 

The Horizontal Press is easy to do: just do a Military Press while lying on a bench. After the first rep you only need to bring the bar to the forehead each time. 

Often Larry mixes up this group of exercises still more. One day he will do 1 and 2 . . . the next time 3 and 4 or 2 and 4 . . . other times he may use all four as a Giant Set. 

Of all bodybuilders, Larry Scott favors strict form. He is a stickler for doing forced reps . . . never does an exercise without forcing out extra reps. And he is a devotee of the 'burns' technique, which as I explained earlier is the addition to (or continuation of) a set after the full number of complete reps have been completed, by making half and quarter movements of the exercise to generate a terrific burn in the muscles under exercise. Larry uses full concentration, plus a variety of training principles he has explored, including variations of his own. 


To Sum Up

What we have learned from these champions is: 

1) Each had specific troubles in developing his arms.

2) Each had to solve his problems in a way that suited him best . . . thus they are "Instinctive Trainers" and invariably compose their own routines and execute with this in mind. Their earlier experiences with standard exercise procedures had failed to produce the results they desired . . . hence this exploration of new ways and new ideas to bring about the transformation. After you have about six months standard training behind you, you should begin to examine your programs through the light of instinctive training. You must strike out on your own and develop a routine that suits your specific problem(s) . . . that is Instinctive Training. 

Also, it must be forcefully brought out that large arms can be build only after a bodybuilder has packed on weight and gained as much as he needs for his physique type. You can not build big arms with exercise alone. You must beef up your weight. 

You should not begin to practice routines such as these if you are still underweight. Put on some overall bodyweight, not that much is necessary, and then go on to routines that contain arm specialization. 

Underweight individuals, or those tending toward slow weight gains, should not do high-repetition exercises. Instead, concentrate on the heavier movements such as Cheat Curls, Heavy Dumbbell Curls, Bench Presses, Incline Bench Presses, Cheating Triceps Extensions etc. Limit your sets to 5 of each exercise and do about 6 reps per set. You should also try to force out reps when possible, because it helps to add size to your body.

Cheat to get the weight in motion, for the sole purpose of these movements are to help you handle consistently heavier weights in each exercise. Then, when you have gained some necessary muscle bulk you can work for shape, definition, and muscle density. Don't forget: for building muscle bulk handle heavy weights and the reps a bit faster. Only the last rep of each set should be done slowly, and force out reps when you can. 

Now, let's turn the picture. If you are presently too heavy . . . too bulky, you must first knock off weight and bring it down to where you look and feel your best. You must remove inter-cellular fat that hides your definition (you will have a 'too smooth' look, your first cue that you have inter-cellular fat). Sometimes the removal of only a few pounds makes the difference between a too-smooth and an ideal bodyweight. 

Limit your sets to 5, and your reps to 9-12 per set, with little rest between sets, and handling lighter weight, doing the reps slowly and with extreme concentration. It is important that you do the exercises slowly, and force yourself to concentrate through the full exercise motion. Also, so some running.  

  




 

 








The Impressive Areas - John McCallum (1968)

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Originally Published in This Issue (July 1968)


Once upon a time there was an enthusiastic young man who trained very hard weights. He wanted to look like Mr. America - only more so. He took York supplements wisely and he went through all the proper training routines. He bulked up with power training, high set pumping routine, and enough food to supply the British 8th Army. When he began to get a little soft looking, he hardened up with intensive P.H.A. training, running, and the definition diet.

At the end of the first cycle he owned a strong, shapely, muscular physique. Still he wasn't satisfied.

"Something," he said, "is lacking." 

One evening he went into the living room to discuss the problem with his father who was watching "Star Trek" on the television.

"Dad," he said. "I'd like to ask you something." 

His father was crouched on the edge of his chair and leaning tensely forward.

"Dad," the young man said. "You know more about bodybuilding than anyone else I know." 

His father stared straight ahead.

The young man spoke louder. "Sir," he said. "I consider you an authority." 

His father stirred slightly. "Thank you, Mr. Spock," he said. 

The young man shook his father's shoulder. There was no response.

"Sir," he said. "I've got a problem. I train real hard. I get results. But I still don't look good enough. How fast can I reasonably expect to improve?" 

There was no answer. 
"At what speed should I improve, sir?" 
His father looked at him. His eyes were glassy. "Eh?" 
"What speed, sir?" 
"Warp seven, Mr. Suto." 
The young man leaned down and looked carefully at his father for a long time. He turned and looked at the television. He watched it for a while, and then very slowly and without taking his eyes off the screen he pulled a footstool towards him and sat down. They sat side by side in the semi-darkness and watched the flickering figures. Finally the crew beamed back aboard the Enterprise. The ship broke orbit and streaked away. The picture faded and the commercial came on with a burst of fanfare. The young man's father leaned back and exhaled slowly. He looked around. "Hi," he said. "Just come in?"
"Not exactly," the young man said. "I wanted to ask you a question."
"Does it involve money?" 
"No." 
"Okay," his father said. "What is it?" 
"It's about my training," the young man said. "I don't look good enough." 
"You look real good," his father said. "What're you complaining about?" 
"I don't know," the young man said. "I seem to lack something." 
"Take off your shirt," his father said. "Let me have a look at you."

The young man took off his shirt and his father studied him for a moment.

"I know what it is," the father said. "You're ready to specialize on your showy muscles for a while."
The young man stared blankly at him.
"There're certain muscle groups that are more showy than others," his father said. "Generally speaking, they're the areas where untrained people show no development at all. When these areas are highly developed, they look incredible to the average person. The three most impressive areas are the deltoids, pectorals, and abdominals. Develop them to the maximum and you'll look like something from another world." 
"Like in 'Star Trek'?" the young man said.
His father gave him a cold look. "What you need to do now is to specialize on those areas for a short time. It'll transform you from merely looking good into looking sensational." 
"Okay," the young man said. "Tell me how." 
"Work out six days a week," his father said. "Work the specialization areas on Monday, Wednesday, and Friday. Work the rest of your body on Tuesday, Thursday, and Saturday. On your specialization days, do this:
 "Start with seated presses behind neck. Do 5 sets of 7 reps. Use a moderate weight for the first set, a little more for the second set, and all you can handle for each of the last three sets. Use a wide grip and work up into very heavy poundages. Use the rebound style. Don't let the bar rest on your shoulders between reps. Just touch the back of your neck and drive it right up again.
"Next, lay face down on a 45-degree incline board and do dumbbell lateral raises. Do 4 sets of 10 in rigid style. Don't worry too much about the poundage. Hold the position for a split second at the top of the movement.
"As soon as you finish, lay on your back on the incline board and do forward raises with a light barbell for 4 sets of 10. Keep your arms straight and do these in strict style also.
"Your last deltoid exercise is a bit different. You use weights and cables both. Tie plates to the handles of the cables. Then do lateral raises using the weights and cables simultaneously. This keeps tension on your deltoids all the way - from the cables at the start and from the weights at the top of the movement. Work hard and do 4 sets of 10.
"Take a short rest and then start the pectoral work. Begin with incline dumbbell presses. Do 5 sets of 7.  Moderate poundage for the first set, more for the second set, and all you can handle for each of the last three sets. Keep the dumbbells well out to the sides all the time. Use a 45-degree incline and work into very heavy weights.
"The next exercise isn't too well known. You need flying rings suspended about shoulder-width apart. Get into position face down with your hands holding the rings and your feet on a bench or something about the same height as the rings. Bend your arms a trifle. Now, keep your elbows locked in that position. Don't bend your arms any further, and don't straighten them out. Let the rings go out to the sides while your body drops down between them. Now pull the rings together so that your body is levered up again into the original position. Pull the rings together till your hands meet and then squeeze your hands together for a split second. Do 4 sets of 10. It takes a little getting used to, but it's the best localized pectoral exercise. 





"The next exercise is the flying exercise on the incline board. Do 4 sets of 10.

"Take a rest and then do your abdominal work. Start off with incline situps alternated with side bends. Do the situps 4 sets of 25 and the side bends 4 x 50. Do 25 situps. Then 50 side bends with the weight in one hand, and then 50 more with the weight in the other hand. Now another set of situps and then another set of side bends as before, and so on for 4 sets each. 

"When you finish the situps and side bends, alternate high bar leg raises and seated twists. Do 4 sets each, 25 reps for the leg raises and 100 reps for the twists.

"That completes the specialization part. On alternate days work the rest of your body.

"Start with prone hyper-extensions. Do 3 sets of 10.

"Now do your squats. 5 sets of 5. Use the first two sets to warm up on, and go all out for poundage on the last three sets.

"Do a light set of pullovers after each set of squats.
"As soon as you finish the squats and pullovers, go to the calf machine and do 5 x 25 on the calf raise.
"That completes the leg work. Now you do wide grip chins behind the neck. 4 x 8. Tie weights around your waist for added resistance, and try to work up into fairly heavy poundages.
"From there you go to your arms. Do incline bench dumbbell curls alternated with triceps extensions on the lat machine. 4 sets of 8 reps each.
"As soon as you finish your workout, put on a heavy track suit and go for a run. Run about two miles at a nice easy pace.
"Keep your protein intake high. You don't have to cut out carbohydrates completely, but keep them to a minimum. Stick to meat, eggs, cheese, milk, fish, and poultry for the bulk of your diet.
"Take supplements. Vitamin/mineral. some form of oil, and the best protein supplement you can afford.
"Now," the young man's father said. "Do you think you can handle all that?" 
"I'll try," said the young man. "And you figure it'll make me look more impressive?" 
"I guarantee it," said his father. "You'll get mobbed when you step on the beach this summer." 
"Good," said the young man. "Any idea how I can hold off the admiring hordes without hurting them?" 
"Certainly," his father said. "Set your phaser on stun." 



   

 























Ed Coan Interview from "Tribe of Mentors" - Tim Ferriss (2017)

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Ed Coan is widely recognized as the greatest powerlifter of all time. He has set more than 71 world records in powerlifting. Ed's best single-ply lifts are a squat of 1,019 pounds, bench press of 584, and deadlift of 901, for a total of 2,504 pounds. His 901 deadlift was at a bodyweight of 220. Ed became the lightest person in history to cross the 2,400 pound total barrier. 

Note from Tim Ferriss: This profile is a bit different from the rest. Ed is a childhood hero of mine and one of the best lifters the world has ever seen. I couldn't resist asking a bunch of training-specific questions, in addition to this book's tried-and-true set of questions toward the end. 


Tim Ferriss (TF): Were you always good in sports? 

Ed Coan (EC): When I was a little kid, I had no hand-eye  coordination. I had to to go Illinois Institute of Technology at night and wear something like horse blinders because I couldn't even bounce a ball. I was really little. My freshman year in high school, I was 4'11" and 98 pounds, so I never went out for baseball and never went out for foot. I was scared. Eventually, I wrestled, because there was a 98-pound class. That's when I found lifting.

I could dive into lifting by myself. It was only me and the weights. I'd sit in the basement at midnight on these ad hoc machines with little weights, going nuts for hours because no one was watching me. It was just me. 

TF: Were there any counterintuitive or particularly surprising findings that you found when looking at your notes from 28 years of training? 

EC: At the time I wrote the notes down, no. But when I look back at them, yes. The biggest surprise was that I took my time and made a little, tiny bit of progress four or five times a year. When you make a little progress four times a year over 28 years, you're going to be pretty good at what you do. I never thought, "Oh, I have to lift X amount of weight or accomplish Y." I just thought, "I'm going to get better, and this is what I have to do to get better. "These are my weaknesses; let me correct my weaknesses."

TF: What are some of the most common novice mistakes you see in lifting? 

EC: They don't take their time. They don't look at the long term goals, the big picture. I'll ask kids an old question that every old guy asks: "Where do you want to be in five years? Where do you see yourself?" If I apply that question to lifting, a lot of people don't get it. They're only thinking, "What am I going to do within six months?" They don't realize that if you make the whole body strong in every aspect that you possibly can over a period of just three years, you've created an impenetrable machine that won't get hurt, that won't break down, that you can have for the rest of your life because you followed what you're supposed to at the beginning.

They don't take the time to to dot their i's and cross their t's. By analogy, they can write the best paper in the world and turn it in to the teacher, but based on grammar, they're going to get a D. They don't take the time to do the little things: the assistance work, extra technique work, proper diet, prehab (injury prevention) exercises, etc.

I was fortunate because I was introverted - I realized what all of my weaknesses were. I only did two contests a year because I like to get better and have all that time to work on my weaknesses. So, for instance, my strength is my back and my hips. During my long off-season (roughly December to mid-June), I would do a high-bar Olympic close stance squat. Instead of regular deadlifts, I would do deadlifts with no belt and off of a deficit (an elevated platform) or use stiff-legs off of a deficit.

For the bench press, I would ask myself, "How can I make this harder so it will help with my lockout?" I'd then bench with my feet up and do more close-grip and incline benches, things like that.

What do I know will help me not only get (generally) strong but also transfer over to the main lifts? It doesn't matter if you have a pretty peak on your biceps if it doesn't do anything.

TF: When is it okay to max out with a lift? 

EC: Twice a year at meets. 

Usually, when people max out in a gym, they're pretty insecure and not confident about what their end results are going to be. Years ago, I went to Russia with Fred Hatfield and a few other people. This is before perestroika, and the USSR was incredibly powerful. I was in one of their old gyms, something you might see in a Rocky movie. I talked with the guys about training and they said, "You only have so many max attempts in your body over your lifetime. Why waste them in the gym?" I tend to agree with that.

TF: Are there any particular exercises that you think are neglected or that more people should incorporate? 

EC: Usually it's the hard ones like sets of pause squats. Guys can't use as much weight, it's harder, and a lot of the time they don't do them. The only way to get out of the bottom once you stop is for your whole body to push and sync at the right time. You can't have bad technique or you fall forward right away. I don't pause to a box . . . I taught myself how to stay tight with the barbell. 

TF: What are the most common mistakes you see in a squat? 

EC: People don't focus on the body as a whole when they squat. Everyone thinks you just use your legs. They think, "You don't want to hurt your back, so don't use your back." But you need an equal amount of push going down through the floor, which is your legs, and push going up, which is your back driving against the bar. This dual action is what allows your hips to activate and move forward like a hinge on a door. If one of those is not working, you fall forward. So I concentrate on hitting the hole, driving with my legs and driving straight up with my back into the bar. That makes the hips react. It's the same principle in the deadlift.

TF: Are there any particular prehab exercises that you like or dislike? 

EC: Layne Norton has suffered hip and back injuries over the last four years, and he came back. He has a tutorial of hip exercises on his Instagram account (@biolayne) that really helped him. I tried them, and they work phenomenally well.  

I also do some Kelly Starrett stretching with bands to open things up, and I use a lacrosse ball to work on the pecs, rhomboids, etc.

For the pecs, for instance, you stand at the side of a door frame, place the lacrosse ball directly on the pec tendon, then lean against the wall. If you're working on your right pec, you'd stand in front of the left side of a door frame, and your right arm would be straight out in front of you, inside the door frame, the right pec pressing the ball into the wall. The key is that you don't move the ball. Instead, you move your straight arm up and down while pushing against the ball, and you'll feel that sucker roll over the tendon. You're causing your own pain, which is more tolerable. 

TF: During your competitive career, did you find anything unusual to help with recovery? 

EC: Four times a week I received chiropractic care from a friend of Dr. Bob Goldman. Every time I went to see him, he worked on me from my feet up. Now you see a lot of people like Chris Duffin and Kelly Starrett rolling out the bottoms of their feet and doing ankle prep. At the time, we used something that looked like an abacus. Right after using it, I'd walk around and, all of a sudden, my knees didn't hurt and my back was tight. These days, I use a lacrosse ball. 

TF: I've heard you never missed lifts in training, which is rare. Where did you learn that approach? 

EC: I'm pretty sure it was on my own. I used to read Powerlifting USA when I was younger, but my routine was a basic linear periodization with a lot of thought put into picking assistance exercises. So here's what I would do: If I had a 12-week training cycle, I would start from week 12 - sets, reps, weights - and work my way back(wards) all the way to week one. I would have every set, every rep, and ever weight for every single exercise predetermined. I didn't care if it was a leg curl or a pause squat or shoulder press or bent row; whatever it was, my weight, sets, and reps were all figured out for the entire training cycle.

Then I would stop and I would look at that routine, all written in pencil, of course. I would ask myself, "Okay, is every single thing here doable?" If you have to think about it, change it. Make it so that you know 100 percent everything is doable. When you start that routine, imagine how positive your mental outlook is. It's huge. 

I was never depressed. I was never stressed. I never worried about "Can I do this next week?" I always knew I could. 

TF: Looking back at your peak training, what did your weekly split look like during that period of time?

EC: Mondays would be squats and all other leg assistance. Tuesdays would be off. Wednesdays would be bench with chest assistance and a lot of triceps work. I would come in on Thursdays, after pre-fatiguing the triceps on Wednesday, and only hit shoulders (primary go-to exercise: seated behind neck press, working up to 400-plus pounds). I would deadlift on Friday (with light squats as a warmup), do all of my back work. Saturday would be a light bench day for recovery using wide-grip bench, flyes, etc., with occasional smaller exercises like light curls and grip work. Sundays were off. 

TF: If you could have a gigantic billboard anywhere with anything on it, what would it say and why? 

EC: "BE NICE!"

As angry and "focused" as I was as a younger man, I found that those two words made my life much easier. I used to have a scowl on my face if anything differed from what I believed in any way, shape, or form. I don't know if this was because it was hard for me - as such an introvert - to express things outwardly, or if I was just a jerk. I don't think I was a jerk because I never acted on much.

Then, one day, there was this idiot in the gym who really, really used to get under my skin.

I took a deep breath, let it go, walked up, and said, "Hey, how are you doing? You look great. Congratulations on finishing school." Suddenly, I thought, "Holy Crap! This is amazing!" It was like I'd set myself free. it was gone. So even now, I just try to relax (with something like) "Hey, how are you doing? Nice to see you." If I really don't like something, or if something doesn't agree with me, I just walk away or talk to someone more positive.

I see this a lot with powerlifters Mark Bell and Stan Efferding. They don't let anybody or anything get to them. It's like water off a duck's back. 

TF: When you feel overwhelmed of unfocused, what do you do?   

EC: When I travel and I'm on long plane rides, I'll go through my last two weeks: What I did, what I thought of, how I can improve it, and what I'm going to do so I don't make mistakes. Stan Efferding actually taught me how to do that by writing lists (and it might only take 30 minutes) . . . When I put it on paper, it takes the emotion out and makes it easier to follow.

For instance, it's usually my procrastination and fear that have stopped me from doing things. I tend to think of things as a big whole and get overwhelmed. If I break it down, put it down on paper, then look at it a half hour later, all of those smaller things don't seem like a big deal. When I write it down on paper, it looks so much easier, because the fear in my mind is externalized, I can look at it and realize that it's not so scary.

TF: In the last five years, what new belief, behavior, or habit has most improved your life? 

EC: I have been doing Jeet Kune Do counter-violence training for some years since I stopped competing in powerlifting, and I love it. That would be on the short list. I had to teach myself how to move again, because I wanted to be an athlete and not a one-dimensional gorilla.   

TF: What purchase of $100 or less has most positively impacted your life in the last six months (or in recent memory)?

EC: It's a picture of my parents that I had framed. I've never heard my mom or dad badmouth anybody. The picture makes me think about how I should treat everyone I love.

The picture was taken only a few years ago, and it's my mom and dad together, next to each other - an upper torso shot. I'd never really seen them showing that much affection. My whole life, I never really saw it because of the five kids. and now the grandkids. They hadn't really had a chance to show it. They're both around 87 years old now, and they've had their health problems, but they're still kicking. They love life, they love their kids and grandkids, and it keeps them going. 

I think what they instilled in my without me even knowing it was the ability to observe. Still today, I think that's one of the things I'm really good at: just sitting back and observing. I've never been one to try to be the life of the party or to be too loud. I usually just sit back and observe with a smirk on my face. I don't think you realize how much your parents have given you until you get older and can reflect on it. 

TF: What is an unusual habit or an absurd thing that you love?

EC: I love my routine and when nothing upsets my routine. My dad used to tell me, "I know never to die and have my wake or funeral on a lifting day, because I know you won't be there." 

I've also taken a nap every day since I was a kid. I still try not to miss it. Usually it's 45 minutes to an hour and ideally around 3:30 or 4 p.m.

TF: What is the best purchase you've made in recent memory? 

Not too long ago, right after a surgery, the pulmonary doctor and anesthesiologist came in my room, and it was like the TV show Intervention. I said, "What's up, guys? You're not smiling." They said, "We have to talk. Your surgery took a little longer than usual because of the density of your bone and the size of your muscles and tendons." 

Now, that's fine with me. I'm happy. Then they said, "The hardest part of your whole surgery was keeping you breathing." Subsequently, I went in for a sleep study. They figured out that when I fall asleep on my side, I stop breathing eight times a minute. When I fall asleep on my back, I stop breathing 24 times a minute.   

So I got a CPAP machine, and it changed my life. It's helped me improve my focus, overcome negative thoughts akin to depression, and more. Your blood pressure comes down, your blood work starts changing, everything starts to happen because of it, I guarantee I'd been dealing with sleep problems my entire life. I just didn't realize it.

TF: What are bad recommendation you hear in your profession or area of expertise? 

EC: "The newest training ideas are the best!" Wrong. Tried-and-true basics lay the foundation for everything we do in and out of the gym.

TF: I hope this doesn't sound offensive, but why do you spell your name "Eddy"? It's an unusual spelling.

EC: The reason I don't spell it E-D-D-I-E is because of the first guest lifting appearance I ever did. I did a deadlift exhibition when I was young in Pittsburgh, Pennsylvania. It was on St. Patrick's Day of all days, and I already look like a freaking leprechaun. I pulled a deadlift and, after, some lady came up to me with Bill Pearl's book Keys to the Inner Universe, which is a gigantic book, and she said, "Would you sign this for me? I think you're going to be famous some day in powerlifting." I said, "Sure," but my hand was still shaking from the adrenaline of having just lifted. I still had my belt on and chalk on my hands. So I went to sign it and out came E-D-D-Y. I thought to myself, "You know what? I have to sign my name E-D-D-Y for the rest of my life so I don't negate the signature that I did for this lady." 



    
















Excerpt From "The Saga of the Tijuana Barbell Club" - Josh Bryant/Adam benShea (2017)

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Get Your Copy Here:


Some Articles by Josh Bryant:


Here's an Article by co-author Adam benShea
on Deadlifting for MMA:

And here's a great 2017 documentary film on the Roots of MMA! 
Outstanding film footage and interviews, a real sweet one:





Table of Contents

 Preface

The Original Members of the Tijuana Barbell Club

Introduction 

Chapter I: The Origins of Charuto and Cluster Sets
Cluster Set Arm Workouts
Cluster Set Shoulder Workout
Cluster Set Leg Workout
Cluster Set Back Workout
Cluster Set Chest Workout

Chapter II: Body Types and Individualism
Ectomorph Traits
Ectomorph Challenges
Ectomorph Training Tips
Ectomorph Training Frequency Guideline
Mesomorph Traits
Mesomorph Challenges
Mesomorph Training Tips
Mesomorph Training Frequency Guidlines

Chapter III: Gas Station Ready Interval Training

Chapter IV: Pause to Build Strength
Rest-Pause Training Explained
How to Use Rest-Pause Training
Kirk Peters' Plateau-Busting Chest Routine
Charuto's Bulging Back, Arms and Biceps Routine
Big Wheel's Rolling Leg Routine
Charuto's Strong Back equals Strong Man Routine
Oso's Male Stripper Shoulder Routine
Tijuana Barbel Club Rest-Pause Limit Strength Program 
The Program

Chapter V: Watching Waves and Building Sets
Wave Loading Overview
Why It Works
The Program
Accessory Exercises
Further Guidelines
Wave Loading Squat Program
Accessory Exercises
Further Guidelines
Wave Loading Deadlift Program
Accessory Exercises
Further Guidelines

Chapter VI: The Shock Method Challenge
Shock Training Workout Programs
Shock Training for the Chest
Shock Training for Shoulders
Shock Training for Biceps
Shock Training Triceps
Shock Training for Forearms
Shock Training for Calves
Shock Training for Quadriceps
Shock Training for Hamstrings 

Conclusion 


Here's that small excerpt, from Chapter VI: 

Shock Training for Quadriceps

When Sugar Murray coerced Charuto into joining a strongman show, Charuto did not expect that the experience would morph into a traveling vaudevillian spectacle. Murray, the consummate hustler, thought that they could get a following if they traveled to Nogales, Juarez, and Monterrey. 

For the most part, Charuto could read people well. It was a trait cultivated by his time working the door, where he would be required to make a quick judgement about someone's violent intentions. However, he would always believe in Murray's scatterbrained plans and it was no different when Murray suggested this itinerant idea.

To prepare for this next stage in the strongman show, Charuto needed to develop his leg training beyond the rest-pause routine. So he created the shock training workout for quadriceps, like the one included below.

Day 1

Front Squats, 5 x 5
Fronts are more knee-dominant than back squats. In other words, the quads are more active. Start light. The second set should increase in weight. The third set should be your top weight; maintain that weight for the remaining two sets. Rest three to four minutes between sets. 


Day 2 

Tyson Squat Workout (see description to follow)

Bodyweight squats force you to sit deeper, use your back less, and torch your quads in the process. Furthermore, reps with just your bodyweight will facilitate active recovery.

Start with 10 playing cards, and line them up two to four feet apart. Squat and pick up the first card, then move to the next card and place the first card on top of the second card . . . after which you squat twice more to pick up each card individually before moving to the third card. Walk to the third card and squat twice to stack each card, then squat three times to pick up each card before carrying the cards to the fourth card, and proceed with the pattern. You will continue this pattern of individually stacking and picking up the cards until you move through all 10 cards in the line. At that point, you will have completed 100 squats. You can add cards as your strength and endurance increase.


Day 3 

Toes Pointed in Leg Extensions 5 x 10 reps.

Squatting variations are functional and do a great job of inner quad or "tear drop" development, but they don't cut the mustard in developing "the sweep" or vastus lateralis. 

No human movements isolate the quads from the hamstrings, but a large sweep is the ideal in bodybuilding circles. So to acquire the sweep, you have to step outside of the functional training paradigm and hit the leg extensions. This unnatural movement unnaturally overloads the sweep to fully develop the quads and vastus lateralis.    

To further accentuate the vastus lateralis, we will point the toes while performing leg extensions. Per A. Tesch used MRI scans in the 1990s, showing that pointing the toes in better isolates the vastus lateralis and more recent EMG studies confirm this. 

Use a tempo of three seconds on the eccentric, two seconds on the concentric, and hold at the top contracted position for one second. [3/0/2/1 tempo]


 Day 4

Olympic Pause Squats, 3 x 8 reps

Olympic lifters have some of the best teardrops in the game. Let's emulate their success and squat like an Oly lifter. Pause at the bottom so the muscles are forced to do the work, rather than using the stretch-shorting cycle to assist us out of the hole. Furthermore, the pause will prolong time under tension. As we know, no muscle will fully develop without heavy, eccentric work.

Squat as low as possible. Think "ass to grass," not just breaking parallel. Pause each rep at the bottom for one second. Go as heavy as possible. Rest three to four minutes between sets.

2 (legs) Up, 1 (leg) Down Leg Press, 3 x 5 reps.

Use full range of motion. Start with a weight that you can do 20 reps with in a two-legged leg press. Lower with one leg for a steady tempo of five seconds. From the bottom position, forcefully push up to the starting position and repeat. Rest three minutes between sets.


Day 5

Repeat Day 2.  


Day 6

Sissy Squats, 3 x 15 reps

Get a good stretch at the bottom to reap the benefits of this movement. Use your bodyweight. Do not add additional resistance. Rest one to two minutes between sets.

Toes Pointed In Leg Extensions

Use a tempo of three seconds on the eccentric, two seconds on the concentric, and hold at the top contracted position for one second. Go heavy, but do not sacrifice technique or tempo for additional weight. Rest 90 seconds between sets. 


Day 7

Pistol Squats, 5 x 8 reps

If you are unable to complete pistol squats, do them on a bench or holding onto the squat rack. Once that becomes too easy, do them holding a towel. Rest one to two minutes between sets. 


There's all kinds of great stuff in this book. Check it out!

















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